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'Which girl?'

'The girl who died, you know. Mary had got hold of the whole story. In fact, it was the tremendous sympathy she showed that encouraged me to propose. If it hadn't been for that, I shouldn't have had the nerve. I'm not fit to black her shoes.'

Odd, the poor opinion a man always has—when he is in love—of his personal attractions. There were times when I thought of Grace Bates, Heloise Miller, and Clarice Wembley, when I felt like one of the beasts that perish. But then, I'm nothing to write home about, whereas the smallest gleam of intelligence should have told Wilton that he was a kind of Ouida guardsman.

'This evening I managed somehow to do it. She was tremendously nice about it—said she was very fond of me and all that—but it was quite out of the question because of Amy.'

'I don't follow this. What did she mean?'

'It's perfectly clear, if you bear in mind that Mary is the most sensitive, spiritual, highly strung girl that ever drew breath,' said Wilton, a little coldly. 'Her position is this: she feels that, because of Amy, she can never have my love completely; between us there would always be Amy's memory. It would be the same as if she married a widower.'

'Well, widowers marry.'

'They don't marry girls like Mary.'

I couldn't help feeling that this was a bit of luck for the widowers; but I didn't say so. One has always got to remember that opinions differ about girls. One man's peach, so to speak, is another man's poison. I have met men who didn't like Grace Bates, men who, if Heloise Miller or Clarice Wembley had given them their photographs, would have used them to cut the pages of a novel.

'Amy stands between us,' said Wilton.

I breathed a sympathetic snort. I couldn't think of anything noticeably suitable to say.

'Stands between us,' repeated Wilton. 'And the damn silly part of the whole thing is that there isn't any Amy. I invented her.'

'You—what!'

'Invented her. Made her up. No, I'm not mad. I had a reason. Let me see, you come from London, don't you?'

'Yes.'

'Then you haven't any friends. It's different with me. I live in a small country town, and everyone's my friend. I don't know what it is about me, but for some reason, ever since I can remember, I've been looked on as the strong man of my town, the man who's all right. Am I making myself clear?'

'Not quite.'

'Well, what I am trying to get at is this. Either because I'm a strong sort of fellow to look at, and have obviously never been sick in my life, or because I can't help looking pretty cheerful, the whole of Bridley-in-the-Wold seems to take it for granted that I can't possibly have any troubles of my own, and that I am consequently fair game for anyone who has any sort of worry. I have the sympathetic manner, and they come to me to be cheered up. If a fellow's in love, he makes a bee-line for me, and tells me all about it. If anyone has had a bereavement, I am the rock on which he leans for support. Well, I'm a patient sort of man, and, as far as Bridley-in-the-Wold is concerned, I am willing to play the part. But a strong man does need an occasional holiday, and I made up my mind that I would get it. Directly I got here I saw that the same old game was going to start. Spencer Clay swooped down on me at once. I'm as big a draw with the Spencer Clay type of maudlin idiot as catnip is with a cat. Well, I could stand it at home, but I was hanged if I was going to have my holiday spoiled. So I invented Amy. Now do you see?'

'Certainly I see. And I perceive something else which you appear to have overlooked. If Amy doesn't exist—or, rather, never did exist—she cannot stand between you and Miss Campbell. Tell her what you have told me, and all will be well.'

He shook his head.

'You don't know Mary. She would never forgive me. You don't know what sympathy, what angelic sympathy, she has poured out on me about Amy. I can't possibly tell her the whole thing was a fraud. It would make her feel so foolish.'

'You must risk it. At the worst, you lose nothing.'

He brightened a little.

'No, that's true,' he said. 'I've half a mind to do it.'

'Make it a whole mind,' I said, 'and you win out.'

I was wrong. Sometimes I am. The trouble was, apparently, that I didn't know Mary. I am sure Grace Bates, Heloise Miller, or Clarice Wembley would not have acted as she did. They might have been a trifle stunned at first, but they would soon have come round, and all would have been joy. But with Mary, no. What took place at the interview I do not know; but it was swiftly perceived by Marois Bay that the Wilton-Campbell alliance was off. They no longer walked together, golfed together, and played tennis on the same side of the net. They did not even speak to each other.

* * * * *

The rest of the story I can speak of only from hearsay. How it became public property, I do not know. But there was a confiding strain in Wilton, and I imagine he confided in someone, who confided in someone else. At any rate, it is recorded in Marois Bay's unwritten archives, from which I now extract it.

* * * * *

For some days after the breaking-off of diplomatic relations, Wilton seemed too pulverized to resume the offensive. He mooned about the links by himself, playing a shocking game, and generally comported himself like a man who has looked for the escape of gas with a lighted candle. In affairs of love the strongest men generally behave with the most spineless lack of resolution. Wilton weighed thirteen stone, and his muscles were like steel cables; but he could not have shown less pluck in this crisis in his life if he had been a poached egg. It was pitiful to see him.

Mary, in these days, simply couldn't see that he was on the earth. She looked round him, above him, and through him, but never at him; which was rotten from Wilton's point of view, for he had developed a sort of wistful expression—I am convinced that he practised it before the mirror after his bath—which should have worked wonders, if only he could have got action with it. But she avoided his eye as if he had been a creditor whom she was trying to slide past on the street.

She irritated me. To let the breach widen in this way was absurd. Wilton, when I said as much to him, said that it was due to her wonderful sensitiveness and highly strungness, and that it was just one more proof to him of the loftiness of her soul and her shrinking horror of any form of deceit. In fact, he gave me the impression that, though the affair was rending his vitals, he took a mournful pleasure in contemplating her perfection.

Now one afternoon Wilton took his misery for a long walk along the seashore. He tramped over the sand for some considerable time, and finally pulled up in a little cove, backed by high cliffs and dotted with rocks. The shore around Marois Bay is full of them.

By this time the afternoon sun had begun to be too warm for comfort, and it struck Wilton that he could be a great deal more comfortable nursing his wounded heart with his back against one of the rocks than tramping any farther over the sand. Most of the Marois Bay scenery is simply made as a setting for the nursing of a wounded heart. The cliffs are a sombre indigo, sinister and forbidding; and even on the finest days the sea has a curious sullen look. You have only to get away from the crowd near the bathing-machines and reach one of these small coves and get your book against a rock and your pipe well alight, and you can simply wallow in misery. I have done it myself. The day when Heloise Miller went golfing with Teddy Bingley I spent the whole afternoon in one of these retreats. It is true that, after twenty minutes of contemplating the breakers, I fell asleep; but that is bound to happen.

It happened to Wilton. For perhaps half an hour he brooded, and then his pipe fell from his mouth and he dropped off into a peaceful slumber. And time went by.

It was a touch of cramp that finally woke him. He jumped up with a yell, and stood there massaging his calf. And he had hardly got rid of the pain, when a startled exclamation broke the primeval stillness; and there, on the other side of the rock, was Mary Campbell.