And, as if in acknowledgement of this step forward into vulnerability, now her worst, or best, comments were for the boys who went past: this one's way of walking which she knew represented an uncertainty about himself; that one's flashy way of dressing: the other one's bad skin, or unkempt hair. These unattractive grubs represented a force, an imperative which there was no way of evading, and like a girl on a too high swing she was shrieking in thrilled terror.
She was dreadful in her accuracy. She depressed me — oh, for many reasons; my own past being one of them. Yet she did not suspect this, she really did believe — so the bright manner, her confident glances at me said — that she was, as usual, 'paying her way'; and this time by her perspicacity. She simply could not let anyone pass without swallowing them, and regurgitating them covered in her slime: the clever child, the one who could not be deceived, who could not have anything put over on her: who had been applauded for being like this, had been taught it.
And yet I came into the room once and saw her talking through the window with Janet White: she was earnest, warm, apparently sincere. If she did not like Janet White, she intended Janet White to like her. Infinite promises were made by both girls on the lines of joint forays into the markets, visits, a walk. And when Janet went off, smiling because of the warmth she had absorbed from Emily, Emily said: 'She's heard her parents talking about me, and now she'll report back.' True enough, of course.
The point was that there wasn't anybody who came near her, into her line of sight, who was not experienced by her as a threat. This was how her experience, whatever that had been, had 'set' her. I found I was trying to put myself in her place, tried to be her, to understand how it was that people must pass and repass sharply outlined by her need to criticise — to defend; and found I was thinking that this was only what everyone did, what I did, but there was something in her which enlarged the tendency, had set it forth, exaggerated. For of course, when someone new approaches us, we are all caution; we take that person's measure; a thousand incredibly rapid measurements and assessments go on, putting him, her, in an exact place, to end in the silent judgement: yes, this one's for me; no, we have nothing in common; no, he, she, is a threat… watch out! Danger! And so on. But it was not until Emily heightened it all for me that I realised what a prison we were all in, how impossible it was for any one of us to let a man or a woman or a child come near without the defensive inspection, the rapid, sharp, cold analysis. But the reaction was so fast, such a habit — probably the first ever taught us by our parents — that we did not realise how much we were in its grip.
'Look how she walks,' Emily would say, 'look at that fat old woman.' (The woman, of course, was about forty-five or fifty; she might even be thirty!) 'When she was young, people said she had a sexy walk — "Oh what a sexy little wriggle you have there, ooh you sexy thing you!"' And her parody was horrible because of its accuracy: the woman, the wife of a former stockbroker who had become a junk-dealer, and who lived on the floor above, was given to a hundred little winsome tricks of mouth and eyes and hips. This is what Emily saw of her: it was what everybody must see first of her; and on these tricks she was likely to be judged, by most people. It was impossible not to hear Emily without feeling one's whole being, one's sense of oneself, lowered, drained. It was an assault on one's vitality: listening to her was to acknowledge the limits we all live inside.
I suggested she might like to go to school — 'for something to do', I added hastily, as I saw her quizzical look. This look was not measured: it was her genuine reaction. So I was catching a glimpse of what I had needed for some time: to know what she thought of me, made of me — it was tolerance.
She said, 'But what's the point?'
What was the point? Most schools had given up the attempt of teaching; they had become, for the poorer people at least, extensions of the army, of the apparatus for keeping the population under control. There were still schools for the children of the privileged class, the administrators and overseers. Janet White went to one of them. But I thought too much of Emily to offer to send her to one, even if I was able to get a place for her. It was not that the education there was bad. It was irrelevant. It merited — a quizzical look.
'Not much point, I agree. And I suppose we won't be here long, anyway.'
'Where do you think you'll go then?'
This broke my heart: her forlorn isolation had never shown itself so sharply; she had spoken tentatively, even delicately, as if she had no right to ask, as if she had no right to my care, my protection — no share in my future.
Because of my emotion, I was more definite about my plans than I felt. I had, in fact, often wondered if a certain family I had known in north Wales would shelter me. They were good farming folk — yes, that is exactly the measure of my fantasies about them. 'Good fanning folk' was how safety, refuge, peace, — utopia — shaped itself in very many people's minds in those days. But I did know Mary and George Dolgelly, had been familiar with their farm, had visited their guesthouse, open through the summers. If I made my way there, I might perhaps live there for a while? I was handy, liked to live simply, was as much at home out of cities as in them… of course, these qualifications belonged these days to large numbers of people, particularly the young, who could increasingly turn their hands to any job that needed doing. I did not imagine the Dolgellys would find me a prize. But at least they would not, I believed, find me a burden. And a child? Or rather a young girl? An attractive, challenging girl? Well, they had children of then — own… you can see that my thoughts had been pretty conventional, not very inventive. I talked to Emily, on these lines, while she listened, her sour little smile slowly giving way to amusement. But amusement concealed from politeness: I could not yet bring myself to believe that it was affection. She knew this fantasy for what it was; yet she enjoyed it, as I did. She asked me to describe the farm: I had once spent a week there, camping on a moor, with silvery water in little channels on a purple hillside. I took a can to Mary and George every morning for new milk, buying at the same time a loaf of their homemade bread. An idyll. I developed it, let it gather detail. We would take rooms in the guesthouse, and Emily would 'help with the chickens' — a storybook touch, that. We would eat at the guesthouse table, a long wooden table. There was an old-fashioned stove in a recess. Stews and soups would simmer there, real food, and we would eat as much as we liked… no, that was not realistic, but as much as we needed, of real bread, real cheese, fresh vegetables, perhaps even, sometimes, a little good meat. There would be the smell of herbs from the bunches hanging to dry. The girl listened to all this, and I could not keep my eyes off her face, where the knowing sharp little smile alternated with her need to shield me from my inexperience, my sheltered condition! Stronger than anything else, was something she was quite unconscious of, would certainly destroy all evidence of if she knew she was betraying weakness. Stronger than the tricks, the need to please and to buy, the painful obedience, was this: a hunger, a need, a pure thing, which made her face lose its hard brightness, her eyes their defensiveness. She was a passion of longing. For what? Well, that is not so easy, it never is! But I recognised it, knew it, and talk of the farm in the Welsh hills did as well as anything to bring it out, to make it shine there: good bread, uncontaminated water from a deep well, fresh vegetables; love, kindness, the deep shelter of a family. And so we talked about the farm, our future, hers and mine, like a fable where we would walk hand in hand, together. And then 'life' would begin, life as it ought to be, as it had been promised — by whom? When? Where? — to everybody on this earth.