Caught between the dealer’s slot and the cat-gray stroke of the years, Frankie saw a line of endless girders wet with the rain of those years to be. Where all night long, in that far time, the same all-night salamanders burned. Burned just as they had so long ago. Before the world went wrong. And any gray cat had purred at all.
The cold rain ran with the red-lit rain. Like years beating by on the wheels of an empty Loopbound El. Till his heart, that cried for a greater rest even in sleep, felt tattooed by that long rain’s beating. Why was it that within the voice of any woman crying at night he always heard an infant’s gasping cry?
As the first light began enfolding the signal towers with tourniquets of fog, a sounder sleep finally folded a tourniquet about the fever in Frankie’s brain. The slow heart stanched itself at last; though the rain ran on forever. And Molly-O, so far below, had yet such a long hard way to go.
‘Sophie knows,’ he mumbled in sleep, ‘she knows about Molly-O, but she don’t know about everything.’ Cause the cat won’t purr, the cat won’t tell. Nobody can tell which way the old cat’ll jump.’
And a dream cat leaped, in a slow and stiff-legged tableau, down a steep dark stair where paper daisies bloomed in an unabating rain.
Two hours later he felt himself being shaken awake by Record Head Bednar’s hand on his shoulder. He opened his eyes to see only Sophie shaking him. ‘What’s the matter? What’s up?’ he wanted to know irritably; yet relieved that it had only been Zosh after all.
‘Nuttin’, dummy,’ she scolded him. ‘You just look too lonesome when you sleep. I don’t like it when you look so lonesome, it makes me feel lonesome too – I’m here, ain’t I? If you got to sleep lookin’ like that get up ’n get dressed, it means you need a drink.’ Then, curiously, almost gently: ‘Why you look like that when you sleep, Frankie?’
‘Some cats just sleep like that,’ he told her without hearing his own voice. He was already purring, back in dreams, among all manner of other strange lost strays.
Time may well redeem the forger while leaving the bad checks unredeemed was how Antek Witwicki looked at it. And just to show how little trust he had in Time had had a fresh challenge painted above his register for all Tug & Maul employees to heed:
I’ll cash the checks here – Owner
Then, reminding himself that the only other employee of the place was Mrs Witwicki, had softened the alarm with a gentler admonition:
He who drinks and drinks with grace
Is ever welcome to this place
But he who drinks and starts to swear
Is never welcome anywhere.
Antek also expressed his faith in the high art of graceful drinking by sternly forbidding all strong-arming upon the immediate premises. ‘Take him out on the street,’ Owner would insist, ‘and I don’t mean in front of my doorway neither. The city put up a billboard for that purpose around the corner.’
His sense of justice was as decided as his love of graceful living. He backed up law and order with a wooden-handled plunger originally designed for the flushing of basement sewers. By reaching over the bar with the business end, to conk guilty and innocent alike, whichever happened to be nearest, he accounted for all sorts of unpaid sins. Although not so damaging as a blackjack or a rubber-handled gearshift, it was certainly more humiliating to be conked out of a tavern with a plumber’s plunger: there is scarcely more dignity to that than to being swept out, like a gum wrapper or a cigar band, in front of a janitor’s broom.
For the more serious brawls he went for a half-filled water bucket kept below the bar with a bottle of ammonia waiting beside it. A dash of ammonia in the water and a heave of the bucket over the bar would break up anything from bulldogs to men. He had used it with savage success on cats, bulldogs, torpedoes, ex-pugs, drunken paratroopers and cuckolds demanding satisfaction from their wives’ consorts. It had worked every time.
‘The only thing it ain’t worth a damn on is a woman under sixty or a girl over twelve,’ he conceded with some bewilderment. ‘We had a pair of biddies go after each other here one Easter morning – the one on top had her slipper off and was trying to get the other one’s eyes out with the heel – but that one got her teeth through the cheek ’n both ’em with their Easter dresses half ripped off. The toot’-holt one kept the shoe-holt one from gougin’ her but the shoe’s boy friend hollered somethin’ so she started rammin’ the slipper up between the toot’-holt’s legs – you ought to have heard the bloody screamin’ then – I figured it had gone far enough ’n went for the bucket ’n ammonia but it didn’t help a thing. I had to cold-caulk that one wit’ the slipper. What would you have done, you was me?’
The Tug & Maul, this winter noon, looked much as it had that Easter dawn. Frost had gathered on the windows and by night there would be neon rainbows in the snow. But, behind the piled beer cases, the same old mural took up the wall to the roof: a great spread-winged hawk painted there in descent upon one stuffed and helpless Christmas duck. The stuffing had been packed into the poor bird to the bursting point, it hung upon invisible wires. How it had ever gotten off the ground in that shape the artist had not so much as by a footnote indicated. While over the unhappy fowl’s head hung, forever, the great obscene claws of the descending killer. It too seemed suspended upon invisible wires.
Frankie Machine sat on a beer case listening to Meter Reader trying to establish credit with Antek without first settling his Christmas-week tab. ‘I never let the same guy hook me twice,’ Antek explained. ‘I’ll take it once. That’s all.’
‘You’re a better man then than Jesus Christ, to hear you talk,’ Meter Reader reproved Antek irritably. ‘He turned the other cheek, but that ain’t good enough for you.’
‘He didn’t turn it, that’s where you’re wrong,’ Antek informed Meter Reader. ‘He run the bankers out of the temple with a whip – you call that turnin’ the other cheek?’
‘That was different, they was Jews.’ Meter Reader was growing excited with his need of a double shot. ‘’N I’m the guy who can tell you about the Jews. You know what one told me once? He told me, “Your best friend is the dollar.” What do you think of that?’
‘It was a Polak told me that,’ Antek differed calmly. ‘My old lady, in fact.’ N she didn’t turn the other cheek neither.’
Frankie Machine witnessed Meter Reader’s defeat without interest: he was feeling like the duck on the wall overhead. A half gallon of Schlitz stood between his knees, it was nearly noon and he’d been waiting for the punk almost an hour and no sign of him yet. The punk was getting too independent, for some reason.
Antek ambled over to where a girl, with a bottle of cream soda on the table before her and a shopping bag in her hand, sat waiting for some drunk with his head on the table. Husband, brother, father or friend, she was waiting for him to come to his senses and it looked like a long, long wait. Antek shook the fellow but all he got was a cockeyed leer and a sickly grin for reply; the fellow seemed hopelessly drunk.
‘Get him out of here,’ Owner ordered the girl.
‘Why pick on us all the time?’ she wanted to know. For there were equally hopeless drunks sleeping it off on either side of her.
‘Because he didn’t get it in here is why,’ Antek explained. ‘I take care of my own customers. They could sleep here all day ’n half the night if they want. But I ain’t in the samarathon business, takin’ care of stiffs who get it somewheres else. Leave him sleep it off where he bought it.’