No one knew, and probably no one will ever know, what this woman did in Moscow or how she maintained her existence. The only thing known about her is that she could be seen every day either with the can, or with bag and can together, in the kerosene shop, or in the market, or under the gateway, or on the stairs, but most often in the kitchen of apartment no. 48, of which this Annushka was one of the tenants. Besides that and above all it was known that wherever she was or wherever she appeared, a scandal would at once break out, and, besides, that she bore the nickname of ‘the Plague’.
Annushka the Plague always got up very early for some reason, and today something got her up in the wee hours, just past midnight. The key turned in the door, Annushka’s nose stuck out of it, then the whole of her stuck out, she slammed the door behind her, and was about to set off somewhere when a door banged on the landing above, someone hurtled down the stairs and, bumping into Annushka, flung her aside so that she struck the back of her head against the wall.
‘Where’s the devil taking you in nothing but your underpants?’ Annushka shrieked, clutching her head.
The man in nothing but his underwear, carrying a suitcase and wearing a cap, his eyes shut, answered Annushka in a wild, sleepy voice:
‘The boiler ... the vitriol ... the cost of the whitewashing alone ...’ And, bursting into tears, he barked: ‘Out!’
Here he dashed, not further down, but back up to where the window had been broken by the economist’s foot, and out this window he flew, legs up, into the courtyard. Annushka even forgot about her head, gasped, and rushed to the window herself. She lay down on her stomach on the landing and stuck her head into the yard, expecting to see the man with the suitcase smashed to death on the asphalt, lit up by the courtyard lantern. But on the asphalt courtyard there was precisely nothing.
It only remained to suppose that a sleepy and strange person had flown out of the house like a bird, leaving not a trace behind him. Annushka crossed herself and thought: ‘Yes, indeed, a nice little apartment, that number fifty! It’s not for nothing people say ... Oh, a nice little apartment!’
Before she had time to think it through, the door upstairs slammed again, and a second someone came running down. Annushka pressed herself to the wall and saw a rather respectable citizen with a little beard, but, as it seemed to Annushka, with a slightly piggish face, dart past her and, like the first one, leave the house through the window, again without ever thinking of smashing himself on the asphalt. Annushka had already forgotten the purpose of her outing and stayed on the stairway, crossing herself, gasping, and talking to herself.
A third one, without a little beard, with a round, clean-shaven face, in a Tolstoy blouse, came running down a short while later and fluttered out the window in just the same way.
To Annushka’s credit it must be said that she was inquisitive and decided to wait and see whether any new miracles would occur. The door above was opened again, and now a whole company started down, not at a run, but normally, as everybody walks. Annushka darted away from the window, went to her own door, opened it in a trice, hid behind it, and her eye, frenzied with curiosity, glittered in the chink she left for herself.
Someone, possibly sick or possibly not, but strange, pale, with a stubbly beard, in a black cap and some sort of robe, walked down with unsteady steps. He was led carefully under the arm by a lady in a black cassock, as it seemed to Annushka in the darkness. The lady was possibly barefoot, possibly wearing some sort of transparent, obviously imported, shoes that were torn to shreds. Pah! Shoes my eye! ... The lady is naked! Yes, the cassock has been thrown right over her naked body! ... ‘A nice little apartment! ...’ Everything in Annushka’s soul sang in anticipation of what she was going to tell the neighbours the next day.
The strangely dressed lady was followed by a completely naked one carrying a suitcase, and next to the suitcase a huge black cat was knocking about. Annushka almost squeaked something out loud, rubbing her eyes.
Bringing up the rear of the procession was a short, limping foreigner, blind in one eye, without a jacket, in a white formal waistcoat and tie. This whole company marched downstairs past Annushka. Here something thudded on the landing.
As the steps died away, Annushka slipped like a snake from behind the door, put the can down by the wall, dropped to the floor on her stomach, and began feeling around. Her hands came upon a napkin with something heavy in it. Annushka’s eyes started out of her head when she unwrapped the package. Annushka kept bringing the precious thing right up to her eyes, and these eyes burned with a perfectly wolfish fire. A whirlwind formed in Annushka’s head:
‘I see nothing, I know nothing! ... To my nephew? Or cut it in pieces? ... I could pick the stones out, and then one by one: one to Petrovka, another to Smolensky ... And - I see nothing, I know nothing!’
Annushka hid the found object in her bosom, grabbed the can, and was about to slip back into her apartment, postponing her trip to town, when that same one with the white chest, without a jacket, emerged before her from devil knows where and quietly whispered:
‘Give me the horseshoe and napkin!’
‘What napkin horseshoe?’ Annushka asked, shamming very artfully. ‘I don’t know about any napkins. Are you drunk, citizen, or what?’
With fingers as hard as the handrails of a bus, and as cold, the white-chested one, without another word, squeezed Annushka’s throat so that he completely stopped all access of air to her chest. The can dropped from Annushka’s hand on to the floor. After keeping Annushka without air for some time, the jacketless foreigner removed his fingers from her throat. Gulping air, Annushka smiled.
‘Ah, the little horseshoe?’ she said. ‘This very second! So it’s your little horseshoe? And I see it lying there in a napkin, I pick it up so that no one takes it, and then just try finding it!’
Having received the little horseshoe and napkin, the foreigner started bowing and scraping before Annushka, shook her hand firmly, and thanked her warmly, with the strongest of foreign accents, in the following terms:
‘I am deeply grateful to you, ma’am. This little horseshoe is dear to me as a memento. And, for having preserved it, allow me to give you two hundred roubles.’ And he took the money from his waistcoat pocket at once and handed it to Annushka.
She, smiling desperately, could only keep exclaiming:
‘Ah, I humbly thank you! Merci! Merci!’
The generous foreigner cleared a whole flight of stairs in one leap, but, before decamping definitively, shouted from below, now without any accent:
‘You old witch, if you ever pick up somebody else’s stuff again, take it to the police, don’t hide it in your bosom!’
Feeling a ringing and commotion in her head from all these events on the stairs, Annushka went on shouting for some time by inertia:
‘Merci! Merci! Merci! ...’ But the foreigner was long gone.
And so was the car in the courtyard. Having returned Woland’s gift to Margarita, Azazello said goodbye to her and asked if she was comfortably seated, Hella exchanged smacking kisses with Margarita, the cat kissed her hand, everyone waved to the master, who collapsed lifelessly and motionlessly in the corner of the seat, waved to the rook, and at once melted into air, considering it unnecessary to take the trouble of climbing the stairs. The rook turned the lights on and rolled out through the gates, past the man lying dead asleep under the archway. And the lights of the big black car disappeared among the other lights on sleepless and noisy Sadovaya.