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She was silent a moment, looking out the window. Then she turned away and crossed the floor to the fire, sinking again into the flowered chair. Her helmet-skull turned its mask to face him and he could feel a quiet scrutiny behind the aquamarine of its gaze.

“It’s — odd,” she said, “being here in this… this… instead of a body. But not as odd or as alien as you might think. I’ve thought about it a lot — I’ve had plenty of time to think — and I’ve begun to realize what a tremendous force the human ego really is. I’m not sure I want to suggest it has any mystical power it can impress on mechanical things, but it does seem to have a power of some sort. It does instill its own force into inanimate objects, and they take on a personality of their own. People do impress their personalities on the houses they live in, you know. I’ve noticed that often. Even empty rooms. And it happens with other things too, especially, I think, with inanimate things that men depend on for their lives. Ships, for instance — they always have personalities of their own.

“And planes — in wars you always hear of planes crippled too badly to fly, but struggling back anyhow with their crews. Even guns acquire a sort of ego. Ships and guns and planes are ‘she’ to the men who operate them and depend on them for their lives. It’s as if machinery with complicated moving parts almost simulates life, and does acquire from the men who use it — well, not exactly life, of course — but a personality. I don’t know what. Maybe it absorbs some of the actual electrical impulses their brains throw off, especially in times of stress.

“Well, after awhile I began to accept the idea that this new body of mine could behave at least as responsively as a ship or a plane. Quite apart from the fact that my own brain controls its ‘muscles.’ I believe there’s an affinity between men and the machines they make. They make them out of their own brains, really, a sort of mental conception and gestation, and the result responds to the minds that created them, and to all human minds that understand and manipulate them.”

She stirred uneasily and smoothed a flexible hand along her mesh-robed metal thigh. “So this is myself,” she said. “Metal — but me. And it grows more and more myself the longer I live in it. It’s my house and the machine my life depends on, but much more intimately in each case than any real house or machine ever was before to any other human. And you know, I wonder if in time I’ll forget what flesh felt like — my own flesh, when I touched it like this — and the metal against the metal will be so much the same I’ll never even notice?”

Harris did not try to answer her. He sat without moving, watching her expressionless face. In a moment she went on.

“I’ll tell you the best thing, John,” she said, her voice softening to the old intimacy he remembered so well that he could see superimposed upon the blank skull the warm, intent look that belonged with the voice. “I’m not going to live forever. It may not sound like a — best thing — but it is, John. You know, for awhile that was the worst of all, after I knew I was — after I woke up again. The thought of living on and on in a body that wasn’t mine, seeing everyone I knew grow old and die, and not being able to stop—

“But Maltzer says my brain will probably wear out quite normally — except, of course, that I won’t have to worry about looking old! — and when it gets tired and stops, the body I’m in won’t be any longer. The magnetic muscles that hold it into my own shape and motions will let go when the brain lets go, and there’ll be nothing but a… a pile of disconnected rings. If they ever assemble it again, it won’t be me.” She hesitated. “I like that, John,” she said, and he felt from behind the mask a searching of his face.

He knew and understood that somber satisfaction. He could not put it into words; neither of them wanted to do that. But he understood. It was the conviction of mortality, in spite of her immortal body. She was not cut off from the rest of her race in the essence of their humanity, for though she wore a body of steel and they perishable flesh, yet she must perish too, and the same fears and faiths still united her to mortals and humans, though she wore the body of Oberon’s inhuman knight. Even in her death she must be unique — dissolution in a shower of tinkling and clashing rings, he thought, and almost envied her the finality and beauty of that particular death — but afterward, oneness with humanity in however much or little awaited them all. So she could feel that this exile in metal was only temporary, in spite of everything.

(And providing, of course, that the mind inside the metal did not veer from its inherited humanity as the years went by. A dweller in a house may impress his personality upon the walls, but subtly the walls too, may impress their own shape upon the ego of the man. Neither of them thought of that, at the time.)

Deirdre sat a moment longer in silence. Then the mood vanished and she rose again, spinning so that the robe belled out ringing about her ankles. She rippled another scale up and down, faultlessly and with the same familiar sweetness of tone that had made her famous.

“So I’m going right back on the stage, John,” she said serenely. “I can still sing. I can still dance. I’m still myself in everything that matters, and I can’t imagine doing anything else for the rest of my life.”

“He could not answer without stammering a little. “Do you think… will they accept you, Deirdre? After all—”

“They’ll accept me,” she said in that confident voice. “Oh, they’ll come to see a freak at first, of course, but they’ll stay to watch — Deirdre. And come back again and again just as they always did. You’ll see, my dear.”

But hearing her sureness, suddenly Harris himself was unsure. Maltzer had not been, either. She was so regally confident, and disappointment would be so deadly a blow at all that remained of her—

She was so delicate a being now, really. Nothing but a glowing and radiant mind poised in metal, dominating it, bending the steel to the illusion of her lost loveliness with a sheer self-confidence that gleamed through the metal body. But the brain sat delicately on its poise of reason. She had been through intolerable stresses already, perhaps more terrible depths of despair and self-knowledge than any human brain had yet endured before her, for — since Lazarus himself — who had come back from the dead?

But if the world did not accept her as beautiful, what then? If they laughed, or pitied her, or came only to watch a jointed freak performing as if on strings where the loveliness of Deirdre had once enchanted them, what then? And he could not be perfectly sure they would not. He had known her too well in the flesh to see her objectively even now, in metal. Every inflection of her voice called up the vivid memory of the face that had flashed its evanescent beauty in some look to match the tone. She was Deirdre to Harris simply because she had been so intimately familiar in every poise and attitude, through so many years. But people who knew her only slightly, or saw her for the first time in metal — what would they see?