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 The segregation wasn't for long, but it was necessary.  The Russian girls, Anna included, all wore the sturdy  shoes and sexless dresses decreed as proper wear by the  bluenose commissars of Moscow. Their faces were bare of  make-up, as was also deemed proper by a pseudo-culture  which equated such artifacts with Western depravity.  But girls will be girls even in Moscow, and now the  young Russian females were doing their best to emulate  the sexiest of capitalist sexpots.

 High heels and silk stockings appeared from the recesses of deep handbags. Cosmetics were shared among  them. The harnesses passed off as bras to Russian girls were removed and stowed away. Needles and thread flew  over hemlines to shorten them. Belts were tied around  waists so that the dresses might hug the hips. Buttons  were undone and bodices pinned back to expose daring  décolletage. Finally, still in a group, the girls joined the  party.

 Anna Kirkov was unquestionably the most desirable  girl present. Her beauty was classically Russian. Her skin  was white as ivory save for two dabs of rouge at her  cheeks and the scarlet lipstick outlining the natural pout  of her mouth. The half-moons of large, healthy breasts  swelled over the top of her pinned-back dress. Her skirt  flared as she moved about the room and her long, silk-encased legs, slender but sturdy, drew many eyes. Her  face was animated, dark, mascara’d eyes flashing beneath  a crown of blue-black hair which reached almost to her  waist. Her cheekbones were high and Slavic, her nose  straight, her chin firm. Over-all, her appearance was both  aristocratic and passionate.

 Anna attracted Mustafa Ben-Narouz immediately. He  asked her to dance. She accepted, most impressed by this  tall, handsome Arab with his flowing robes, trimly  clipped moustache, burnt leather complexion and white-teeth sparkling smile. He spoke flawless Russian, and  after they'd danced a few times he led her to an arm-chair in the corner of the room, squatted easily in front  of her, and they talked.

 Much vodka was consumed, and after a while the  party began to get wilder. A Russian girl who was present later described it to the authorities. According to her,  the lights were turned out in favor of a few candles and  the group broke into couples who started to neck. Some  of these couples went into the other room, and it was  taken for granted that they made love there. She was  asked if Anna and Mustafa had retired to the other room  and replied that they hadn't.

 But they had necked and petted freely, she testified.  Mustafa had joined Anna in the armchair and arranged  his robe so that it enveloped them both. They had kissed  repeatedly and Mustafa's hands had been busy beneath  Anna's bodice. At one point they had angled their  bodies so that his robe no longer covered them, and it        could be seen that he had pushed up her skirt to play  with her.

 It might seem that both Mustafa and Anna were fast  workers, but it must be remembered that in Moscow  time is short for lovers and opportunities scarce, so that  the most must be made of what time is available. In any  case, by the time the party ended, Anna knew that she  was in love. Mustafa echoed her sentiments. They contrived further meetings between them.

 This wasn't easy. It meant that Mustafa had to acquire a suit of Russian clothes as his own would make  him too easily identifiable as a foreigner. It also meant  that Anna had to keep very careful track of her father's  work schedule so that her meetings with Mustafa could  coincide with times when Josef Kirkov was out of the  apartment.

 Yes, the Kirkov apartment was their trysting-place. It  was ideal, for Kirkov had been both fortunate and favored in the quarters assigned himself and his daughter.  In a city where two and sometimes three families are  often crammed into a one-room flat by government order, the State's faithful servant and one of its most eminent scientists rated a three-room apartment all for himself and his daughter. Thus Anna and Mustafa were able  to enjoy a privacy denied most lovers in Moscow.

 How many times they enjoyed liaisons at the apartment isn't known. Only the details of their last meeting  have been brought to light. That was the one in which  they were caught by Josef Kirkov.

 He'd forgotten some notes at home and broke off his  work in the middle of the day to fetch them. Coming  through the front door of the apartment, he was struck by  the sound of a high-pitched, almost hysterical giggle  carrying from his daughter's bedroom. It was followed  by a low, musical, indistinguishable masculine murmur.  Kirkov marched to the door of the bedroom, which was  slightly ajar, and pushed it all the way open. He stood  and stared for a long, unbelieving moment at the scene  which greeted-his eyes.

 His daughter, Anna, was stretched out lengthwise on  the bed, completely nude. Her back was arched, her eyes  closed, her hair an ebony shawl covering the pillow behind her head. Her body was bent at the waist and her  legs stretched straight up in the air, the knees held stiff.  Only her hips and her lips moved, the former writhing  in the throes of sweet torture, the latter mouthing an  unintelligible hysteria made up of both laughter and  sobs.

 The cause of this reaction was a large, dark-skinned  man lying across the bed, perpendicular to her, one of  his hips wedged under her buttocks, an arm wrapped  around her thighs, his body dictating the rhythm her  hips were following. Shocked as he was, Kirkov was  amazed at the largeness of the organ revealed by the  long, deep, complete strokes as it battered untiringly  against his daughter's flesh. He also couldn't help wondering at the strange device circling the base. It looked  like a silver ring with a small thimble attached to it and  a sort of spinner bristling with fine hair which seemed to  dip into the thimble with each movement. Also, a  strange red powder seemed to cover the entire organ.

 (Kirkov couldn't have known it, but when this description was relayed to me, I immediately identified the sex  device Mustafa was wearing. It was a Chinese “love instrument," known as "the silver clasp” and frequently  used even today by educated Chinese males familiar  with The Golden Lotus, which goes into great detail as  to the pleasures it may provide. It serves several purposes  which enhance the sex act. First, it cuts off the flow of  blood from the male organ and therefore allows a man to  sustain his passion for long periods of time. Second, its  sturdy base is designed with a small metallic rise which  repeatedly hits against and arouses that most sensitive  sentinel of womanhood during love-making. Third, the  bristling spinner continually tickles the portals of femininity and fosters a sensation which even the most hardened Chinese prostitutes find impossible to describe.  Fourth, this same spinner constantly picks up bits of red  powder from the thimble at the base of the silver clasp  and distributes it over the male organ which transmits it  to the female. This red powder is composed of cinnamon, hot mustard, pepper, ginger, and other irritating  substances which make the delicate surfaces involved, excruciatingly sensitive. . . . It was interesting that Mustafa would have employed the silver clasp, for it is  strictly a Chinese device and not to be found among the  sex dildoes commonly used in the Arab countries.)

 Kirkov roused himself from the shock which had immobilized him. “Anna!" he shouted.

 His voice was loud, but the lovers were so enraptured  of the frenzy possessing their bodies that at first they  didn't even hear him.

 "Anna!" he shouted again.

 They came apart then, slowly, with obvious reluctance  as though the import of the shout still hadn't reached  them. Anna opened her eyes and focused them on her  father. They looked at him blankly for a moment and  then her cheeks flushed with color and her face filled  with a mixture of embarrassment and fear.