Nearby, he saw the square open trapdoor that led down into The Fort. He peered in but could see nothing; he quickly dropped through the opening, landing hard. The whimpering was louder now, and he whirled around. "Billy?"
His son was crouched in a dark corner of the room in a modified fetal position, knees drawn up to his chin. His shut was ripped and tattered, covered with grease and dirt. His face was blank.
He was wearing no pants.
"Billy," Doug cried, rushing forward. He was screaming and crying all at once and he fell to the ground, hugging his son. Within him the rage and fear and pain had coalesced into one horrible all-consuming feeling of hatred, and tears flowed down his cheeks as he gripped Billy tightly.
"No," Billy was saying softly. "No. No. No. No . . ."
Doug moved back, still holding his son. Through his tears, he looked into Billy's face. The boy's eyes were wide and scared and staring.
"No. No. No. No . . ."
On the dirt next to him was a soiled wedding dress.
And a pair of bloody underwear.
And several postmarked packages and envelopes.
A bolt of emotional pain wrenched Doug's midsection, so sharp it was physical.
Billy's faraway gaze focused on him for a moment. "I won't wear it!" he screamed. "You can't make me." His entire body shook.
Doug pulled him close. He realized for the first time that his son's skin was warm, feverish. He pulled himself together, forcing himself to act logically, though the bitter hatred that flowed through his veins rebelled against all rationality. He stood and was about to pick up Billy when he noticed the corner of an envelope protruding from underneath one of the folds of the soiled dress. He reached down and grabbed it, saw his name on the front, tore it open. There were only five words and an exclamation point on the otherwise blank page:
I like your wife too!
"No!" Doug screamed, a loud primal denial directed to no one who could hear. "No," Billy repeated. "No. No. No. No. No . . ."
Doug picked up his son without thinking and with adrenaline strength pushed him up through the opening. He guided the limp body away from the hole, then lifted himself up. His muscles were aching, his tortured insides on fire, but he forced himself to move across the roof. He had to get home to Tritia .
Tritia hung up the phone, palms sweaty, the fear feverishly alive within her. She walked into the kitchen to get herself a glass of water, and it was then that she saw the envelope on the counter next to the microwave. Frowning, she picked it up. She could not remember seeing it on the counter before. She certainly hadn't checked the mailbox today, and she was pretty sure neither Doug nor Billy had either. She looked at the front of the envelope. It was addressed to her, but there was no return address.
It's starting again, she thought. And Billy's missing. But she refused to let herself think that way. She tore open the envelope and pulled out the piece of paper inside.
I'm in the bedroom.
The words jumped out at her, hitting her with the impact of a blunt cudgel. He was back. It hadn't ended.
He was back and he was after her.
Fumblingly, she opened the top drawer nearest the sink. She drew out a carving knife and gripped it tightly, holding it before her as she walked slowly down the hall toward the bedroom, prepared to lash out at any sign of movement.
She knew that it was stupid and foolhardy to try to take on the mailman by herself -- she should run to a neighbor's house, call the police -- but he had pushed too far. She had reached her limit and she was damned if she was going to let him terrorize her anymore.
If he was here, she would kill him.
She would slit his fucking throat.
He was not in the bedroom. Knife in front of her, poised to stab, she checked the closet, looked under the bed. Nothing. She poked her head in the bathroom. All clear. She knew he was neither in the kitchen nor in the living room because she had been in both.
That left the loft.
She thought she heard a footstep creak upstairs.
Run, a part of her brain -- the intelligent part of her brain -- was telling her. Get out of here now. But she gripped the knife tighter and headed through the kitchen, through the living room, to the stairway. It was day, but the loft's small lone window was not able to illuminate the entire room, and the top of the stairs was in shadow.
She crept upward as quietly as possible, fingers white on the knife handle. She was almost to the top of the stairs and was bending over to keep her head below the level of the floor so he would not be able to see her approach, when her foot landed on a loose board. The stair groaned. She froze, not daring to breathe, but there was no sound from the loft. Holding the knife before her, she dashed up the last five steps, ready to lash out.
The loft was deserted. There was no one there.
Still holding the knife, she made a quick check of the closet, of the area behind Billy's bed, but the loft was empty.
He had gone.
The house was clean.
She made her way downstairs. In the living room, she peered out the window, trying to spot any unnatural objects in the drive or in the surrounding trees and bushes, but the property was disturbed only by a pair of battling blue jays. She double-checked first the front door, then the back, and when she found that both were locked, she allowed herself to relax a little.
Her bladder had been considerably weakened by the tension, and she walked into the bathroom, still clutching the knife. She no longer had a death grip on the handle, but she was taking no chances -- she might have missed him in her cursory examination of the forest in back. He could have been hiding behind a tree, knowing she would not go out of the house to search for him, and he might be waiting outside right now, listening in at the door, waiting for precisely a moment like this, a moment when she was vulnerable, to come inside and attack.
She left the bathroom door open and quickly pulled down her pants, sitting on the toilet.
The mailman stepped out of the shower.
She screamed in terror, dropping the knife, then immediately reached down with scrambling fingers to pick it up off the floor. He stepped on top of it, his shiny black shoes completely covering the blade. He was fully dressed, wearing his pressed postal uniform, but she could see the huge bulge in his trousers as he stood in front of her. She covered her exposed lap with one hand and held the other tremblingly in front of her to push him away.
She had not stopped screaming, but he did not seem to mind. He smiled at her. "Nice bush," he said, and the crudity of his words, juxtaposed against the smoothness of his voice, was somehow more terrifying than if he had simply come out and attacked her.
Why the hell hadn't she checked the shower?
He bent down to pick up the knife and she leapt off the toilet and out of the bathroom in a frantic, instinctive escape attempt. Her body slammed against his in the constricted space before the doorway, and for a sickening second as she flew past him, she felt his clothed hardness against her naked skin. And then she was across the hall and in the bedroom, slamming the door shut. She fumbled with the knob for a second before turning the lock. Her eyes darted around the room as she searched for something, anything, that could be used as a weapon.
Outside, in the hall, she heard a clattering sound as the mailman threw the knife across the floor into the kitchen. Obviously, he didn't want to kill her. Then what did he want?
She pressed her shoulder against the bedroom door and let out an involuntary sound of raw animal fear. She was too afraid to cross the room to reach the telephone. The door lock was cheap and flimsy, and if she let up on her support for even a second, he would be inside.