"I told you to wait outside so you would not meet her. You knew that." The last three words were spat out, thrown at her like rocks.
She flinched. "I meant no harm this night."
That was almost a lie, but I didn't say anything. I could have told him that she'd threatened me, but somehow it seemed like tattling. She'd gone to a lot of trouble to get me alone. To warn me off. Her love for him was so naked. I could not enlist his help against her. Foolish, but true. Besides, I didn't like owing Jean-Claude favors.
"I'll leave you two lovebirds alone."
"What lies did you tell her about us?" His words scalded the air. I could feel myself choking on his rage. Jesus.
She fell to her knees, hands held upward, not to avoid a blow, but beseeching, reaching for him. "Please, I only wanted to meet her. To see the mortal that would steal you from me."
I did not want to see this, but it was like a car crash. I couldn't quite bring myself to leave.
"She steals nothing. I have never loved you."
The pain was raw on her face, and even under the makeup she looked less human. Her face was thinning out, bones growing more apparent, as if her skin were shrinking.
He grabbed her arm and pulled her roughly to her feet. His white-gloved fingers dug into her arm. If she'd been human, there would have been bruises. "Get hold of yourself, woman. You are losing control."
Her thinning lips drew back from fangs. She hissed at him, jerking free of his hand. She covered her face with hands that were almost claws. I'd seen vampires show their true form, but never by accident, never in the open, where anyone might see. "I love you." The words came out muffled and twisted, but the feeling in those three words was very real. Very. . human.
"Get out of sight before you disgrace us all," Jean-Claude said.
She raised a face to the light that was no longer human. The pale skin glowed with an inner light. The makeup sat on that glowing surface. The blush, eye shadow, lipstick seemed to float above the light, as if her skin would no longer absorb them. When she turned her head, I could see the bones in her jaws like shadows inside her skin. "This is not over between us, Anita Blake." The words fell out from between fangs and teeth.
"Leave us!" Jean-Claude's words were an echoing hiss.
She launched herself skyward, not a leap, not levitation, just upward. She vanished into the darkness with a backwash of wind.
"Sweet Jesus," I whispered it.
"I am sorry, ma petite. I sent her out here so this would not happen." He walked towards me in his elegant cape. A gust of icy wind whistled around the corner, and he had to make a grab for the top hat. It was nice to know that at least his clothing didn't obey his every whim.
"I've got to go, Jean-Claude. The police are waiting for me."
"I did not mean for this to happen tonight."
"You never mean for anything to happen, Jean-Claude. But it happens anyway." I put a hand up to stop his words. I didn't want to hear any more of them.
"I've got to go." I turned and walked towards my car. I transferred my gun back to its holster when I was safely across the icy street.
"I am sorry, ma petite." I whirled to tell him to get the hell away from me. He wasn't there. The streetlight glowed down on empty sidewalk. I guess he and Gretchen hadn't needed a car.
7
There is a glimpse of stately old homes to the right just before you turn onto Highway 44. The houses hide behind a wrought-iron fence and a security gate. When the homes were built, they were the height of elegance and so was the neighborhood. Now the town houses are an island in a rising flood of project housing and dead-eyed children who shoot each other over a scuffed sneaker. But the old money stayed, determined to be elegant, even if it kills them.
In Fenton the Chrysler plant is still the largest employer. A side road runs past fast-food restaurants and local businesses. But the highway bypasses them all. A straight line going onward and not looking back. The Maritz building spans the highway with a covered crosswalk that looks big enough to hold offices. It gets your attention like an overly aggressive date, but I know the name of the business, and I can't say that about many other buildings along 44. Sometimes aggressive works.
The Ozark Mountains rise on either side of the road. They are soft and rounded. Gentle mountains. On a sunny autumn day, with the trees blazing color, the mountains are startling in their beauty. On a cold December night with only my own headlights for company, the mountains sat like sleeping giants pressing close to the road. There was just enough snow to gleam white through the naked trees. The black shapes of evergreens were permanent shadows in the moonlight. A limestone cliff shone white where the mountains had been cracked open for a gravel pit.
Houses huddled at the base of the mountains. Neat farmhouses with front porches just made for sitting on. Not-so-neat houses made of unpainted wood with rusty tin roofs. Corrals sat in empty fields without a farmhouse near. A single horse stood in the icy cold, head down searching the tops of the winter-killed grass. A lot of people kept horses out past Eureka—people who couldn't afford to live in Ladue or Chesterfield, where houses cost over half a mil a piece, but you did get barns, exercising pens, and a corral in your backyard. Here all you got was a shed, a corral, and miles to drive to visit your horse, but at least you had one. A lot of trouble to go to for a horse.
The white head of a road sign flashed in the headlights. I slowed down. A car had run into the pole and crumbled it like a broken flower stem. The sign was hard to read from a sixty-degree angle. Which was probably why Dolph had told me to look for the smashed sign rather than the street name.
I pulled onto the narrow road. In St. Louis we'd gotten about a three-inch snowfall. Here it looked more like six. The road hadn't been plowed. It angled sharply upward, climbing into the hills. Tire tracks like wagon wheels made two lines through the snow. The police cars had gotten up the hill. So could my Jeep. In my old Nova I might have been wading fresh snow in high heels. Though I did have a pair of Nikes in the trunk. Still, jogging shoes weren't a big improvement. Maybe I should buy a pair of boots.
It just didn't snow that much in St. Louis. This was one of the deepest snowfalls I'd seen in four years. Boots seemed sort of unnecessary.
The trees curled over the road, naked branches bouncing in the headlights. Wet, icy trunks bent towards the road. In summertime the road would be a leafy tunnel, now it was just black bones erupting from the white snow.
At the crest of the hill there was a heavy stone wall. It had to be ten feet tall, and effectively hid anything on the left-hand side of the road. It had to be the monastery.
About a hundred yards further there was a plaque set in the wall next to a spiked gate. St. Ambrose Monastery was done in raised letters, metal on metal. A driveway curved up and out of sight around a curve of hill. And just across from the entrance was a smaller gravel road. The car tracks climbed into the darkness ahead of me and vanished over the next hill. If the gate hadn't been there for a landmark, I might have missed it. It was only when I turned the Jeep to an angle that my lights caught the tire tracks leading off to the right.
I wondered what all the heavy traffic was up ahead. Not my problem. I eased onto the smaller road. Branches scraped at the Jeep, scratching down the gleaming paint job like fingernails on a chalkboard. Great, just great.