With our third picture, Flame Over France, we corrected a few misconceptions about the French Revolution and began stepping on a few tender toes. Luckily, however, and not altogether by design, there happened to be a liberal government in power in France. They backed us to the hilt with the confirmation we needed. At our request they released a lot of documents that had hitherto conveniently been lost in the cavernous recesses of the Bibliothèque nationale. I’ve forgotten the name of whoever was the perennial pretender to the French throne. At, I’m sure, the subtle probbing of one of Marrs’ ubiquitous publicity men, the pretender sued us for our net worth, alleging defamation of the good name of the Bourbons. A lawyer Johnson dug up for us sucked the poor chump into a courtroom and cut him to bits. Not six cents damages did he get. Samuels, the lawyer and Marrs received a good-sized bonus, and the pretender moved to Honduras.
It was sometime about then, I believe, that the tone of the press began to change. Up until then we’d been regarded as a cross between Shakespeare and Barnum. Because long-obscure facts had been dredged into the light, a few well-known pessimists began to wonder sotto voce if we weren’t just a pair of blasted pests. “Should leave well enough alone.” Only our huge advertising budget kept them from saying more.
I’m going to stop right here and say something about our personal life while all this was going on. Mike I’ve kept in the background pretty well, mostly because he wants it that way. He lets me do all the talking and stick my neck out while he sits in the most comfortable chair in sight. I yell and I argue, and he just sits there; hardly ever a word coming out of that dark-brown pan, certainly never an indication that behind those polite eyebrows there’s a brain — and a sense of humor and wit — faster than and as deadly as a bear trap. Oh, I know we’ve played around, sometimes with a loud bang, but we’ve been, ordinarily, too busy and too preoccupied with what we were doing to waste any time. Ruth, while she was with us, was a good dancing and drinking partner. She was young, she was almost what you’d call beautiful, and she seemed to like being with us. For awhile I had a few ideas about her that might have developed into something serious. We both — I should say, all three of us — found out in time that we looked at a lot of things too differently. So we weren’t too disappointed when she signed with Metro. Her contract meant what she thought was all the fame and money and happiness in the world, plus the personal attention she was doubtless entitled to have. They put her in Class B’s and serials and she, financially, is better off than she ever expected to be. Emotionally, I don’t know. We heard from her some time ago, and I think she’s about due for another divorce. Maybe it’s just as well.
But let’s get away from Ruth. I’m ahead of myself. All this time Mike and I had been working together, our approaches to the final payoff had been divergent. Mike was hopped on the idea of making a better world, and doing that by making war impossible. “War,” he’s often said, “war of any kind is what has made man spend most of his history in merely staying alive. Now, with the atom to use, he has within himself the seed of self-extermination. So help me, Ed, I’m going to do my share of stopping that, or I don’t see any point in living. I mean it!”
He did mean it. He told me that in practically those words the day we met. At the time, I tagged that idea as a pipe dream picked up on an empty stomach. I saw his machine only as a path to luxurious and personal Nirvana, and I thought he’d soon he going my way. I was wrong.
You can’t live, or work, with a likable person without admiring some of the qualities that make that person likable. Another thing: it’s a lot easier to worry about the woes of the world when you haven’t any yourself. It’s a lot easier to have a conscience when you can afford it. When I donned the rose-colored glasses half my battle was won; when I realized how grand a world this could be, the battle was over. That was about the time of Flame Over France, I think. The actual time isn’t important. What is important is that, from that time on, we became the tightest team possible. Since then the only thing we’ve differed on was the time to knock off for a sandwich. Most of our leisure time, what we had of it, has been spent in locking up for the night, rolling out the portable bar, opening just enough beer to feel good, and relaxing. Maybe, after one or two, we might diddle with the dials of the machine and go rambling.
Together we’ve been everywhere and seen anything. It might be a good night to check up on François Villon, that faker, or maybe we would chase around with Haroun-el-Rashid. (If there was ever a man born a few hundred years too soon, it was that careless caliph.) Or if we were in a bad or discouraged mood we might follow the Thirty Years’ War awhile, or if we were real raffish we might inspect the dressing rooms at Radio City. For Mike the crackup of Atlantis has always held an odd fascination, probably because he’s afraid that man will do it again, now that he’s rediscovered nuclear energy. And if I doze off he’s quite apt to go back to the very Beginning, back to the start of the world as we know it now. (It wouldn’t do any good to tell you what went before that.)
When I stop to think, it’s probably just as well that neither of us married. We, of course, have hopes for the future, but at present we’re both tired of the whole human race; tired of greedy faces and hands. With a world that puts a premium on wealth and power and strength, it’s no wonder what decency there is stems from fear of what’s here now, or fear of what’s hereafter. We’ve seen so much of the hidden actions of the world — call it snooping, if you like — that we’ve learned to disregard the surface indications of kindness and good. Only once did Mike and I ever look into the private life of someone we knew and liked and respected. Once was enough. From that day on we made it a point to take people as they seem. Let’s get away from that.
The next two pictures we released in rapid succession: Freedom for Americans, on the American Revolution, and The Brothers and the Guns, about the American Civil War. Bang! Every third politician, a lot of “educators,” and all the professional patriots went after our scalps. Every single chapter of the DAR, the Sons of Union Veterans, and the Daughters of the Confederacy pounded their collective heads against the wall. The South went frantic; every state in the Deep South and one state on the border flatly banned both pictures, the second because it was truthful, and the first because censorship is a contagious disease. They stayed banned until the professional politicians got wise. The bans were revoked, and the choke-collar and string-tie brigade pointed to both pictures as horrible examples of what some people actually believed and thought, and felt pleased that someone had given them an opportunity to roll out the barrel and beat the drums that sound the call for sectional and racial hatred.
New England was tempted to stand on its dignity, but couldn’t stand the strain. North of New York, both pictures were banned. In New York State, the rural representatives voted en bloc, and the ban was clamped on statewide. Special trains ran to Delaware, where the corporations were too busy to pass another law. Libel suits flew like spaghetti, and although the extras headlined the filing of each new suit, very few knew that we lost not one. Although we had to appeal almost every suit to higher courts and in some cases request a change of venue, which was seldom granted, the documentary proof furnished by the record cleared us once we got to a judge, or a series of judges, with no fences to mend.