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“I am going back to fetch the boat. Stay here.”

I swam on. A shoal of several hundred golden-gray fish followed me. I turned, they turned. I swam on, they followed, truly Greek in their obsessive curiosity. Then I lay over a great slab of rock which warmed the water almost to bath heat. The shadow of the boat fell across it. Conchis led me a little way to a deep fissure between two boulders, and there suspended a piece of white cloth on the end of a line. I hung like a bird in the water overhead, watching for the Octopus he was trying to entice. Soon a sinuous tentacle slipped out and groped the bait, then other swift tentacles, and he began skillfully to coax the octopus up; I had tried this myself and knew it was not nearly as simple as the village boys made it seem. The octopus came reluctantly but inevitably, slow-whirling, flesh of drowned sailors, its suckered arms stretching, reaching, searching. Conchis suddenly gaffed it into the boat, slashed its sac with a knife, turned it inside out in a moment. I levered myself aboard.

“I have caught a thousand in this place. Tonight another will move into that same hole. And he will let himself be caught as easily.”

“Poor thing.”

“You notice reality is not necessary. Even the octopus prefers the ideal.” A piece of old white sheeting, from which he had torn his “bait,” lay beside him. I remembered it was Sunday morning; the time for sermons and parables. He looked up from the puddle of sepia.

“Well, how do you like the world below?”

“Fantastic. Like a dream.”

“Like humanity. But in the vocabulary of millions of years ago.” He threw the octopus under the thwart. “Do you think that has a life after death?”

I looked down at the viscid mess and up to meet his dry smile. The red-and-white skullcap had tilted slightly. Now he looked like Picasso imitating Gandhi imitating a buccaneer. He let in the clutch lever and we moved forward. I thought of the Maine, of Neuve Chapelle; and shook my head. He nodded, and raised the white sheeting. His even teeth gleamed falsely, vividly in the intense sunlight. Stupidity is lethal, he implied; and look at me, I have survived.

23

We had lunch, a simple Greek meal of goat’s-milk cheese and green-pepper salad with eggs, under the colonnade. The cicadas rasped in the surrounding pines, the heat hammered down outside the cool arches. All the time we talked of the undersea world. For him it was like a gigantic acrostic, an alchemist’s shop where each object had a mysterious value, an inner history that had to be deduced, unraveled, guessed at. He made natural history sound and feel like something central and poetic; not an activity for Scout masters and a butt for Punch jokes.

The meal ended, and he stood up. He was going upstairs for his siesta. We would meet again at tea.

“What will you do?”

I opened the old copy of Time magazine I had beside me. Carefully inside lay his seventeenth-century pamphlet.

“You have not read it yet?” He seemed surprised.

“I intend to now.”

“Good. It is rare.”

He raised his hand and went in. I crossed the gravel and started idly off through the trees to the east. The ground rose slightly then dipped; after a hundred yards or so a shallow outcrop of rocks hid the house. Before me lay a deep gulley choked with oleanders and thorny scrub, which descended precipitously down to the private beach. I sat back against a pine trunk and became lost in the pamphlet. It contained the posthumous confessions and letters and prayers of a Robert Foulkes, vicar of Stanton Lacy in Shropshire. Although a scholar, and married with two sons, in 1677 he had got a young girl with child, and then murdered the child; for which he was condemned to death.

He wrote the fine muscular pre-Dryden English of the mid-seventeenth century. He had mounted to the top of impiety, even though he had known that the minister is the people’s Looking-glass. Crush the cockatrice he groaned from his death cell. I am dead in law—but of the girl he denied that he had attempted to vitiate her at Nine years old; for upon the word of a dying man, both her Eyes did see, and her Hands did act in all that was done.

The pamphlet was some forty pages long, and it took me half an hour to read. I skipped the prayers, but it was as Conchis had said, far more real than any historical novel—more moving, more evocative, more human. I lay back and stared up through the intricate branches into the sky. It seemed strange, to have that old pamphlet by me, that tiny piece of a long-past England that had found its way to this Greek island, these pine trees, this pagan earth. I closed my eyes and watched the sheets of warm color that came as I relaxed or increased the tension of the lids. Then I slept.

When I woke, I looked at my watch without raising my head. Forty minutes had passed. After a few minutes more of dozing I sat up.

He was there, standing in the dark ink-green shadow under a dense carob tree seventy or eighty yards away on the other side of the gulley, at the same level as myself. I leapt to my feet, not knowing whether to call out, to applaud, to be frightened, to laugh, too astounded to do anything but stand and stare. The man was costumed completely in black, in a high-crowned hat, a cloak, a kind of skirted dress, black stockings. He had long hair, a square collar of white lace at the neck, and two white hands. Black shoes with pewter buckles. He stood there in the shadows, posed, a Rembrandt, disturbingly authentic and yet enormously out of place—a heavy, solemn man with a reddish face. Robert Foulkes.

I looked round, half expecting to see Conchis somewhere behind me. But there was no one. I looked back at the figure, which had not moved, which continued to stare at me from the shade through the sunlight over the gulley. And then another figure appeared from behind the carob. It was a white-faced girl of about fourteen or fifteen, in a long dark-brown dress. I could make out a sort of closefitting purple cap on the back of her head. Her hair was long. She came beside him, and she also stared at me. She was much shorter than he was, barely to his ribs. We must have stood, the three of us, staring at each other for nearly half a minute. Then I raised my arm, with a smile on my face. There was no response. I moved ten yards or so forward, out into the sunlight, as far as I could, to the edge of the gulley.

“Good day,” I called in Greek. “What are you doing?” And then again: “Ti kanete?

But they made not the least reply. They stood and stared at me—the man with a vague anger, it seemed, the girl expressionlessly. A flaw of the sun-wind blew a brown banner, some part of the back of her dress, out sideways. I thought, it’s Henry James. The old man’s discovered that the screw could take another turn. And then, his breathtaking impudence. I remembered the conversation about the novel. Words are for facts. Not fiction.

I looked around again, towards the house; Conchis must declare himself now. But he did not. There was myself, with an increasingly foolish smile on my face—and there were the two of them in their green shadow. The girl moved a little closer to the man, who put his hand ponderously, patriarchally, on her shoulder. They seemed to be waiting for me to do something. Words were no use. I had to get close to them. I looked up the gulley. It was uncrossable for at least a hundred yards, but then my side appeared to slope more easily to the gulley floor. Making a gesture of explanation, I started up the hill. I looked back again and again at the silent pair under the tree. They turned and watched me until a shoulder on their side of the small ravine hid them from view. I broke into a run.

The gulley was finally crossable, though it was a tough scramble up the far side through some disagreeably sharp-thorned bushes. Once through them I was able to run again. The carob came into sight below. There was nothing there. In a few seconds—it had been perhaps a minute in all since I had lost sight of them—I was standing under the tree, on an unrevealing carpet of shriveled seedpods. I looked across to where I had slept. The small gray and red-edged squares of the pamphlet and Time lay on the pale carpet of needles. I went well beyond the carob until I came to strands of wire running through the trees, at the edge of the inland bluff, the eastern limit of Bourani. The three cottages lay innocently below among their little orchard of olives. In a kind of panic I walked back to the carob and along the east side of the gulley to the top of the cliff that overlooked the private beach. There was more scrub there, but not enough for anyone to hide, unless they lay flat. And I could not imagine that choleric-looking man lying down flat, in hiding.