If Syme had been able to see himself, he would have realised that he, too, seemed to be for the first time himself and no one else. For if the Secretary stood for that philosopher who loves the original and formless light, Syme was a type of the poet who seeks always to make the light in special shapes, to split it up into sun and star. The philosopher may sometimes love the infinite; the poet always loves the finite. For him the great moment is not the creation of light, but the creation of the sun and moon.
As they descended the broad stairs together they overtook Ratcliffe, who was clad in spring green like a huntsman, and the pattern upon whose garment was a green tangle of trees. For he stood for that third day on which the earth and green things were made, and his square, sensible face, with its not unfriendly cynicism, seemed appropriate enough to it.
They were led out of another broad and low gateway into a very large old English garden, full of torches and bonfires, by the broken light of which a vast carnival of people were dancing in motley dress. Syme seemed to see every shape in Nature imitated in some crazy costume. There was a man dressed as a windmill with enormous sails, a man dressed as an elephant, a man dressed as a balloon; the two last, together, seemed to keep the thread of their farcical adventures. Syme even saw, with a queer thrill, one dancer dressed like an enormous hornbill, with a beak twice as big as himself the queer bird which had fixed itself on his fancy like a living question while he was rushing down the long road at the Zoological Gardens. There were a thousand other such objects, however. There was a dancing lamp-post, a dancing apple tree, a dancing ship. One would have thought that the untamable tune of some mad musician had set all the common objects of field and street dancing an eternal jig. And long afterwards, when Syme was middle-aged and at rest, he could never see one of those particular objects a lamppost, or an apple tree, or a windmill without thinking that it was a strayed reveller from that revel of masquerade.
On one side of this lawn, alive with dancers, was a sort of green bank, like the terrace in such old-fashioned gardens.
Along this, in a kind of crescent, stood seven great chairs, the thrones of the seven days. Gogol and Dr. Bull were already in their seats; the Professor was just mounting to his. Gogol, or Tuesday, had his simplicity well symbolised by a dress designed upon the division of the waters, a dress that separated upon his forehead and fell to his feet, grey and silver, like a sheet of rain. The Professor, whose day was that on which the birds and fishes the ruder forms of life were created, had a dress of dim purple, over which sprawled goggle-eyed fishes and outrageous tropical birds, the union in him of unfathomable fancy and of doubt. Dr. Bull, the last day of Creation, wore a coat covered with heraldic animals in red and gold, and on his crest a man rampant. He lay back in his chair with a broad smile, the picture of an optimist in his element.
One by one the wanderers ascended the bank and sat in their strange seats. As each of them sat down a roar of enthusiasm rose from the carnival, such as that with which crowds receive kings. Cups were clashed and torches shaken, and feathered hats flung in the air. The men for whom these thrones were reserved were men crowned with some extraordinary laurels. But the central chair was empty.
Syme was on the left hand of it and the Secretary on the right. The Secretary looked across the empty throne at Syme, and said, compressing his lips
“We do not know yet that he is not dead in a field.”
Almost as Syme heard the words, he saw on the sea of human faces in front of him a frightful and beautiful alteration, as if heaven had opened behind his head. But Sunday had only passed silently along the front like a shadow, and had sat in the central seat. He was draped plainly, in a pure and terrible white, and his hair was like a silver flame on his forehead.
For a long time it seemed for hours that huge masquerade of mankind swayed and stamped in front of them to marching and exultant music. Every couple dancing seemed a separate romance; it might be a fairy dancing with a pillar-box, or a peasant girl dancing with the moon; but in each case it was, somehow, as absurd as Alice in Wonderland, yet as grave and kind as a love story. At last, however, the thick crowd began to thin itself. Couples strolled away into the garden-walks, or began to drift towards that end of the building where stood smoking, in huge pots like fish-kettles, some hot and scented mixtures of old ale or wine. Above all these, upon a sort of black framework on the roof of the house, roared in its iron basket a gigantic bonfire, which lit up the land for miles. It flung the homely effect of firelight over the face of vast forests of grey or brown, and it seemed to fill with warmth even the emptiness of upper night. Yet this also, after a time, was allowed to grow fainter; the dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house. Soon there were only some ten loiterers in the garden; soon only four. Finally the last stray merry-maker ran into the house whooping to his companions. The fire faded, and the slow, strong stars came out. And the seven strange men were left alone, like seven stone statues on their chairs of stone. Not one of them had spoken a word.
They seemed in no haste to do so, but heard in silence the hum of insects and the distant song of one bird. Then Sunday spoke, but so dreamily that he might have been continuing a conversation rather than beginning one.
“We will eat and drink later,” he said. “Let us remain together a little, we who have loved each other so sadly, and have fought so long. I seem to remember only centuries of heroic war, in which you were always heroes epic on epic, iliad on iliad, and you always brothers in arms. Whether it was but recently (for time is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself.”
Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on.
“But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope.”
There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice
“Who and what are you?”
“I am the Sabbath,” said the other without moving. “I am the peace of God.”
The Secretary started up, and stood crushing his costly robe in his hand.
“I know what you mean,” he cried, “and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace.”