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The doors slid shut and the elevator automatically began its descent to the research facility, which was located deep underground, in the foundations of the building. Carla knew enough about magic to understand why this odd location had been chosen-the natural earth that surrounded and enclosed the research lab protected it from unwanted astral intruders. There were probably magical sensors in the elevator shaft, as well.

The elevator descended quickly, producing a fluttering lurch in Carla’s stomach. She’d loved riding in high-speed elevators as a kid, and still enjoyed the partial sensation of free-fall that they produced. Now that feeling was overlaid with another, stronger emotion-excitement. She was in! She had penetrated Mitsuhama security-with Corwin’s help, of course-and was about to shoot some trid of the very lab that had given birth to the spirit that was ravaging the Matrix. She was doing what few shadowrunners would have dared-penetrating a secret research lab. And enjoying every moment of it, despite the danger.

The elevator glided to a stop. Carla braced herself prepared to be confronted by a room full of researchers who would demand to know what the frag she was doing in their lab. She set her eye camera for autofocus and got ready to brazen it out as best she could. She’d keep the camera running, identify herself as a reporter, then fire off questions in as authoritative a tone as she could manage and hope for some good reaction shots.

But when the doors slid open, they revealed a darkened lab. The only illumination came from above and behind Carla, in the ceiling of the elevator itself. It painted Carla’s shadow in a dark puddle, just inside the large room, and only partially illuminated the large, open space that lay beyond it. Stale-smelling air wafted through the elevator doors; it was clear that the labs climate-control systems weren’t working. They’d probably shut down yesterday morning when the spirit wiped the lab’s data files and scrambled the computer’s programming.

An icon of a double-headed arrow appeared on the wall of the elevator, next to the door. Next to it were he words: HOLD DOOR and a Japanese character that probably meant the same thing. Carla hit it, then stepped out of the comforting light of the elevator and into the shadow-filled room. As she’d hoped, the elevator doors remained open behind her. They probably wouldn’t close again until the elevator was summoned from upstairs. If they did, Carla would know that trouble was on its way.

She activated the low-light compensator in her cybereye. Able to distinguish shape from shadow now, he did a slow pan of the dimly illuminated room. She didn’t bother with a voice-over; she’d splice that in later. The room was utterly silent; all she could hear was the sound of her own breathing. Even the back-round hiss of air conditioning was missing.

She was on her own now. With the computer systems in this area disabled, Corwin wouldn’t be able to monitor her. Instead of hanging around in the Matrix while she searched the place, risking an attack by ice with each second that ticked by, he would, at this very moment, be making the last few “adjustments” to the computer system that operated the building’s security cameras. Then he’d jack out.

The area held a number of work stations, separated from one another by chest-high sound baffles. Each station contained a chair, data terminal, and various personal effects-soykaf mugs, desktop holographs of family members, brightly colored plastic knickknacks, flatprint photos attached with sticky gum to the sound baffles, and various hermetic fetishes, including an ornate gold amulet and chunk of raw crystal. Carla walked around the room with a smooth, practiced gait, pausing to zoom in now and again on a particular work station. Beside one of the data terminals was a blown-glass vase filled with fresh flowers whose delicate scent filled the air. Carla guessed that this must be Evelyn Belanger’s work station. At another station, personal effects were neatly piled in a large plastic container. On top lay a holograph of Mrs. Samji. This must have been Farazad’s.

Carla took a moment to riffle through it, but found nothing of interest. The plastic container held only a soykaf mug, family holos, and other personal effects. She opened the drawers of the work station, checking them one by one. A light stylus rattled around in one drawer, and a few magnetic clips and a tiny triangle of torn hardcopy were stuck to the back of another. But otherwise they were empty.

The research lab’s data terminals and computers were state-of-the-art-Mitsuhama models, naturally. And all had been partially disassembled. Data chips had been yanked out, drives had been exposed, and diagnostic tools were scattered around. Some frantic salvage work had been done here after the lab’s computer system had crashed. Carla wondered if they’d been able to save any files.

Some technician had jury-rigged an independent lighting system for the lab-cables snaked from a compact fuel cell unit to the lighting fixtures overhead. Carla considered powering up the lights, but, instead picked up a flashlight that lay on the floor beside the power unit. Judging by the silence and stillness, there wasn’t anyone else in the lab. But just in case someone was working in a back room, she’d wait until she’d checked the place out before announcing her presence with a blaze of light.

Carla was in full investigative mode now. Gone were her earlier fears of the dangers Mitsuhama’s security systems might pose. She felt only a rising excitement at having finally achieved her goal. Now all that was left was to shoot as much trid as possible-and hopefully to find something that would make all of her efforts to get here worthwhile.

There was a door in each of the room’s side walls and one in the rear. Carla opened the door to her left and shone the flashlight inside. A washroom. She crossed to the other side of the room and tried the second door. It was a simple lunch room, with table, uncomfortable looking metal chairs, a soykaf brewer, microwave, and sink. A half-eaten bag lunch still sat on the table; a wrinkled apple and wilted-looking sandwich lay on a plate.

The door at the back of the room had a sophisticated-looking maglock but was open a crack, due to the electrical cable that snaked through it and into the hallway beyond. There were doors on either side of the hallway, all but one of them held open by the electrical cable that had been run throughout the lab. All of these rooms were dark and silent. The one door that was closed bore a warning in both black letters and Japanese characters: EMERGENCY EXIT ONLY. WARNING. ALARM WILL SOUND. Carla wondered if the alarm was still working. If not-and if this door did lead up to the surface-this would make a good escape route if somebody surprised her in the lab.

The most interesting door was the one at the far end of the hail. It looked as though it had been lined with a layer of fuzzy green carpet. Set into the center of the door, at eye Level, was a heavy glass window a couple of centimeters thick. The scrollwork etched into the glass reminded Carla of the wards on the windows of Aziz’s shop.

The “carpet” that covered the door was in fact a dense coating of moss. Carla scratched a little of it off with the tip of a manicured fingernail. The door underneath was made of what looked like tightly pressed wood fiber into which the moss was rooted. Carla puzzled over that a moment, but then realized she was looking at something that mages called a “living wall.” The moss formed a natural, organic barrier through which astral creatures could not pass.

She couldn’t see much through the window; the thick glass distorted the beam of her flashlight. But at least she was able to satisfy herself that nothing was moving inside the room. Even so, she felt a shiver of trepidation as she reached for the doorknob. Was the moss designed to keep something out-or to keep something in?