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He paid off the taxi driver there, and lugged his bags into the filling station at that corner, where he obtained permission from the attendant to leave them and assurance that they would be safe. He had nearly two hours to kill. He was reluctant to go very far from the house for fear some hitch would upset his timing.

It occurred to him that there was one piece of unfinished business in the immediate neighborhood—and time enough to take care of it. He walked briskly to a point two streets away, whistling cheerfully and turned in at an apartment house.

In response to his knock the door of Apartment 211 was opened a crack, then wider. "Bob darling! I thought you were working today."

"Hi, Genevieve. Not at all—I've got time to burn."

She glanced back over her shoulder. "I don't know whether I should let you come in—I wasn't expecting you. I haven't washed the dishes, or made the bed. I was just putting on my make-up."

"Don't be coy." He pushed the door open wide, and went on in.

When he came out he glanced at his watch. Three thirty—plenty of time. He went down the street wearing the expression of the canary that ate the cat.

He thanked the service station salesman and gave him a quarter for his trouble, which left him with a lone dime. He looked at this coin, grinned to himself and inserted it in the pay phone in the office of the station. He dialed his own number.

"Hello," he heard.

"Hello," he replied. "Is that Bob Wilson?"

"Yes. Who ‘is this?"

"Never mind," he chuckled. "I just wanted to be sure you were there. I thought you would be. You're right in the groove, kid, right in the groove." He replaced the receiver with a grin.

At four ten he was too nervous to wait any longer. Struggling under the load of the heavy suitcases he made his way to the boardinghouse. He let himself in and heard a telephone ringing upstairs. He glanced at his watch—four fifteen. He waited in the hall for three interminable minutes, then labored up the stairs and down the upper hallway to his own door. He unlocked the door and let himself in.

The room was empty, the Gate still there.

Without stopping for anything, filled with apprehension lest the Gate should flicker and disappear while he crossed the floor, he hurried to it, took a firm grip on his bags and strode through it.

The Hall of the Gate was empty, to his great relief. What a break, he told himself thankfully. Just five minutes, that's all I ask. Five uninter­rupted minutes. He set the suitcases down near the Gate to be ready for a quick departure. As he did so he noticed that a large chunk was missing from a corner of one case. Half a book showed through the opening, sheared as neatly as with a printer's trimmer. He identified it as "Mein Kampf."

He did not mind the loss of the book but the implications made him slightly sick at his stomach. Suppose he had not described a clear arc when he had first been knocked through the Gate, had hit the edge, half in and half out? Man Sawed in Half—and no illusion!

He wiped his face and went to the control booth. Following Diktor's simple instructions he brought all four spheres together at the center of the tetrahedron. He glanced over the side of the booth and saw that the Gate had disappeared entirely. "Check!" he thought. "Everything on zero—no Gate." He moved the white sphere slightly. The Gate reappeared. Turning on the speculum he was able to see that the miniature scene showed the inside of the Hall of the Gate itself. So far so good—but he would not be able to tell what time the Gate was set for by looking into the hall. He displaced a space control slightly; the scene flickered past the walls of the palace and hung in the open air. Returning the white time control to zero he then displaced it very, very slightly. In the miniature scene the sun became a streak of brightness across the sky; the days flickered past like light from a low frequency source of illumination. He increased the displacement a little, saw the ground become sear and brown, then snow covered and finally green again.

Working cautiously, steadying his right hand with his left, he made the seasons march past. He had counted ten winters when he became aware of voices somewhere in the distance. He stopped and listened, then very hastily returned the space controls to zero, leaving the time control as it was—set for ten years in the past—and rushed out of the booth.

He hardly had time to grasp his bags, lift them and swing them through the Gate, himself with them. This time he was exceedingly careful not to touch the edge of the circle.

He found himself, as he had planned to, still in the Hall of the Gate, but, if he had interpreted the controls correctly, ten years away from the events he had recently participated in. He had intended to give Diktor a wider berth than that, but there had been no time for it. However, he reflected, since Diktor was, by his own statement and the evidence of the little notebook Wilson had lifted from him, a native of the twentieth century, it was quite possible that ten years was enough. Diktor might not be in this era. If he was, there was always the Time Gate for a getaway. But it was reasonable to scout out the situation first before making any more jumps.

It suddenly occurred to him that Diktor might be looking at him through the speculum of the Time Gate. Without stopping to consider that speed was no protection—since the speculum could be used to view any time sector—he hurriedly dragged his two suitcases into the cover of the control booth. Once inside the protecting walls of the booth he calmed down a bit. Spying could work both ways. He found the controls set at zero; making use of the same process he had used once before, he ran the scene in the speculum forward through ten years, then cautiously hunted with the space controls on zero. It was a very difficult task; the time scale necessary to hunt through several months in a few minutes caused any figure which might appear in the speculum to flash past at an apparent speed too fast for his eye to follow. Several times he thought he detected flitting shadows which might be human beings but he was never able to find them when he stopped moving the time control.

He wondered in great exasperation why whoever had built the double-damned gadget had failed to provide it with graduations and some sort of delicate control mechanism—a vernier, or the like. It was not until much later that it occurred to him that the creator of the Time Gate might have no need of such gross aids to his senses. He would have given up, was about to give up, when, purely by accident, one more fruitless scanning happened to terminate with a figure in the field.

It was himself, carrying two suitcases. He saw himself walking directly into the field of view, grow large, disappear. He looked over the rail, half expecting to see himself step out of the Gate.

But nothing came out of the Gate. It puzzled him, until he recalled that it was the setting at that end, ten years in the future, which controlled the time of egress. But he had what he wanted; he sat back and watched. Almost immediately Diktor and another edition of himself appeared in the scene. He recalled the situation when he saw it portrayed in the speculum. It was Bob Wilson Number Three, about to quarrel with Diktor and make his escape back to the twentieth century.

That was that—Diktor had not seen him, did not know that he had made unauthorized use of the Gate, did not know that he was hiding ten years in the "past," would not look for him there. He returned the controls to zero, and dismissed the matter.

But other matters needed his attention—food, especially. It seemed obvious, in retrospect, that he should have brought along food to last him for a day or two at least. And maybe a gun. He had to admit that he had not been very foresighted. But he easily forgave himself—it was hard to be foresighted when the future kept slipping up behind one. "All right, Bob, old boy," he told himself aloud, "let's see if the natives are friendly—as advertised."