Выбрать главу

“I was ashamed then. I am proud now to have Greek and Italian and English blood and even some Celtic blood. One of my father’s grandmothers was a Scotswoman. I am European. That is all that matters to me. But in 1914 I wanted to be purely English so as to be able to offer myself untainted to Lily.

“You know, of course, that something far more monstrous than my adolescent Arabian Night was being imagined in the young mind of twentieth-century Europe. I was just eighteen. The war began. They were unreal, the first days of that war. So much peace and plenty, for so long a time. Unconsciously, in the Jungian collective id, perhaps everyone wanted a change, a purge. A holocaust. But it appeared to us unpolitical citizens a matter of pride, of purely military pride. Something which the Regular Army and His Majesty’s invincible Navy would settle. There was no conscription, no feeling, in my world, of necessity to volunteer. It never crossed my mind that I might one day have to fight. Moltke, Bülow, Foch, Haig, French—the names meant nothing. But then came the somber coup d'archet of Mons and Le Cateau. That was totally new. The efficiency of the Germans, the horror stories about the Prussian Guards, the Belgian outrages, the black shock of the casualty lists. Kitchener. The Million Army. And then in September the battle of the Marne—that was no longer cricket. Eight hundred thousand—imagine them drawn up down there on the sea—eight hundred thousand candles all blown out in one gigantic breath.

“December came. The 'flappers’ and the 'nuts’ had disappeared. My father told me one evening that neither he nor my mother would think the worse of me if I did not go. I had started at the Royal College of Music, and the atmosphere there was at first hostile to volunteering. The war had nothing to do with art or artists. I remember my parents and Lily’s discussing the war. They agreed it was inhuman. But my father’s conversation with me became strained. He became a special constable, a member of the local emergency committee. Then the son of his head clerk was killed in action. He told us that one silent dinner-time, and left my mother and me alone immediately afterwards. Nothing was said, but everything was plain. One day soon afterwards, Lily and I stood and watched a contingent of troops marching through the streets on their way to Victoria. It was wet after rain, the pavements shining. They were going to France, and someone beside us said they were volunteers. I watched their singing faces in the yellow of the gaslamps. The cheering people around us. The smell of wet serge. They were drunk, marchers and watchers, exalted out of themselves, their faces set in the rictus of certainty. Medieval in their certainty. I had not then heard the famous phrase. But this was le consentement frémissant a la guerre.

“They are mad, I said to Lily. She did not seem to hear me. But when they had gone she turned and said, If I was going to die tomorrow I should be mad. It stunned me. We went home in silence. And all the way she hummed, I now—but could not then—believe without malice, a song of the day.”

He paused, then half sung it:

We shall miss you, we shall kiss you,

But we think you ought to go.

“I felt like a small boy beside her. Once again I blamed my miserable Greek blood. It had made me a coward as well as a lecher. I see, when I look back, that indeed it had. Because I was less a true coward, a calculating coward, than someone so innocent, or so Greek, that he could not see what the war had to do with him. Social responsibility has never been a Greek characteristic.

“When we reached our houses, Lily kissed my cheek and ran in. I understood. She could not apologize, but she could still pity. I spent a night and a day and a second night in agony. The next day I saw Lily and told her I was going to volunteer. All the blood left her cheeks. Then she burst into tears and threw herself into my arms. So did my mother when I told her. But hers was a purer grief.

“I was passed fit, accepted. I was a hero. Lily’s father presented me with an old pistol he had. My father opened champagne. And then when I got to my room, and sat on my bed with the pistol in my hands, I cried. Not from fear—for the sheer nobility of what I was doing. I had never felt public-spirited before. And I also thought that I had conquered that Greek half of me. I was fully English at last.

“I was pushed into the 13th London Rifles—Princess Louise’s Kensington Regiment. There I became two people—one who watched and one who tried to forget that the other watched. We were trained less to kill than to be killed. Taught to advance at two-pace intervals—against guns that fired two hundred and fifty bullets a minute. The Germans and the French did the same. No doubt we should have objected if we had ever seriously thought about action. But the current myth at that time maintained that the volunteers were to be used only for guard and communication duties. The regulars and reservists were the fighting troops. Besides, every week we were told that because of its enormous cost the war could not last another month.”

I heard him move in his chair. In the silence that followed I waited for him to continue. But he said nothing. The stars shimmered in their dustless glittering clouds; the terrace was like a stage beneath them.

“A glass of brandy?”

“I hope you’re not going to stop.”

“Let us have some brandy.”

He stood up and lit the candle. Then he disappeared.

I lay in my chair and stared up at the stars. 1914 and 1953 were eons apart; 1914 was on a planet circling one of the furthest faintest stars. The vast stretch, the pace of time.

Then they came again, those footsteps. This time, they approached. It was the same rapid walk. But it was much too warm for rapid walking. Someone wanted to reach the house urgently, and without being seen. I got quickly to the parapet.

I was just in time to glimpse a pale shape at the far end of the house move up the steps and under the colonnade. I could not see well, my eyes had been dazzled, after the darkness, by the candle. But it was not Maria; a whiteness, a flowing whiteness, a long coat or a dressing gown—I had only a second’s sight, but I knew it was a woman and I knew it was not an old woman. I suspected, too, that I had been meant to see her. Because if one wanted to get into the house unheard, one wouldn’t cross the gravel, but approach the house from the rear, or the far side.

There was a sound from the bedroom and Conchis appeared in the lamplit doorway, carrying a tray with a bottle and two glasses. I waited till he had set it by the candle.

“You know someone has just come in downstairs.”

He betrayed not the least surprise. He uncorked the bottle and carefully poured the brandy. “A man or a woman?”

“A woman.”

“Ah.” He handed me my brandy. “This is made at the monastery of Arkadion in Crete.” He snuffed the candle and went back to his chair. I remained standing.