“Life casts.”
His friend winked. “High times in sunny Italy. Signor Buonarroti liked them dripping in plaster, ooh la la.”
Because he was smitten by an ideal of health and life, some full-moon notion of the hale and hearty. Of soundness, bloom, the body filled to its sunny, f-stop conditions of solstitial, absolute ripeness like a ship floating in water precisely between its measured load lines. Flowers in their brief perfection broke his heart. Healthy beasts did. All perfect specimens, male and female. All heedless vitality, all organisms generally unconscious of pain, unmindful of death. It was why he had become a doctor in the first place and chosen pediatrics as his specialty. It was what both appalled and fascinated him about Jews.
He was already a resident when he saw the photographs. Of the survivors. From the camps. Not men but devastated, stick- figured blueprints for men. The declined, obscene inversions of all those anatomical paradigms of the human he’d studied at university. And that overturned for him forever the near-flawless portraits of the sound and scatheless, the immaculately unblemished, all those slick, transparent graphics and overlays that had, almost without his thinking about it, instilled in him an idea of centrifugal man, the notion of health as a radiation outward from some fixed center, of the organs and glands, the gristles and guts, impacting their neighbors, transmitting actual electric life from some unseen, unseeable omphalos — pith? gist? soul? — as if body, body itself, were only a kind of archaeology, some careful pile of palimpsest arrangement, sequential as arithmetic. The photographs had been a revelation to him, astonishing not for what they revealed to him about what men were capable of doing to each other but for what they taught him about his trade. He had to revise all his old theories. Disease, not health, was at the core of things; his idea of pith and gist and soul obsolete for him now, revised downward to flaw, nubbin, rift; incipient sickness the seed which sent forth its contaged shoots raging through the poisoned circuits of being. He stuck a jeweler’s loupe in his eye and examined, pored over, scrutinized, their busted constitutions. From loose and sunken skeletons, from hollows and craters beneath baggy skin ill-fitting as badly hung wallpaper, he dared spectacular diagnoses, astonishing prognoses. He must have seemed like some scholarly counterfeiter, double-, even triple-checking his plates, searching them for error and balls-up. Learning more from those terrible photographs than ever he had from the perfect meat in those idealized medical texts. He must have seemed crazy to his Jewish registrar, who caught him out, the loupe in his eye like a pawnbroker’s and the pictures spread out before him like pornography.
But Colin Bible was a different story.
Colin Bible was a perfect specimen and Mr. Moorhead was flustered by him. He hadn’t bargained for any Colin Bible. Most likely the male nurse was a fag and, already in love with the man’s visible health, Moorhead bit his nails and worried that he’d have to share a room with him. He wished now he’d argued more persuasively with his wife, a comfortable, not unattractive woman, made safe to Moorhead’s consciousness by the varicose veins in her calves, that she accompany him. Moorhead, who wished to be a good man, missed her. He was crying again, not soundlessly this time but openly sobbing.
Benny Maxine stirred and murmured in his sleep, and Moorhead leaned over to listen.
“If you can’t afford to lose, don’t gamble,” Benny mumbled.
Lydia Conscience giggled. Of all the children on the plane — indeed, of all the sleeping children in the world at that moment, those in their beds for the night as well as those merely napping — she was the only one who happened to be dreaming of the Magic Kingdom. She knew this because there was no busy signal, no distracting burr to flatten and compromise the call. And, though she was a generous child, it was pleasant to have the dream to herself, not, as in hospital, to have always to share — the attentions of the nurses, treats, visitors, the ward’s big telly — with the other patients.
The big park was not empty of visitors — that would have frightened her — but there were no long lines for the rides and shows and restaurants, no one in the clean rest rooms. There were a nurse and a doctor on duty in the cool, comfortable emergency tent but no one was there to cry out for first aid, not even a lost child to rumple a cot or mess the place up with candy wrappers, soft-drink bottles, an ice-cream cone, smashed and melting on the pavement. Except for the cheerful, efficient crew, Lydia had Captain Nemo’s plush, handsomely appointed submarine practically to herself, a fine view through the big portholes of the fleet’s other craft disporting like dolphins in the dark clear water — water, Lydia imagined, crisp and quenching in the throat as the ice in the packs that brought down her fevers and cooled her sleep.
Throughout the Magic Kingdom there was the same comfortable traffic, the thin, perfect crowds there only for scale, to set off the fantastic buildings and marvelous attractions, appearing, or so it seemed to Lydia, as they must have appeared in the original architectural sketches, well-groomed adults and their kempt, healthy children taking their ease on the wide benches and strolling at leisure through the park’s beautiful pavilions, the cunning vistas and landscapes, the visitors — Lydia was the exception — like line drawings, attractive figures in a brochure, well-behaved as guests at a garden party. Lydia was delighted by her unobstructed views, by her keen sense of privilege and status. On the river trip, for example, in the tiny steamer that vaguely replicated the African Queen with its chuffing, sputtering engine and its soiled and rumpled honorable mate, Lydia was comfortable enough during even the small boat’s most treacherous passages down the winding jungle river to load her camera, get exactly the right light reading, focus carefully, and shoot only after she was satisfied with her composition. When a fierce-looking hippopotamus submerged itself in the muddy waters alongside the ship, Lydia had sufficient presence of mind to ask the mate to turn off the engines so that she might get an even better picture when he reemerged into the air.
“She,” the mate said.
“Sir?” Lydia Conscience said quizzically.
“That hippo’s a female, miss,” the man informed her. “She does that for her babies. It ain’t playfulness, mademoiselle. The fact is, hips hate water about as much as cats do. It’s a hygiene thing. She’s setting an example for her cubs. They must be fairly close by or she wouldn’t have bothered. She’ll come up two more times, then make that noise they’re so famous for, that special- call noise that the cubs, no matter where they are and no matter what they’re doing, have to come running when they hear it. That’s the picture you want, ma’am. I’ll steer the boat over to where the water’s a bit clearer. You can get a shot of the cubs sucking her teats.”
“Really, Mister Bale!” Lydia said.
“It’s how they breathe, Fräulein,” the grizzled mate explained. “They get their air out of the cow’s milk. Something terrible is a hippopotamus’s breath, but them little ones’ lungs is so tiny they’d drown otherwise.”
“Nature is amazing,” Lydia Conscience said.
“It’s alarming, comrade. Me, I never went to no school,” the man told her. “I learned all my lore here on the river.” With a broad sweep of his arm he indicated the rubber duckies floating on the surface of the water, the mechanically driven, wind- up sharks, the needlework palm fronds along the banks.