(146)
1519: Frankfurt Charles V
A half century has passed since Gutenberg’s death, and printeries multiply all over Europe; they publish the Bible in Gothic letters, and gold and silverprice quotations in Gothic numerals. The monarch devours men, and men shit gold coins in Hieronymus Bosch’s garden of delights; and Michaelangelo, while painting and sculpting his athletic saints and prophets, writes: The blood of Christ is sold by the spoonful. Everything has its price: the pope’s throne and the monarch’s crown, the cardinal’s cape and the bishop’s miter. Indulgences, excommunications, and titles of nobility are bought. The Church deems lending at interest a sin, but the holy father mortgages Vatican lands to the bankers; and on the banks of the Rhine, the crown of the Holy Empire is offered to the highest bidder.
Three candidates dispute the heritage of Charlemagne. The electors swear by the purity of their votes and cleanliness of their hands and pronounce their verdict at noon, the hour of the Angelus: they sell the crown of Europe to the king of Spain, Charles I, son of the seducer and the madwoman and grandson of the Catholic monarchs, for 850,000 florins, which Germany’s bankers Függer and Welser plunk down on the table.
Charles I turns himself into Charles V, emperor of Spain, Germany, Austria, Naples, Sicily, the Low Countries, and the immense New World, defender of the Catholic faith, and God’s warrior vicar on earth.
Meanwhile, the Muslims threaten the frontiers, and Martin Luther nails up his defiant heresies on the door of a Wittemberg church. A prince must have war as his sole objective and thought, Macchiavelli has written. At age nineteen, the new monarch is the most powerful man in history. On his knees, he kisses the sword.
(116, 209, and 218)
1519: Acla Pedrarias
Noise of sea and drums. Night has fallen, but there is light from the moon. Around the plaza, fish and dried ears of corn hang from the straw roofs.
Enter Balboa, chained, hands bound behind his back. They untie him. Balboa smokes his last cigar. Without saying a word, he places his neck on the block. The executioner raises the ax.
From his house, Pedro Arias de Avila peers furtively through the cane wall. He is sitting on the coffin that he brought from Spain. He uses the coffin as a chair or a table, and once a year, year after year, covers it with candles, during the requiem that celebrates his resurrection. They call him Pedrarias the Buried ever since he got up out of this coffin, wrapped in a shroud, as nuns sang the office of the dead and relatives sobbed uncontrollably. Previously they had called him Pedrarias the Gallant, because of his invincibility in tournaments, battles, and gallantries; and now, although he is nearing eighty, he deserves the name of Fury of the Lord. When Pedrarias wakes up shaking his white mane because he lost a hundred Indians at dice the night before, his glance is better avoided.
Ever since he landed on these beaches, Pedrarias has distrusted Balboa. Balboa being his son-in-law, he doesn’t kill him without a trial. There are not too many lawyers around here, so the judge is also counsel and prosecutor; the trial, long.
Balboa’s head rolls on the sand.
It was Balboa who had founded this town of Acla, among trees twisted by the winds. On the day Acla was born, a black bird of prey dived from above the clouds, seized the steel helmet from Balboa’s head, and took off, cawing.
Here Balboa was building, piece by piece, the brigantines that would be launched to explore the new sea he had discovered.
The job will be completed by the executioner. He will found an enterprise of conquest, and Pedrarias will be his partner. The executioner, who came with Columbus on his last voyage, will be a marquis with twenty thousand vassals in the mysterious kingdoms to the south. His name is Francisco Pizarro.
(81 and 141)
1519: Tenochtitlán Portents of Fire, Water, Earth, and Air
One day long ago, the soothsayers flew to the cave of the mother of the god of war. The witch, who had not washed for eight centuries, did not smile or greet them. Without thanking them, she accepted their gifts — cloth, skins, feathers — and listened sourly to their news. Mexico, the soothsayers told her, is mistress and queen, and all cities are under her orders. The old woman grunted her sole comment: The Aztecs have defeated the others, she said, and others will come who will defeat the Aztecs.
Time passed.
For the past ten years, portents have been piling up.
A bonfire leaked flames from the middle of the sky for a whole night.
A sudden three tongued fire came up from the horizon and flew to meet the sun.
The house of the god of war committed suicide, setting fire to itself. Buckets of water were thrown on it, and the water enlivened the flames.
Another temple was burned by a flash of lightning one evening when there was no storm.
The lake in which the city is situated turning into a boiling cauldron. The waters rose, white-hot, towering with fury, carrying away houses, even tearing up foundations.
Fishermen’s nets brought up an ash-colored bird along with the fish. On the bird’s head there was a round mirror. In the mirror, Emperor Moctezuma saw advancing an army of soldiers who ran on the legs of deer, and he heard their war cries. Then the soothsayers who could neither read the mirror nor had eyes to see the two-headed monsters that implacably haunted Moctezuma’s sleeping and waking hours were punished. The emperor shut them up in cages and condemned them to die of hunger.
Every night the cries of an unseen woman startle all who sleep in Tenochtitlán and in Tlatelolco. My little children, she cries, now we have to go far from here! There is no wall that the woman’s cry does not pierce: Where shall we go, my little children?
(60 and 210)
1519: Cempoala Cortés
Twilight of soaring flames on the coast of Veracruz. Eleven ships are burning up; burning, too, the rebel soldiers who hang from the yardarm of the flagship. While the sea opens its jaws to devour the bonfires, Hernán Cortes, standing on the beach, presses on the pommel of his sword and uncovers his head.
Not only the ships and the hanged have met their end; now there is no going back, no more life than what is born tomorrow, either gold and glory or the vulture of defeat. On the Veracruz beach have been sunk the dreams of those who would have liked to return to Cuba to sleep the colonial siesta in net hammocks, wrapped in women’s hair and cigar smoke: the sea leads to the past and the land to danger. Those who could afford it will go forward on horseback, the others on foot: seven hundred men into Mexico, toward the mountains and the volcanos and the mystery of Moctezuma.
Cortés adjusts his feathered headpiece and turns his back on the flames. In one gallop he makes it to the native village of Cempoala, while night is still falling. He says nothing to the men. They will find out as they go.
He drinks wine alone in his tent. Perhaps he thinks about the men he has killed without confession or the women he has bedded without marriage since those student days in Salamanca that seem so far off, or his lost years as a bureaucrat in the Antilles during the waiting time. Perhaps he thinks about Governor Diego Velázquez, who will soon be quivering with rage in Santiago de Cuba. Certainly he smiles if he thinks about that soporific fool, whose orders he will never again obey; or about the surprise that awaits the soldiers whom he hears laughing and cursing at games of dice and cards.