Family seeking information on the disappearance of amateur musicologist Willard Chambers, of Charleston, West Virginia. Vanished somewhere in western Kansas in July 1963. He is believed to have gone missing while trying to locate an old woman who was at that time living alone in a remote area, and reputed to have a unique style of singing regarded as “unearthly.”
They would accompany it with his picture when they could. Sometimes they’d run the other one, too, the last photo of Will Senior’s life, but it was always too small and indistinct to reveal the details that, with a hardcopy print, made people stop and stare with a rising pall of dread. But at least it showed the oddities of the setting surrounding that strange, stark figure, and maybe that was all someone would need.
Responses? Mostly a lot of nothing. The little that did come in, he could weed through it quickly and flush it with impunity. They could always count on well-meaning people who wanted to help but didn’t know anything, and trolls eager to waste everyone’s time.
But then there was today. There was always the chance of something like today.
I’m not near old enough to have met your grandfather, so I can’t help you there. But when I was little, I’d go visit my Nana Ingrid and she used to scare me into obeying her with talk of an old lady she knew about when she was young. Everybody used to keep away and just let her be. The old lady, I mean. This would’ve been around a place called Biggsby. I don’t know if it’s even on the maps anymore, or if it ever was. The nearest place of any size at all is Ulysses, and that’s not much. I should know, that’s where I am.
What made me think of this is the singing part. Gran said they’d hear her singing sometimes, nights mostly. She used to know this type of song called a cattle call and said it was kinda like that, only she couldn’t imagine it bringing the cows in. She said a voice like that would be more like to scare them away.
There’s more, but I don’t know what’s important to you and what’s not, and I’m not much for long emails even to people I know. But I love to talk!
He dashed off a reply, then looked up Ulysses on the map and poked his head into the steam of the bathroom to tell Will that, come morning, they would be going south instead.
They met her at a barbecue place in Ulysses, her suggestion. It smelled of hickory smoke and fryer oil, and they got there first by twenty minutes because she was fifteen late. Clarence knew she was the one the moment she walked in. She wore boots with shorts, carried a handbag big enough to brain a horse, and moved with precisely the kind of energy he’d expect out of someone who says “But I love to talk!”
She sized them up instantly, too. “Hi, I’m Paulette,” she said. “Paulette, Johnetta, and Raylene . . . can you tell our dad had his heart set on boys instead of girls?” She slammed the handbag into one of the two vacant chairs at their table and herself in the other. “You’re buying, right?”
She shot up then and went for the counter to order for all of them, insisting she knew what was best, and best avoided. Paulette was both stocky and shapely, like a six-foot woman squashed down to a compact five-four, and Clarence eyed his brother as he watched her go. Not again.
“Already?” Clarence said. “Not three dozen words out of her and you’re already there?”
Will scowled as if he resented the interruption. Somewhere along the miles and years he’d picked up a fixation that he was going to meet the love of his life out here on the plains. Some Kansas farmgirl, all about family, whose commitment would be as certain and uncomplicated as the sunrise over the wheat. Did they even exist anymore, if they ever had?
“You don’t match. I’ve seen couples who match. They don’t look a thing like you and her.”
Will balled up a napkin in his fist. “Maybe I should handle this while you go back to the motel and take your anti-asshole pills.”
As they waited for their food, Paulette wanted to know all about them. If they were still from West Virginia, and what it was like there, and when she found out Will was now living in Boston, wanted to know what that was like, too. When she learned he was a cloud architect, she made a joke about castles in the sky, and Clarence could see him turn that much more into putty. She wanted to know what their parents were like, and when she learned they had a sister, wanted to know which of them Dina was more alike, and what came out of that was a surprise, because each of them had always assumed he was the one, a revelation that made Paulette laugh.
“I figure you’re safe,” she finally said, “because that ad of yours, that’s just not the kind of story someone would make up to draw somebody out on her own. So break ’em out, let’s see these pictures of yours.”
They laid out Will Senior’s portrait first.
“That version you had on Craigslist doesn’t do him justice,” she said. “Grandpa was kind of a hunk, wasn’t he?”
“And here’s the one we don’t know where it was taken,” Clarence said. “But it was the final shot on his camera. It was a twenty-four-shot roll of film, and the last eighteen were never even exposed.”
Paulette stared a long time, the way people always did. It slowed her down. She forgot her jittery habit of every few seconds pushing her sun-streaked hair back from her face, behind her ears.
“Well,” she said at last, “this looks about like what I would’ve imagined from those old stories Nana Ingrid would tell to scare me into minding her.”
Black and white in a thousand grainy shades of gray, the last photo on the roll of 35mm film in Willard’s Leica appeared to have been shot up a slight incline, a wide dirt path bordered by two ragged rows of stout sticks, as long as spears and nearly as straight. They’d either been branches or saplings, cut and stripped, then jammed into the earth like a loose palisade wall. In all their searching, the purpose of this remained a mystery. Beyond these sticks, and through them, in the middle distance, was a glimpse of what he assumed was a farmhouse, and a pair of trees in summer bloom.
But in the foreground, she stood. She stood on a ladder of shadows that the low sun of morning or evening threw from one row of sticks across to the other, something strange in her stance, as if she had to lean back from her own wide hips. She wore an apron around her middle, ill-fitting, refusing to lie smoothly, and a scarf around her head, knotted at her throat.
“Here’s the blow-up detail, just her,” Clarence said.
Now her true wrongness began to emerge. Her face was mostly shadowed, just enough visible to make you wish you could see either more, and know what she really was, or less, so you didn’t have to entertain doubts. The only features that caught the sidelight were a bulbous nose and a blocky chin that appeared to thrust forward from a lantern jaw. The rest was suggestion, and all the worse for it. Something about the way the features all fit together seemed . . . off. Like something carved from wood, and badly. The mouth looked grim and straight across, wider than wide. And given the scarf and direction of the sun, he could think of no reason her eyes should gleam with glints of light. Will Senior had been photographer enough to not bother using a flash outside like this, if he’d even possessed one.
Paulette was still shuffing from one print to the other. “Last shot on the roll, you said. What were the others?”
“Just landscapes. Nothing distinctive about them.
Paulette tapped the blow-up. “Well, Nana Ingrid used to say she wasn’t really a woman at all. Or maybe not anymore, or maybe she told it both ways. Just something that dressed like one. To hide. Stories like that, you believe them when you’re little. That’s why they work, you don’t want her to get you. Then you get a little older and you think it’s just talk.”