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At his apartment one night, Lindsley turned on Martin Scorsese’s noir thriller Shutter Island. He felt an unsettling resonance watching Teddy Daniels, the anguished U.S. marshal played by Leonardo DiCaprio, lose his moorings inside a sinister mental facility. Lindsley wanted to spring for the exit, but didn’t know how to get out.

Joe Lindsley’s awakening came at a delicate moment for Roger and Beth. Ailes had learned that New Yorker journalist Peter Boyer was interviewing locals for an article about the contretemps surrounding the PCN&R. As was his custom, Ailes expressed wariness about his intentions. “You going to talk to that guy? It’s going to be a hatchet job!” Ailes told Gordon Stewart. But as Boyer was a serious reporter who had published an acclaimed book about CBS News in the late 1980s, Roger and Beth eventually agreed to speak with him. Although Boyer wrote for a magazine that Ailes labeled a liberal rag, he had reason to trust him. Boyer was a southern gentleman and a conservative.

When Boyer showed up at the PCN&R one morning in December to interview Beth and Lindsley together, the mood in the newsroom was tense. Despite the rift emerging between Lindsley and the Ailes family, Lindsley played the good soldier in front of the journalist. But Roger was wary. He began peppering Lindsley with phone calls about the impending article. “So how’s your friend Boyer doing? What’s your friend Boyer doing today? Hey man, what’s up with Boyer?”

“I’m not talking to the guy,” Lindsley would tell him. “When he calls, I tell you he calls.”

The New Yorker article hit newsstands on January 24, 2011. Headlined “Fox Among the Chickens” and written along the lines of Dr. Seuss’s The Butter Battle Book, Boyer’s story portrayed Roger and his liberal antagonists, like the Yooks and the Zooks, as destined to destroy any hope for peaceful coexistence. But unlike the Seuss book, which ends without any resolution of the conflict, by the end of Boyer’s tidy fable, mutual understanding ensued. “Many places a thousand times larger are served by only a single newspaper; Philipstown now has two, each distinctly better than what was there before,” he wrote.

Ailes was pleased with the result. “He called me the day after the story ran,” Stewart recalled, “and said he liked it and thought Boyer was really good, and Beth loved her picture.” Stewart and other townsfolk had a much dimmer view. They felt Boyer got spun.

As Boyer was completing his article over the Christmas holiday, Lindsley finally decided to resign. He told Roger and Beth about it in early January, a couple of weeks before the article was published. He said he would keep the information confidential and stay on for several months until they found a new editor in chief.

Roger and Beth did not take the news well, and it seemed to draw out Roger’s paranoid nature even more. One day, Roger called Lindsley with instructions for Haley: “Tell him not to wear a hoodie. It’s creepy.” Lindsley realized that Roger must have watched Haley leave the office on the security cameras, which were installed after a vandalism incident. Surveillance became a fact of life for the three reporters. During their lunch breaks to Panera Bread, a more discreet location in the next town, they wondered if they were being tailed by Ailes’s security detail. They wanted to leave, but had no place to go. Aware it was a gamble, Haley decided to call Boyer for help. He agreed to meet him, Panny, and Lindsley for a beer. “They made it clear that they were unhappy—which, frankly, quite surprised me,” Boyer later said. Boyer told them that, unfortunately, he did not have any promising leads.

Roger’s demands on Lindsley grew more controlling. One night, Lindsley got a call on his cell phone. Roger told him that the security alarms in the compound had been tripped. Roger, who was out of town and couldn’t make it to the house, told Lindsley to race up to the mountain and stop the intruders.

“What if they’re armed?”

“Doesn’t matter,” Ailes said. “Go up there!”

Lindsley arrived at the Ailes compound before the police did. Ailes stayed on the cell phone with Lindsley as he walked through the dark and empty mansion. He told Lindsley to flip on different lights to scare off any burglars. It turned out to be a false alarm.

In early March, Ailes arrived at the PCN&R office to stage an intervention of sorts and quell another staff rebellion. He met with Haley and Panny one-on-one. “I have two thousand employees at Fox, yet this small newspaper is the cause of all my headaches,” Ailes said. “I’m sick of the drama in this office.” He doled out to the young journalists kernels of self-help wisdom, iterations of lines from his book, You Are the Message.

The last week of March, Beth showed up on the warpath. She told Haley to stop coming in to the office and work from home, filing cover stories as usual. He did not know if he was being fired or not. She criticized Lindsley and Panny as well. It was the final push that the three needed. While Beth stepped out, Haley looked to his friends and nodded. They gathered up their things and walked out of the newsroom. Lindsley wanted to get the hell out of Cold Spring. Haley agreed to drive him to Washington, D.C., that night to see friends. As they drove out of town, they saw a dark Lexus SUV heading in the opposite direction. Beth was behind the wheel. Haley floored it and did not stop for miles.

The young journalists had reason to fear Ailes. When Panny went back to the office a few days later to offer her resignation in person, Roger and Beth screamed at her for an hour. They accused her of spreading dirt about them and asked her to sign a nondisparagement agreement that they had already prepared. Panny refused to look at the document and left. After a few days in D.C., Lindsley returned to his apartment in Cold Spring and noticed strange cars parked out front. As he drove to lunch that day, he saw a black Lincoln Navigator in his rearview mirror. He stopped his Jeep at a red light. When he saw the Lincoln swerve off the road into a construction site, he floored the gas as soon as the light turned green and headed back toward his apartment. Back in Cold Spring, Lindsley spotted the SUV on a side street and decided to turn the tables. He drove straight toward it. The Lincoln sped off. After a few blocks, his pursuer pulled over. Lindsley drove up alongside the driver and recognized him as a News Corp security officer. Later, Lindsley called the agent and asked if he was sent to follow him. He said Ailes told him to.

Peter Johnson Jr., who was taking over for his father as Ailes’s lawyer, sent the reporters a flurry of threatening emails and certified letters. They contained a nondisparagement agreement and a list of potential charges Roger and Beth were considering filing. Lindsley barraged Haley with panicked text messages. “The world’s fucking ending!” he wrote in one.

In April 2011, a few weeks after the walkout, Gawker reported a detailed account of the spying episode. Brian Lewis refused to comment for the story. “I hate everything that goes on up there,” he told people. None of the former PCN&R staffers were quoted by name in the article. But Beth blamed Lindsley. As soon as Gawker posted its story, Beth released a nasty statement attacking Lindsley as if he were the source: “These rambling allegations are untrue and in fact not even reality based.”

When Ailes walked into a meeting at Fox that week, he told his executives, “Lots of stuff is out there. None of it is true.” In future meetings, Ailes did not utter Joe Lindsley’s name.

The saga provided another example of how Ailes wielded power. The fear that swept through the PCN&R office was every bit as visceral as the panic experienced by CNBC executives during Ailes’s tenure.