The trees and shrubs were like towering fungi of Gehenna, loathsome, unclean, and the grass was a vermin-grey foulness from which he turned in sick revulsion.
Astray in that labyrinth of fear, and virtually out of his senses, he fled at random, and tried to cross an arterial where cars were hurtling by at the apparent speed of projectiles. Here, with no warning that his eyes or ears could perceive, something struck him down like a sudden bolt, and he slid into merciful oblivion.
He awoke an hour later in the hospital to which he had been taken. The injuries which he had sustained, from being knocked down by the slowly driven car before which he had thrust himself as if deaf and blind, were not serious, but his general condition puzzled the doctors.
When, with reviving consciousness, he began to scream horribly, and to shrink away as if in mortal terror from his attendants, they were inclined to diagnose the case as delirium tremens. His nerves were obviously in a bad way; though, curiously enough, the doctors failed to detect the presence of alcohol or any known drug to support their diagnosis.
Sarkis failed to respond to the powerful sedatives which they administered. His sufferings, which seemed to take the form of terrific hallucinations, were prolonged and progressive. One of the internes noted a queer deformation of his eyeballs; and there was much speculation regarding the singular long-drawn slowness of his screams and writhings. However, though baffling, his case was readily enough dismissed by the doctors when, a week later, he persisted in dying. It was merely one more of those unsolved enigmas that sometimes occur even in the best-regulated of professions.
THE DISINTERMENT OF VENUS
I
Prior to certain highly deplorable and scandalous happenings in the year 1550, the vegetable garden of Périgon was situated on the southeast side of the abbey. After these events, it was removed to the northwest side, where it has remained ever since; and the former garden-site was given to weeds and briars which, by strict order of the successive abbots, no one has ever tried to eradicate or curb.
The happenings which compelled this removal of the Benedictine’s turnip and carrot patches became a popular tale in Averoigne, to the lasting shame of the good Brothers. It is hard to say how much or how little of the legend is apocryphal.
One April morning, three monks were spading lustily in the garden. Their names were Paul, Pierre and Hughues. The first was a man of ripe years, hale and robust; the second was in his early prime; the third was little more than a boy, and had but recently taken his final vows.
Being moved with an especial ardor, in which the vernal stirring of youthful sap may have played its part, Hughues proceeded to dig the loamy soil even more diligently and deeply than his comrades. The ground was almost free of stones, owing to the careful and industrious tillage of many generations of monks; but anon, through the muscular zeal with which it was wielded, the spade of Hughues encountered a well-buried object of indeterminate size but unquestionable hardness.
Hughues felt that this obstruction, which in all likelihood was a small boulder, should be removed for the honor of the monastery and the glory of God. Bending busily, he shoveled away the moist, blackish loam in an effort to uncover it.
The task was more arduous than he had expected; and the supposed boulder began to reveal an amazing length and a quite singular formation as he bared it by degrees. Leaving their own toil, Pierre and Paul came to his assistance. Soon, through the zealous endeavors of the three, the nature of the buried object became all too manifest.
In the large pit they had now dug, the monks beheld the grimy head and torso of what was plainly a marble woman or goddess from antique years. The pale stone of shoulders and arms, tinged faintly as if with a living rose, had been scraped clean in places by their delving shovels; but the face and breasts were still black with the heavily caked loam.
The figure stood erect, as if on a hidden pedestal or altar. One arm was raised, caressing with a shapely hand the ripe contour of the bosom; the other, hanging idly, was still plunged in the earth. Digging deeper, the monks began to uncover the full voluptuous hips and rounded thighs; and finally, taking turns in the pit, whose rim was now higher than their heads, they came to the sunken pedestal, which stood on a pavement of granite.
During the course of their excavations, as the nature of their find began to disclose itself unmistakably, the Brothers had felt a strange, powerful excitement whose cause they could hardly have explained, but which seemed to arise, like some obscure contagion, from the long-buried arms and bosom of the image. Mingled with a pious horror due to the infamous nudity and paganry of the feminine statue, there was an unacknowledged pleasure which the three would have rebuked in themselves as vile and shameful if they had recognized it.
Oddly fearful of chipping or scratching the marble, they wielded their spades with much chariness; and when the digging was completed and the comely feet were uncovered on their pedestal, Paul, the oldest, standing beside the image in the pit, began to wipe away with a handful of weeds and grass the maculations of dark loam that still clung to its lovely body. This task he performed with great thoroughness; and he ended by polishing the marble with the hem and sleeves of his black robe.
He felt an unwonted but delicious fever as he touched the smooth marble; and he lingered so long over his self-imposed task, and the movements of his rough hands were so lover-like and caressing, that they aroused the unspoken disapproval of Pierre and Hughues; who, nevertheless, were half conscious of a covert desire to follow his example.
At length, Paul emerged reluctantly from the pit. He and his fellows, who were not without classic learning, now saw that the figure was evidently a statue of Venus, dating no doubt from the Roman occupation of Averoigne, when certain altars to this divinity had been established by the invaders.
The vicissitudes of half-legendary time, the long dark years of inhumation, had harmed the Venus little if at all. The slight mutilation of an ear-tip half-hidden by rippling curls, and the partial fracture of a shapely middle toe, merely served to add, if possible, a keener seduction to her languorously sensual beauty.
She was exquisite as the succubi of youthful dreams, but her perfection was touched with inenarrable evil. The lines of the mature figure were fraught with a maddening luxuriousness; the eyelids were drooped in a pretended coyness of false virtue; the lips of the full, Circean face were half pouting, half smiling with ambiguous allure. It was the masterpiece of an unknown, decadent sculptor; not the noble, maternal Venus of heroic times, but the sly and cruelly voluptuous Cotytto, the Cytherean of dark orgies, ready for her descent into the Hollow Hill.
Staring at the fully revealed image, the good monks became forcibly aware of certain unhallowed emotions which they would never have been willing to avow. A sensuous enchantment, an amorous thralldom, seemed to flow from the flesh-pale marble and to weave itself like invisible hair about the hearts of the Brothers. They felt the prompting of forbidden thoughts and reveries, of rebel desires which they had supposedly put away with the assuming of their monkhood.
With a sudden, mutual feeling of shame, that caused them to avoid each other’s eyes, they began to debate what should be done with the Venus, which, in a monastery garden, was somewhat misplaced, and would become a source of embarrassment. Since their combined efforts would barely have sufficed to elevate the heavy image from the pit, they sent Hughues, as the youngest, to report their find to the abbot and await his decision regarding its disposal. In the meanwhile, Paul and Pierre resumed their garden labors, stealing covert glances at the fair head of the goddess, which was all that they could see in the deep hole at a little distance.