Very gently but firmly, the creatures laid him on the couch. Fearing he knew not what, he still tried to resist them. Two of the beings proceeded to join their streamers across his recumbent body, interlacing the divided ends like fingers; and two others arranged their members in like fashion across his legs. Floating just above the floor, they held him securely to the couch, like doctors who have tied down a delirious patient.
Lying helpless, he saw the remaining two swim skyward and vanish beyond the tower’s rim. After awhile he ceased his futile struggling; but his attendants still held him bound with their flat, clammy streamers.
Sarkis lived in an aching torment, whose duration was not to be measured by earthly time. The red sky appeared to descend upon him, heavier and closer; and the enigmatic details of the sculptures on the tower walls perturbed him with sly suggestions of alien foulness and fear. He saw Satanic faces that leered or frowned obscenely, and faceless gargoyle things that seemed to palpitate with malignant life in the cataracting crimson.
The sky took on an awful, ardent glowing. With intolerable slowness, the huge sun, rising to its meridian, filled with its orb the cup that was formed by the tower’s rim. The intricate carvings ran with redoubled light, the stellar monsters and gargoyles dripped a venomous ruby that maddened the staring eyes of Sarkis, till he closed his lids against it, and still saw in his branded brain the corrosive, inexorably irritant color. Finally a great blackness came upon him: a sluggish and leaden Lethe, through which he sank interminably, still pursued by floating blots of acrid crimson, before losing himself.
He awoke in a sort of stupefaction, drugged and exhausted, as if his nerves had been burnt out by that cruel debauch of red. With nightmare effort, he opened his eyes to a heaven of funereal violet. The red sun had been succeeded by a purple binary of equal magnitude, whose orb was now intersecting the topless tower with a mournfully glaring crescent.
Sarkis could not collect his shattered thoughts; but a shapeless fear, an awareness of something irremediably wrong and baleful, rose in his mind. He was still held by the streamers of his four attendants; and moving his head, he saw that several others were floating patiently beside the couch. With their adroit members, more supple and capacious than hands, they bore a multitude of strange articles.
Seeing that he had awakened, they swam toward him, proffering certain smooth, elongated, fruit-like objects. One of them held to his lips a shallow bowl filled with a semi-viscid liquor, which he was plainly expected to drink.
Utterly astray and unstrung, Sarkis shrank in renewed terror from these beings. Bathed in that lugubrious violet, their outré forms were cadaverous as dead things from another star. An infinite melancholia poured from the purple sun, cascaded from the sloping walls, jetted from the monstrous carvings. The humming of his attendants, who doubtless sought to reassure him, was heavy with a dirge-like horror. Refusing the offered food and drink, he closed his eyes and lay inert beneath the dismal madness that had fallen upon him.
All that followed was as if part of this madness, and not to be separated from its teeming phantasms. Sarkis was lifted from the couch by his attendants, who formed a sort of cradle with their streamers, in which they carried him from the tower and along some endless road. At intervals he opened his eyes to ghastly-looking plants that swam and swayed in the violet air like sea-weed in an ocean-stream.
Presently he knew that his bearers were descending a steep incline, as if to some deeper circle of this dolorous inferno. Walls that might have been those of a slanted catacomb, lit with a bluish, deathly lambence, stifled him with their closeness.
He found himself at length in a great chamber, whose furnishings, to his distraught eyes, bore the aspect of frightful and multiform instruments of torture. Sarkis’ alarm was increased when the flat-bodied people stretched him on a slightly hollowed slab of pale mineral whose fittings of machinery at sides and ends were reminiscent of some medieval rack.
A stony fear weighed down his faculties, arrested his breathing; and he did not resist. One of his presumable torturers was floating above him in the hell-blue light, while the others swam in a sort of ring about the slab. The floating creature laid the fringy tips of its middle streamer on his mouth and nostrils, and he felt an odd shock from the contact. An icy coldness flowed across his face, into his brow and head, into his neck, his arms, his body. It seemed that a strange, benumbing force had been exerted by the creature: the flowing coldness was followed by a loss of all sensation, and a singular detachment from the terror and malaise that had tormented him. Without alarm or speculation, he considered the beings about him, who were now removing his garments and applying to his body the sinister little disks and needle-studded plates that formed part of the slab’s mechanical equipment.
It was all meaningless to him; and in some fashion that he did not even try to understand, the whole scene took on an ever-growing dimness and remoteness, as if he were floating away from it—and from himself—into another dimension.
II
His return to awareness was like a new birth. Strangeness there was, such as an infant would find in its surroundings; but fear and pain were wholly gone. He found nothing monstrous or unnatural or menacing in the world that was now revealed to his senses.
Later, when he had learned to communicate easily with the people of Mlok, they told him of the singular and radical operations which they had deemed it necessary to perform upon him: operations involving his nerves and sense-organs, so as to alleviate, by changing all his impressions and even certain subconscious functions, the torment he had suffered from the images and vibratory rays of a world in which the human senses were not prepared to function properly. At first they had not understood his sufferings, since they themselves, being far more adaptive than men, endured little discomfort in passing from one world to another. But, having diagnosed his condition, they had hastened to palliate it through the resources of a preter-human science.
Just what had been done to him, Sarkis could never wholly grasp; and the results of the operations, admitting him to an entire new range of perceptions, were well-nigh ineffable. His otherworld hosts had wished to make him hear, see, feel and perceive in much the same manner as themselves.
Perhaps the profoundest change was in his visual images. He saw new colors of supernal softness and beauty. The red daylight, which had almost maddened him, was now a clear and nameless hue which he somehow associated with emerald green. The light of the violet binary no longer depressed him, and its ultra-spectral color was remotely allied to pale amber.
His ideas of form had undergone a corresponding alteration. The bodies and members of the alien people, which he had thought almost two dimensional, and which had terrified him with their goblin grotesquery, presented many subtle planes and curves, together with a depth that argued the addition of at least one totally new dimension. The whole effect was aesthetically pleasing, with a fundamental symmetry such as he had previously discerned in well-shaped human bodies. The vegetation, scenery and architecture no longer impressed him as abnormal or monstrous.
His sense of time had now become synchronized with the slow tempo of the heavy planet, and the speech and movement of the people had lost that former sense of undue prolongation. The thick air, the weighty gravitation, had also ceased to discomfit him.
Moreover, he had acquired several new senses. One of these can best be described as a combination of hearing and touch: many sound images, especially those of high pitch, were perceived by his ears as a local tactility. The sensation was that of a gently varied tapping. Another sense was that of audible color: certain hues were always accompanied by an overtone of sound, often highly musical.