There is murder in the city, thought Luet. Murder in this place, not holiness, and it is Gaballufix who first thought of it. If not for the vision and warning I carried for the Oversold, good men would have died. She shuddered again at the memory of the slit throat in her vision.
At last she came to the place where the Holy Road widened out as it descended into the valley, becoming, not a road, but a canyon, with ancient stairs carved into the rock, leading directly down to the place where the lake steamed hot with a tinge of sulphur. Those who worshiped there always kept that smell about them for days. It might be holy, but Luet found it exceedingly unpleasant and never worshiped there herself. She preferred the place where the hot and cold waters mixed and the deepest fog arose, where currents swirled their varying temperatures all around her as she floated ori the water. It was there that her body danced on the water with no volition of her own, where she could surrender herself utterly to the Oversold.
Who was the holy woman speaking about? The "him" with blood on his hands, the "he" that she could take by the waters-presumably the waters of the lake.
No, it was nothing. The holy woman was one of the mad ones, making no sense.
The only man she could think of who had blood on his hands was Gaballufix. How could the Oversoul want such a man as that to come near the holy lake? Would the time come when she would have to save Gaballufix's life? How could such a thing possibly fit in with the purposes of the Oversoul?
She turned left onto Tower Street, then turned right onto Rain Street, which curved around until she stood before Rasa's house. Home, unharmed. Of course. The Oversoul had protected her. The message she had delivered was not the whole purpose the Oversoul had for her; Luet would live to do other work. It was a great relief to her. For hadn't her own mother told Aunt Rasa, on the day she put Luet as an infant into Rasa's arms, "This one will live only as long as she serves the Mother of Mothers?" The Mother of Mothers had preserved her for another night.
Luet had expected to get back into Aunt Rasa's house without waking anyone, but she hadn't taken into account how the new climate of fear in the city had changed even the household of the leading housemistress of Basilica. The front door was locked on the inside. Still hoping to enter unobserved, she looked for a window she might climb through. Only now did she realize that all the windows facing the street were solely for the passage of light and air-many vertical slits in the wall, carved or sculpted with delicate designs, but with no gap wide enough to let even the head and shoulders of a child pass through.
This is not the first time there has been fear in Basilica, she thought. This house is designed to keep someone from entering surreptitiously in the night. Protection from burglars, of course; but perhaps such windows were designed primarily to keep rejected suitors and lapsed mates from forcing their way back into a house that they had come to think of as their own.
The provisions that kept a man from entering also barred Luet, slight as she was. She knew, of course, that there was no way to get around the sides of the house, since the neighboring structures leaned against the massive stone walls of Rasa's house.
Why didn't she guess that getting back inside would be so much harder than getting out? She had left after dark, of course, but well before the house quieted down for the evening; Hushidh knew something of her errand and would keep anyone from discovering her absence. It simply hadn't occurred to either of them to arrange how Luet would get back in. Aunt Rasa had never locked the front door before. And later, after the Oversold had made the guard doze on the way out and had kept him away from the gate entirely on her return, Luet had assumed that the Oversoul was smoothing the way for her.
Luet thought of staying out on the porch all night. But it was cold now. As long as she had been walking, it was all right, she had stayed warm enough. Sleep, though, would be dangerous. City women, at least those of good breeding, did not own the right clothing for sleeping out of doors. What the holy women did would make her ill.
There might be another way, however. Wasn't Aunt Rasa's portico on the valley-side of the house completely open? There might be a way to climb up from the valley. Of course, the area just east of Rasa's portico was the wildest, emptiest part of the Shelf-it wasn't even part of a district, and though Sour Street ran out into it, there was no road there; women never went that way to get to the lake.
Yet she knew that this was the way she must go, if she was to return to Aunt Rasa's house.
The Oversoul again, leading her. Leading her, but telling her nothing.
Why not? asked Luet for the thousandth time. Why can't you tell me your purpose? If you had told me I was going to Wetchik's house, I wouldn't have been so fearful all the way. How did my fear and ignorance serve your purpose? And now you send me around to the wild country east of Aunt Rasa's house-for what purpose? Do you take pleasure in toying with me? Or am I too stupid to understand your purpose? I'm your homing dove, able to carry your messages but never worth explaining them to.
And yet, despite her resentment, a few minutes she stepped from the last cobbles of Sour Street onto the grass and then plunged into the pathless woods of the Shelf.
The ground was rugged, and all the gaps and breaks in the underbrush seemed to lead downward, away from Rasa's portico and toward the cliffs looming over the canyon of the Holy Road. No wonder that even the Shelf women built no houses here. But Luet refused to be led astray by the easy paths-she knew they would disappear the moment she started following them. Instead she forced her way through the underbrush. The zarosel thorns snagged at her, and she knew they would leave tiny welts that would sting for days even under a layer of Aunt Rasa's balm. Worse, she was bone-weary, cold, and sleepy, so that at times she caught herself waking up, even though she had not been asleep. Still-she had set herself on this course, and she would finish.
She came into a small clearing where bright moonlight filtered through the canopy of leaves overhead. In a month all the leaves would be gone and these thickets would not be half so forbidding. Now, though, a patch of light came like a miracle, and she blinked.
In that eyeblink, the clearing changed. There was a woman standing there.
"Aunt Rasa," whispered Luet. How did she know to come looking for me here? Has the Oversold spoken again to someone else?
But it was not Aunt Rasa, after all. It was Hushidh. How could she have made such a mistake?
No. Not a mistake. For now Hushidh had changed again. It was Eiadh now, that beautiful girl from Hushidh's class, the one that poor Nafai was so uselessly in love with. And again the woman was transformed, into the actress Dol, who had been so very famous as a young girl; she was one of Aunt Rasa's nieces, and in recent years had returned to the house to teach. Once it was said that Dolltown was named after her (though it had been named such for ten thousand years at least), she was so beautiful and broke so many hearts; but she was in her twenties now, and the features that, when she was a girl, made women want to mother her and ravished the eyes of men were not so astonishing in a woman. Still, Luet would give half her life if during the other half she could be as delicately, sweetly beautiful as Dol.
Why is the Oversoul showing me these women?
From Dol the apparition changed to Shedemei, another of Aunt Rasa's nieces. If anything, though, Shedya was the opposite of Dol and Eiadh. At twenty-six she was still in Aunt Rasa's house, helping to teach science to the older students as her own reputation as a geneticist grew. Most nights she actually slept in her laboratory, many streets away, instead of her room in Rasa's house, but still she was a strong, quiet presence there. Shedemei was unbeautiful; not so ugly as to startle the onlooker, but deeply plain, so that the longer one studied her face the less attractive it became. Yet her mind was like a magnet, drawn to truth: as soon as it came near enough, she would leap to it and cling. Of all Aunt Rasa's nieces, she was the one that Luet most admired; but Luet knew that no more had she the wit to emulate Shedemei than she had the beauty to follow Dol's career. The Oversoul had chosen to send her visions to one who had no other use to the world.