Tony’s lips twisted. “It happens to be the truth. After my ship crashed I got out. A few minutes later I stood at the mouth of the cave, looking at the skeleton. For a minute, I — remembered. Fragmentary things. The skeleton was — horror.
“And why not? I was also in the back of the cave, thinking that Laurette was dead and that she was the skeleton. The Tony Crow at the mouth of the cave and the Tony Crow trapped in the rear of the cave were en rapport to an infinite degree. They were the same person, in two different places at the same time, and their brains were the same.”
He stopped.
Masters whispered through his clenched teeth, “Two Tony Crows. It couldn’t be.”
Tony leaned back against the wall. “There were two rings, at the same time. There were two skeletons, at the same time. Braker had the skeleton’s ring on his finger. Amos was wrapped up in a carton with a Christmas sticker on it. They were both some place else. You all know that and admit it. Well, there were two Tony Crows, and if I think about it much longer, it’ll drive me—”
“Hold it, boy!” Overland’s tone was sharp. Then he said mildly, “It’s nothing to get excited about. The mere fact of time-travel presupposes duplicity of existence. Our ship and everything in it was made of electrons that existed somewhere else at the same time — a hundred million years ago, on the pre-asteroid world. You can’t get away from it. And you don’t have to get scared just because two Tony Crows were a few feet distant from each other. Remember that all the rest of us were duplicated, too. Ship A was thrust back into time just an hour or so before Ship B landed here after being thrust forward. You see?”
Laurette shuddered. “It’s clear, but it’s—” She made a confused motion.
Overland’s tired, haggard eyes twinkled. “Anyway, there’s no danger of us running across ourselves again. The past is done for. That’s the main thing.”
Neither Laurette nor Tony said anything. They were studying each other, and a smile was beginning at the corner of Laurette’s lips. Erle Masters squirmed uncomfortably.
Overland continued, speculatively: “There was an energy loss some place. We weren’t snapped back to the real present at all. We should have come back to the present that we left, plus the three weeks we stayed back in time. Back there it was Christmas — and Laurette was quite correct when she broke open my package.” He grinned crookedly. “But it’s still more than three weeks to Christmas here. It was a simple energy loss, I guess. If I had a penc—”
Erle Masters broke in on him, coughing uncomfortably and grinning wryly at the same time. “We’d better get down to the control room and plot out our course, professor.”
“What?” Overland’s eyes widened. He looked around at the man and girl. “Oh.” He studied them, then turned, and clapped Masters on the back. “You’re dead right, son. Let’s get out!”
“I’m glad you weren’t Amos,” Tony told the girl.
“I couldn’t very well have been, lieutenant.”
He grinned, coloring slightly.
Then he took her hands in his, and put his head as close to hers as the helmets would allow.
He said, “When we get back to Earth, I’m going to put a r—” He stopped, biting at his lip. Remembrances of another time, on a pre-asteroid world, flooded back with the thought.
She started, paled. Involuntarily, her eyes turned to the open port, beyond which was a mountain, a cave, a skeleton, a ring.
She nodded, slowly, faintly. “It’s a good idea,” she murmured. She managed a smile. “But not — an emerald.”
THE WEAPONS SHOP
A.E. van Vogt
The village at night made a curiously timeless picture. Fara walked contentedly beside his wife along the street. The air was like wine; and he was thinking dimly of the artist who had come up from Imperial City and made what the telestats called — he remembered the phrase vividly — “a symbolic painting reminiscent of a scene in the electrical age of seven thousand years ago.”
Fara believed that utterly. The street before him with its weedless, automatically tended gardens, its shops set well back among the flowers, its perpetual hard, grassy sidewalks and its street lamps that glowed from every pore of their structure — this was a restful paradise where time had stood still.
And it was like being a part of life that the great artist’s picture of this quiet, peaceful scene before him was now in the collection of the empress herself. She had praised it, and naturally the thrice-blest artist had immediately and humbly begged her to accept it.
What a joy it must be to be able to offer personal homage to the glorious, the divine, the serenely gracious and lovely Innelda Isher, one thousand one hundred eightieth of her line.
As they walked, Fara half turned to his wife. In the dim light of the nearest street lamp, her kindly, still youthful face was almost lost in shadow. He murmured softly, instinctively muting his voice to harmonize with the pastel shades of night:
“She said — our empress said — that our little village of Glay seemed to her to have in it all the wholesomeness, the gentleness, that constitutes the finest qualities of her people. Wasn’t that a wonderful thought, Creel? She must be a marvelously understanding woman. I—”
He stopped. They had come to a side street, and there was something about a hundred and fifty feet along in that—
“Look!” Fara said hoarsely.
He pointed with rigid arm and finger at a sign that glowed in the night, a sign that read:
Fara had a strange, empty feeling as he stared at the blazing sign. He saw that other villagers were gathering. He said finally, huskily, “I’ve heard of these shops. They’re places of infamy, against which the government of the empress will act one of these days. They’re built in hidden factories, and then transported whole to towns like ours and set up in gross defiance of property rights. That one wasn’t there an hour ago.”
Fara’s face hardened. His voice had a harsh edge in it, as he said, “Creel, go home.”
Fara was surprised when Creel did not move off at once. All their married life she had had a pleasing habit of obedience that had made cohabitation a wonderful thing. He saw that she was looking at him wide-eyed, and that it was a timid alarm that held her there. She said, “Fara, what do you intend to do? You’re not thinking of—”
“Go home!” Her fear brought out all the grim determination in his nature. “We’re not going to let such a monstrous thing desecrate our village. Think of it” — his voice shivered before the appalling thought — “this fine, old-fashioned community, which we had resolved always to keep exactly as the empress has it in her picture gallery, debauched now, ruined by this… this thing. But we won’t have it; that’s all there is to it.”
Creel’s voice came softly out of the half-darkness of the street corner, the timidity gone from it: “Don’t do anything rash, Fara. Remember it is not the first new building to come into Glay — since the picture was painted.”
Fara was silent. This was a quality of his wife of which he did not approve, this reminding him unnecessarily of unpleasant facts. He knew exactly what she meant. The gigantic, multi-tentacled corporation, Automatic Atomic Motor Repair Shops, Inc., had come in under the laws of the state with their flashy building, against the wishes of the village council — and had already taken half of Fara’s repair business.
“That’s different!” Fara growled finally. “In the first place people will discover in good time that these new automatic repairers do a poor job. In the second place it’s fair competition. But this weapon shop is a defiance of all the decencies that make life under the House of Isher such a joy. Look at the hypocritical sign: ‘The right to buy weapons—’ Aaaaahh!”