According to one of them, everything related to the sexual sphere should not be subject to openness in the society, neither in flesh, nor word, nor artistic imagery or figurative narration. But since there is no escape from nature, the civilization creates many cultural shells, elevating animality in its essence to the level of “eternal values” of humanity. As a consequence of this, the culture, idealising the cultural shells in which instincts are hidden, supports inhumane psychetype in the society, obstructing transformation of civilization into the Humanity.
According to the second tendency, the cultural shells are worthless, but the animality, uncovered under pressure from the porno-industry, is portrayed as the true essence of humanity, is therefore nothing to be ashamed of, and its manifestations should be given full freedom in the “safe sex”. This, in essence, is a direct refusal to become Human.
Both of these tendencies together in the culture of the present civilization are inseparably linked. The victory of either one of them would be victory of one of the forms of the same content. Precisely because of the unity of their content, the struggle between the two tendencies represents one of the ways of retaining humanity under the power of the “Matrix”.
The creators of the film, although they have shown this duality, have left in the defaults the battle between these two formal tendencies, therefore supporting the culture that would express animality in the future as well.
Since the system of “connections”, similar to the one pictured inside the african cave, was not shown clearly, then it was done not without reasons and not without aims:
● either because the “extrasenses-clairvoyants”, involved in the creation of the film, are themselves are so cocooned by this “connection”, that cannot see the light of day from their cocoons, nevermind the “thin worlds” where these “connections” are visible;
● or with the aim of saving the “connection” and cultivating it henceforth.
Pendency of this conflict between forms of one and the same animal origin was expressed by the creators of the film in the development of its plot. As seen from the film, in the reality of alleged freedom, where the main hero finds himself, there is no freedom from the unbearable pressure of instincts onto the psyche. In the reality of alleged freedom of the “real world”, the chracters’ lives are under the control of the very same “Matrix” of human enslavement. The happy end was inches away from the abyss, because the local “Judas”-Cypher craved for sexual intercourse with Trinity, and Trinity herself, while being cold-hearted to Cypher, lives awaiting Anderson-Neo’s love. So, in the reality of allegedly unlimited freedom, in which the crew of the “Nebuchadnezzar” lives free from the dictate of programs of neuro-interactive model of the “Matrix”, a typical “love triangle” has formed, which is inevitable in all cultures that reproduce inhumane psychetypes in the succession of generations.
It can be noted, that the local “Judas”, who betrayed Morpheus the “Baptist”, is the sole character of the “Matrix”, whose appearance can be identified as slavonic. It is as if his image was purposely made based the known appearance of the last non-orthodox all-Russian ruler Svyatoslav, the father of Vladimir, who became the Christian baptizer of Russia. The only difference — instead of a lock of hair on a shaved head he wears a narrow beard above his chin. In other words, the image of the “Judas”-Cypher has been purposely constructed so, that with promotion of the film in the global cinema, image of slavonic countries, specifically — Russia, as an enemy would be formed in the public’s unconscious. In particular, Cypher is the only character who likes to drink, and the stereotype “Russians — the first drunks in the world” is well known.
Concluding from the above, the film does not show real freedom. After the destruction of one reality — the Earth’s biosphere — by the “humanity”-virus, “the cancer of this planet”, the same virus, after recovering in custody of the machine system called the “Matrix”, attempts to break out of its control and create a new reality in order to continue parasitizing without transforming itself. Precisely parasitizing, since it cannot do and will not be able to learn anything else, until it frees itself from the system of “connections”, shown earlier.
Besides that, all characters in the allegedly free “real world”, receive a new “connection” that is inserted into the back of their heads. Without this “connection” they cannot enter the world of the former “Matrix”-reality. Is the new “connection”, inserted in the back of the head, better than the old set of “connections” to the “Matrix” machine? — the question is up for discussion. In our opinion, both connections are of a similar nature.
Some, after reading the above, may understand it in the sense that we support total emasculation of both genders. Not at alclass="underline" it should be understood that with the humane psychetype, an emotional self-sufficiency of an individual of any gender or age is achieved, thus removing any oppression of their psyche by instincts; and the individual’s behaviour ceases to be dependant on more and more sophisticated and perverted, by “progress” of culture, ways of satisfaction of lust of both men and women. Originality of both genders, uniqueness of every individual is preserved with the transition to the humane psychetype, but relations between men and women acquire a new quality and become uncomparable with relations between males and females of any animal species in the Earth’s biosphere. Consequently, transition to a domination of the humane psychetype leads to the transformation of the entire culture.
When biofield structures are visualised, the interaction between men and women, with humane psychetype of both and their union, have nothing in common with the the system of “connections”, shown on the cave drawing above. In reality of biofields (matrices-predeterminations), it can be seen how a “luminous shell” of an egg (border of one’s aura) of an individual, overlaps with the “luminous shell” of another individual’s egg. Both of them grow in size and enclose both bodies, if the two match each other. All mismatches are expressed as either inability of the individual fields to create an aura common to both of them, or as its various defects: the common aura is stable, but cannot cover both, leaving different parts of one of them uncovered (for example, two heads, connected to various inconsistent egregores, stick out from the common aura); an aura that is unable to cover both, constantly trembles, exposing various parts of the two bodies; holes in the common aura that lead to conflicting chakras of either individual, or protrusions that extend from conflicting chakras towards auras of other people or egregores, and so on. Defects either vanish after a certain amount of time, or the common aura, under pressure from the defects, loses stability and individuals’ auras separate and stay apart. Creation by a man and a woman of a common mutually covering aura happens in accordance with matrices of predetermination, that define life, in which generation of a fully-enclosing aura is depicted by an image, widely known as the symbol “Yin-Yang”.
Nothing similar to the cave drawing shown above exists in the reality of biofields of matrices-predeterminations when spouses are both carriers of the humane psychetype.
“Yin-Yang” |