Being invited into this scene was to be absorbed into child — space; I saw it as a small child might — that is, enormous and implacable; but at the same time I kept with me my knowledge that it was tiny and implacable — because petty, unimportant. This was a tyranny of the unimportant, of the mindless. Claustrophobia, airlessness, a suffocation of the mind, of aspiration. And all endless, for this was child-time, where one day's end could hardly be glimpsed from its beginning, ordered by the hard white clock. Each day was like something to be climbed, like the great obdurate chairs, a bed higher than one's head, obstacles and challenges overcome by the aid of large hands that gripped and pulled and pushed — hands which, seen at work on that baby, seemed to be tender and considerate. The baby was high in the air, held up in the nurse's arms. The baby was laughing. The mother wanted to take the baby from the nurse, but the nurse held tight and said: 'Oh no, this one, this is my baby, he's my baby.' 'Oh no, Nurse,' said the strong tower of a mother, taller than anything in the room, taller than the big nurse, almost as high as the ceiling: 'Oh no,' she said, smiling but with her lips tight, 'he's my baby.' 'No, this is my baby,' said the nurse now rocking and crooning the infant, 'he's my darling baby, but the other one, she's your baby, Emily is yours, madam.' And she turned her back on the mother in a show of emotional independence, while she loved and rocked the baby. At which the mother smiled, a smile different from the other, and not understood by the little girl, except that it led to her being pulled up roughly on the mother's hand, and told: 'Why aren't you undressed? I told you to get undressed.' And there began a rapid uncomfortable scrambling and pushing; she was trying to remain steady on her feet, while layers of clothes were pulled off her. First the blue velvet dress of which she was proud, because it suited her — she had been told so by voices of all kinds insisting against each other high over her head, but it had many little buttons up the inside of her arm and down her back, each one taking so long to undo while the big fingers hurt and bruised. Then off came the petticoat, quite fast but scratching at her chin, then long white tights too big for her which released a warm likeable smell into the air: the mother noticed it and made a grimace. 'And now into bed with you,' she said as she hastily pulled down a white nightdress over the child's head.
Emily crept into her bed near the window, hauling herself up by the head-rail, for to her it was a big bed; and she lifted a corner of the heavy red velvet to look out at the stars. At the same time she watched the two large people, the mother and the nurse, tending the baby. Her face was old and weary. She seemed to understand it all, to have foreseen it, to be living through it because she had to, feeling it as a thick heaviness all around her — time, through which she must push herself, till she could be free of it. For none of them could help themselves, not the mother, that feared and powerful woman, not the nurse, bad-tempered because of her life, not the baby, for whom she, the little girl, already felt a passion of love that melted her, made her helpless. And she, the child, could not help herself either, not at all; and when the mother said in her impatient rough way, which came out as a sort of gaiety, a courage that even then the child recognised as a demand on her compassion: 'Emily, you should lie down. Off to sleep with you,' she lay down; and watched the two women taking the baby into another room from where could be heard a man's voice, the father's. A ceremony of good night, and she was excluded: they had forgotten she had not been taken to say good night to her father. She turned herself over, back to the hot white room, where the red flames pulsed out heat, filled the heavy white clothes on the bars with hot smells, made red shadows in the caves behind the edges of the red curtains, made a prickling heat start up all over her under the heavy bedclothes. She took hold of the dangling red tassels on the curtains, brought them close to her, and lay pulling them, pulling them…
This small child was of course the Emily who had been given into my care, but I did not understand for some days that I had been watching a scene from her childhood, (but that was impossible, of course, since no such childhood existed these days, it was obsolete), a scene, then, from her memory, or her history, which had formed her… I was sitting with her one morning, and some movement she made told me what should have been obvious. Then I kept glancing at that young face, such a troubling mixture of the child and the young girl, and could see in it her solitary four-year-old self. Emily. I wondered if she remembered anything of her memories, or experiences, that were being 'run' like a film behind my living-room wall, which at the moment — the sun lighting a slant of air and the white paint where the flowery pattern of the paper maintained its frail but stubborn being — was a transparent screen: this was one of the moments when the two worlds were close together, when it was easy to remember that it was possible simply to walk through. I sat and looked at the wall, and fancied I heard sounds that certainly were not part of 'my' world at alclass="underline" a poker being energetically used in a grate, small feet running, a child's voice.
I wondered if I should say something to Emily, ask her questions? But I did not dare, that was the truth. I was afraid of her. It was my helplessness with her I feared.
She was wearing her old jeans that were much too tight for her, a bulging little pink shirt.
'You ought to have some new clothes,' I said.
'Why? Don't you think I look nice, then?' The awful 'brightness' of it; but there was dismay as well… she had gathered herself together, ready to withstand criticism.
'You look very nice. But you've grown out of those clothes.'
'Oh dear, I didn't realise it was as bad as that.'
And she look herself ^way from me and lay on the long brown sofa with Hugo beside her. She was not actually sucking her thumb, but she might just as well have been.
I ought to describe her attitude to me? But it is difficult. I don't think she often saw me. When brought to me first by that man, whoever he was, she saw an elderly person, saw me very clearly, sharp, minutely, in detail. But since then I don't think she had for one moment, not in all the weeks she had been with me, seen more than an elderly person, with the characteristics to be expected of one. She had no idea of course of the terror I felt on her account, the anxiety, the need to protect. She did not know that the care of her had filled my life, water soaking a sponge… but did I have the right to complain? Had I not, like all the other adults, talked of 'the youth', 'the youngsters', 'the kids' and so on. Did I not still, unless I made an effort not to? Besides, there is little excuse for the elderly to push the young away from them into compartments of their minds labelled: 'This I do not understand,' or 'This I will not understand' — for every one of them has been young… should I be ashamed of writing this commonplace when so few middleaged and elderly people are able to vivify it by practice? When so few are able to acknowledge their memories? The old have been young; the young have never been old… these remarks or some like them have been in a thousand diaries, books of moral precepts, commonplace books, proverbs and so on, and what difference have they made? Well, I would say not very much… Emily saw some dry, controlled, distant old person. I frightened her, representing to her that unimaginable thing, old age. But for my part, she, her condition, was as close to me as my own memories.