“Looks wet,” said Hilts
“That’s because it’s raining,” replied Finn. “It’ll be drier inside.”
“Famous last words.”
“Are you coming or not?”
“Lead on.”
Finn went down the steps carefully, holding on to the rail. Hilts was close behind. As she passed beneath the entrance he snapped on the flashlight. There were more steps beyond and a maze of supports and roof beams. The steps went down into darkness. It looked more like an abandoned mine shaft than a holy grotto. So far she hadn’t seen anything even faintly religious. Her mind flailed around desperately trying to find some connection between an old limestone solution cave on the banks of a raging river in southern Illinois and a gold medallion in the possession of a mummified corpse in the Libyan Desert.
Based on the actions of Adamson and his colleagues the connection was more than tenuous-in fact, it was as solid as a steel bar. Solid enough for them to kill for, and more than once.
The steps ended and became a meandering boardwalk through a series of roomlike openings that were barely worthy of the word “cave,” let alone “cavern.” It looked as though at some point the Winter River or some tributary of it had cut through the rocks and over time had worn a narrow pathway, rarely wider than an arm span. Here and there along the walkway were stalactites and stalagmites and lavalike tables of accreted stone, but for Finn, who had been raised in a world of Mayan tombs and subterranean archaeological sites, the Rutgers Bluff Caverns of Wonder were pretty small potatoes. A minor show cave or roadside attraction, like the giant concrete egg she’d once seen in Men-tone, Indiana, or seven-story concrete statues of Jesus in Arkansas. What was here that could have affected the outcome of World War Two or interested anyone in the Vatican? It was absurd.
“There,” said Hilts.
“What?” she answered, stopping as his voice brought her away from her thoughts. He switched off the flashlight. Suddenly the narrow, arched cave they were standing in was alive with green, glowing images.
“Glow-in-the-dark key tags,” said Hilts. A goggle-eyed Jesus looked down from a stalactite. Mary prayed by a pool of stone. Fish swam across the ceiling with teeth like sharks’ and tails like guppies’. The Sermon on the Mount was rendered in knobs and blobs of stone painted with staring faces, and banners were crudely lettered with quotations from Scripture.
“Like the Haunted Mansion at Disney World,” said Finn. “Only God is doing the haunting.”
“It’s awful,” said Hilts, staring. They continued along the boardwalk and into the next cave. It was the size of a front porch and about as exciting. It was also grotesque. A huge Last Supper undulated across the arching ceiling, like a huge picnic table in flight, Apostles and cherubs and clouds, Judas with a hairline like Dracula and a winding tale like a bad dream by William Blake. Tasteless, talentless, and badly researched. Christ facing left instead of right, Simon the Zealot with long hair rather than bald, chalice in front of Christ when there was none. Thirteen disciples, not twelve.
Now that’s interesting, thought Finn. Even an illiterate who was even remotely Christian in this nation knew there were twelve, although almost no one except a priest or minister could actually name them. She had specialized in religious art of the Renaissance and she wasn’t sure she could do it herself. She stared up at the gigantic, hideous meal floating above her on the stony dripping ceiling and ticked them off in her mind, left to right: Bartholomew, James the Lesser and Andrew, Judas, Peter and John, or Mary Magdalene if you were a Dan Brown fan, followed by Thomas, James the Greater and Phillip, then Matthew, Jude, and lastly, Simon the Zealot. So who was the thirteenth figure, looming off to one side behind Simon in this ghastly rendition of the world’s most famous painting and second most famous literary meal? She stared. There wasn’t a lot of detail in the eight-foot-tall figure glowing on a slime-covered rocky wall made even slicker by the volumes of rain seeping through from above. It was a male, wearing a robe, bearded, one arm at its side, the other raised and pointing at… what?
“The last figure on the right?”
“The one pointing?”
“That’s the one.”
“What about him?”
“What’s he pointing at, exactly? Can you tell?”
“Looks like some kind of drapery over in the corner,” answered Hilts, pointing the flashlight. On the far side of the room a large flow of soluble lime had dropped down to form a pool. When the water in the cave had receded or been pumped out there was nothing left behind except a flowing cascade of stone called a Baldacchino canopy.
“I want to take a look,” said Finn. She slipped under the guardrail of the boardwalk and stepped carefully onto the wet surface of the cave floor beyond. Water trilled coldly up to her ankles. Slipping now was not an option.
“Why?”
She still wasn’t quite sure, but she suddenly knew that something from her distant childhood was calling her. The excitement of opening the secret door in the wardrobe to Narnia, of entering Merlin’s Crystal Cave, stepping into Dr. Who’s phone booth or Ray Bradbury’s Green Town, which if she recalled was also in Illinois.
“Did you know that they call this whole part of Illinois Little Egypt, and nobody knows why?” she called out, her voice echoing in the semidarkness. She kept carefully in the cone of light thrown by Hilts’s flashlight and concentrated on the slippery footing.
“I didn’t know that, no,” said Hilts, following her off the wooden boardwalk.
“Some people say it’s because southern Illinois supplied a lot of grain to the north in the bad winter of 1830-31. Other people say it’s because the confluence of the Mississippi and the Missouri reminds them of the Nile Delta. For some reason people gave places a lot of Egyptian names around here: Cairo, Karnak, Dongola, and Thebes. Even Memphis, if you want to stretch a point. They even have a giant glass pyramid for a basketball arena.”
“I’m not sure I see the point.”
“If you’re in a Catholic church, where do you hide a candle?”
“With all the other candles,” he answered.
“Exactly,” she said. She reached the Baldacchino canopy, braced herself, and slid around to one side.
“What?” Hilts said, coming carefully up behind her.
“I think I found it,” she whispered.
“What?”
“The candle.” She moved two feet to the right and disappeared before his eyes. Hilts stared, playing the light over the waterfall-like slab of ancient flowstone. There was no sign of her.
“Where are you?”
“Right in front of you,” said her disembodied voice. Suddenly she was there again, her bright face and wet, spiky dyed hair shining in the flashlight beam.
“How did you do that?”
“It’s the Caverns of Wonder. A miracle.”
“Show me.”
“Give me the light and take my hand.”
He put his hand in hers and squeezed. She squeezed back and he handed her the flashlight. Suddenly the cave was plunged into total, blind man’s darkness, the complete absence of light. She tugged his hand and he slipped behind the canopy with her.
Hilts found himself in a stiflingly small passage directly behind the oozing apron of rock. It was a space so close he could feel the wet stone brushing against him front and back. He was in some terrible crawl space: a crack in the world.
“Oh, jeez.”
“It’s okay.” A click echoed in the stifling space. Light flushed to the right and he saw that the narrow passage led to his right. There wasn’t even room enough to turn around.
“You’re kidding.”
“Come on.”
She shuffled to the right down the stick-thin passage, and he had no choice but to follow. It was either that or be left in the darkness. The farther he went the higher his heart moved into his throat. He thought of a hundred situations: a fall of rock, more rain, mud, simply getting stuck, glued in place. Some basic Freudian-Jungian-Stephen Kingian thing: man’s unholy heart-pounding nightmarish fear of being buried alive; the slight tension as a train goes into a tunnel under a mountain of suffocating rock.