The colours worn by the girls, and the denim and tweed, and the royal blue of Kilroy, contrasted sharply with the uncared-for garb of Woodward, Whipp and Woolmer-Mills, all of whom were expected to take Firsts. Stained and frayed, these three hung together without speaking, Woodward very tall, giving the impression of an etiolated newt, Whipp small, his glasses repaired with Sellotape, Woolmer-Mills for ever launching himself back and forth on the balls of his feet.
In a pocket of Kilroy’s suit there was a miniature bottle of vodka, for only tea and what the Professor described as ‘cup’ were served in the course of the evening. Kilroy fingered it, smiling across the room at the Professor, endeavouring to give the impression that he was delighted to be present. He was a student who was fearful of academic failure, his terror being that he would not get a Third: he had set his sights on a Third, well aware that to have set them higher would not be wise. He brought his little bottles of vodka to the Professor’s parties as an act of bravado, a gesture designed to display jauntiness, to show that he could take a chance. But the chances he took with his vodka were not great.
Bewley Joal, who would end up with a respectable Second, was laying down the law to Yvonne Smith, who would be grateful to end up with anything at all. Her natural urge to chatter was stifled, for no one could get a word in when the clanking voice of Bewley Joal was in full flow. ‘Oh, it’s far more than just a solution, dear girl,’ he breezily pronounced, speaking of Moral Rearmament. Yvonne Smith nodded and agreed, trying to say that an aunt of hers thought most highly of Moral Rearmament, that she herself had always been meaning to look into it. But the voice of Bewley Joal cut all her sentences in half.
‘I thought we’d start,’ the Professor announced, having coughed and cleared his throat, with the “Pathétique”.’ He fiddled with the record-player while everyone sat down, Ruth Cusper on the floor. He was a biggish man in a grey suit that faintly recalled the clothes of Woodward, Whipp and Woolmer-Mills. On a large head hair was still in plentiful supply even though the Professor was fifty-eight. The hair was grey also, bushing out around his head in a manner that suggested professorial vagueness rather than a gesture in the direction of current fashion. His wife, who stood by his side while he placed a record on the turntable, wore a magenta skirt and twin-set, and a string of jade beads. In almost every way – including this lively choice of dress – she seemed naturally to complement her husband, to fill the gaps his personality couldn’t be bothered with. Her nervous manner was the opposite of his confident one. He gave his parties out of duty, and having done so found it hard to take an interest in any students except those who had already proved themselves academically sound. Mrs Skully preferred to strike a lighter note. Now and again she made efforts to entice a few of the girls to join her on Saturday evenings, offering the suggestion that they might listen together to Saturday Night Theatre and afterwards sit around and discuss it. Because the Professor saw no point in television there was none in the Skullys’ house.
Tchaikovsky filled the sitting-room. The Professor sat down and then Mrs Skully did. The doorbell rang.
‘Ah, of course,’ Mrs Skully said.
‘Valerie Upcott,’ Valerie said. ‘Good evening, Mrs Skully.’
‘Come in, come in, dear. The “Pathétique’s” just started.’ She remarked in the hall on the green corduroy dress that was revealed when Valerie took off her coat. The green was of so dark a shade that it might almost have been black. It had large green buttons all down the front. ‘Oh, how really nice!’ Mrs Skully said.
The crackers that decorated the scenes of Hanover looked sinister, Valerie thought: Christmas was on the way, soon there’d be the coloured lights and imitation snow. She smiled at Mrs Skully. She wondered about saying that her magenta outfit was nice also, but decided against it. ‘We’ll slip in quietly,’ Mrs Skully said.
Valerie tried to forget the crackers as she entered the sitting-room and took her place on a chair, but in her mind the brash images remained. They did so while she acknowledged Kilroy’s winking smile and while she glanced towards the Professor in case he chose to greet her. But the Professor, his head bent over clasped hands, did not look up.
Among the history students Valerie was an unknown quantity. During the two years they’d all known one another she’d established herself as a person who was particularly quiet. She had a private look even when she smiled, when the thin features of her face were startled out of tranquillity, as if an electric light had suddenly been turned on. Kilroy still tried to take her out, Ruth Cusper was pally. But Valerie’s privacy, softened by her sudden smile, unfussily repelled these attentions.
For her part she was aware of the students’ curiosity, and yet she could not have said to any one of them that a tragedy which had occurred was not properly in the past yet. She could not mention the tragedy to people who didn’t know about it already. She couldn’t tell it as a story because to her it didn’t seem in the least like that. It was a fact you had to live with, half wanting to forget it, half feeling you could not. This time of year and the first faint signs of Christmas were enough to tease it brightly into life.
The second movement of the ‘Pathétique’ came to an end, the Professor rose to turn the record over, the students murmured. Mrs Skully slipped away, as she always did at this point, to attend to matters in the kitchen. While the Professor was bent over the record-player Kilroy waved his bottle of vodka about and then raised it to his lips. ‘Hallo, Valerie,’ Yvonne Smith whispered across the distance that separated them. She endeavoured to continue her communication by shaping words with her lips. Valerie smiled at her and at Ruth Cusper, who had turned her head when she’d heard Yvonne Smith’s greeting. ‘Hi,’ Ruth Cusper said.
The music began again. The mouthing of Yvonne Smith continued for a moment and then ceased. Valerie didn’t notice that, because in the room the students and the Professor were shadows of a kind, the music a distant piping. The swish of wind was in the room, and the shingle, cold on her bare feet; so were the two flat stones they’d placed on their clothes to keep them from blowing away. White flecks in the air were snow, she said: Christmas snow, what everyone wanted. But he said the flecks were flecks of foam.
He took her hand, dragging her a bit because the shingle hurt the soles of her feet and slowed her down. He hurried on the sand, calling back to her, reminding her that it was her idea, laughing at her hesitation. He called out something else as he ran into the breakers, but she couldn’t hear because of the roar of the sea. She stood in the icy shallows and when she heard him shouting again she imagined he was still mocking her. She didn’t even know he was struggling, she wasn’t in the least aware of his death. It was his not being there she noticed, the feeling of being alone on the strand at Ballyquin.
‘Cup, Miss Upcott?’ the Professor offered in the dining-room. Poised above a glass, a jug contained a yellowish liquid. She said she’d rather have tea.
There were egg sandwiches and cakes, plates of crisps, biscuits and Twiglets. Mrs Skully poured tea, Ruth Cusper handed round the cups and saucers. The O’Neill sisters and their followers shared an obscene joke, which was a game that had grown up at the Skullys’ parties: one student doing his best to make the others giggle too noisily. A point was gained if the Professor demanded to share the fun.