I had said: “I want to live with you in the greatest possible intimacy.” That was one of the things I had said so many times, with all the awkwardness in the shaping of the words that makes the things that lie deep and dominant in us so difficult to say.
I saw this thing turn, like a flower, once picked, turning petals into bright knives in your hand. And it was so much desired, so lovely, that your fingers will not loosen, and you have only disbelief that this, of all you have ever known, should have the possibility of pain. All the time, you are seeing the blood trickling a red answer slowly down your hand.
Chapter 30
I left the welfare office at the end of April.
On the Wednesday of my last week there, my father telephoned me. I went to the telephone expecting the voice of John, with a message from Jenny about some book on antenatal exercises I had promised to get her at the bookshop where I had once worked, and I heard one of the bright, interchangeable voices of the Mine switchboard operators: “One moment. … Your call, Mr. Shaw, you’re through. …”
Our conversation was not so much tense, as stilted with a kind of shyness. “I just wanted to know how you were, my dear. …”
“And you? Everything all right?”
“Oh, yes. Just as usual. — Well, I don’t want to keep you from your work, Helen—”
“It’s all right. As it happens this is my second last day. I’m changing my job.”
“Oh?” He wanted to show me how little he wanted to criticize or upset me, my father who had started as office boy and ended up as Secretary in the same office on the same Mine, and for whom a change of job would have been almost as great a disturbance as the transmigration of his soul. “Have you found something that suits you better? That’s very nice.”
“Well, not yet. I’ve got one or two things in mind. The Belgian Consulate, for one. …” “That should be interesting; a chance to have contact with the wider world. Well, I hope you get it, my dear—”
I sat down to my desk again: the call scarcely had been an interruption at all.
An hour later I suddenly asked the girl at the switchboard to get me the Mine number. I heard my father hold back the surprise in his voice as, in his bewilderment with me, he suppressed any show of emotion in case it should be the wrong one in my eyes. “Daddy, do you think I could come home this week end? What do you think—”
“No, of course, Helen. It will be all right. Your mother won’t say anything, I’m sure. Only don’t say anything to her. Just let it be as if nothing had happened. She’ll be very glad.”—he paused—“Sometimes she’s hasty. And afterward she can’t — it’s not in her nature …”
“I know. Good, then. I won’t phone her. You tell her and I’ll come. On Saturday. In the morning, most probably.”
I told Paul that my father had telephoned me and that I was going to Atherton at the week end. “Didn’t I tell you?” he said. “‘Never darken my doorstep again.’ And how long is it — six weeks?”
We were having lunch in the basement cafeteria round the corner from the offices, where the smoke and sizzling of hamburgers thickened the noise of the crush, and the hands of the Indian waiters flashed like conjurers’ as they raced to serve too many people at once.
I shrugged.
He flicked the two little marbles of butter, buried in a lettuce leaf like pearls in an oyster, onto my roll, and leaned over and took the butter dish belonging to the next table, where two fat young men and an ogling girl were just rising. “Next they’ll be asking tenderly after me. I’ll be coming along for the week end, too. And they’ll be secretly planning their grandchildren.”
At home where a thousand times we were alone and the tension between us urged it, there was a space cleared for it, it had never been spoken. But now I said: “We’ll never be married.” It was spoken quite simply and flatly, from some part of me that was not aware of mutations of which his easy, half-flippant mood and the restless, food-murky den were one.
He put his paper napkin down slowly under his hand. It was a gesture halting everything. “Why do you say that?”
I said, far away, looking at him a long way across the crowded little table: “Because it’s so.”
“But what makes you say that—” He had the little twitching nervous smile of the onset of strong fear or anger. “You can’t just say it — Why? Why do you?”
“You know it,” I said again.
His hands made a flurry of picking up a spoon and fork; faltered beneath his gaze and mine and took up instead the teaspoon needed to stir his coffee. He drank. “Mad,” he said to himself, “things that come to you.”
The waiter jerked his head for our attention as if he were putting it impatiently round a door. “Sweets, miss?”
“D’you feel like anything—”
“What about you? If you do, then.”
“Well it’s five past already, and you said you wanted to go down to the framer’s. … We might as well go straight off.” He stood up to let me edge past the table in front of him.
The paper napkin lay in a tight ball beside his plate.
I lay on the lawn at the side of our house under my bedroom window. The bottom of the jasmine hedge had thinned with age and through it I could see the front garden and the doves which flopped down, every now and then, in the dust and the red leaves blown from the Virginia creeper. Our house was shedding its shaggy summer coat; the leaves had turned bright and brittle, and there were patches where the brick showed under a light tracery of bare tendrils. The cement had worn away with years of rain, and the edges of the bricks were rounded, crumbling.
Under my head was one of the cushions from the veranda. Don’t take one of the good ones; take an old one from the veranda. Yet who will ever wear out the good ones? What was the occasion for which everything had always been saved?
I lay letting my eyes follow the line of upended bricks that marked the border of the path and the crescents and circles of the flower beds; so had I followed them with my feet when I was a child, balancing myself against the mild sunny boredom of a summer afternoon. (Where had I read it: It is always summer when you remember childhood. …) The week end was already half over and it all had passed at the tempo of this midmorning. Soon my mother would call out (she knew she would not be clearly heard and so a minute or two after Anna would come slowly round the side of the house, coming right up to me and saying suddenly: The missus says tea, Miss Helen) just as she had called for breakfast this morning and dinner last night. The hours flowed in and out between the beacons of meals, and there was nothing else to divide up the day.
It had all been so easy in such a matter-of-fact, flaccid way, like the expected resistance of a muscle that is discovered to be atrophied. My mother, who never had the strength to give in, could always evade. She did it this time by creating an atmosphere of convalescence in the house; she treated my father and me, and even herself, as if we were all recovering, shaken, from an illness we did not speak about. We did not speak much at all, in fact; she made it seem as if this was to be expected when one must conserve one’s strength.
So I lay on the lawn on Saturday afternoon, I lay on the lawn all Sunday morning. I don’t believe I thought at all; just flicked over images in my mind, people and places I had not remembered for years blowing suddenly bright in the darkness behind my eyes the way the wind ruffles and arrests the pages of a picture book. Olwen; the dark settling on the shuffling children in the Atherton cinema on a Saturday afternoon; Mrs. Koch, her veined, elderly feet freed in the sand; myself, standing on the dining-room table while my mother evened the hem of a new dress; the Dufalettes I used to watch through the hedge, so that I could tell them apart more accurately by their feet than by their faces. I was not asleep but I preferred to keep my eyes closed. When they opened involuntarily it was as if something split; the light seared in; then I could see the angle of the house, the hedge, the garden; and, if I rolled half onto my back, on the perimeter of my sky the tops of some of the old fir trees which soughed about the Mine over the faint rough pant of the stamp batteries like the sea drowning the subterranean cries of its monsters. And, just seen behind the Dufalettes’ chimney, the derrick of the shaft head itself. The house, the hedge, the garden, the shaft head: it all said: I am. But when I let my eyelids drop darkness again, nothing was; there were rents, tears, sudden fadings in the vividness of what I saw that proved the nonexistence of these faces, these places: harmless, by being past. Even a threatening image carried reassurance in its ephemerality; nothing more than a fist shaken in the distance by a hand that will never be near enough to strike again.