A cautious reconnoiter of the small part of the palace with which he was acquainted turned up no human beings or life of any sort, not even insect life. The place was dead, sterile, as static and unlived-in as a window display. He shouted once just to hear a voice. The echoes caused him to shiver; he did not do it again.
The architecture of the place confused him. Not only was it strange to his experience—he had expected that—but the place, with minor exceptions, seemed totally unadapted to the uses of human beings. Great halls large enough to hold ten thousand people at once—had there been floors for them to stand on. For there frequently were no floors in the accepted meaning of a level or reasonably level platform. In following a passageway he came suddenly to one of the great mysterious openings in the structure and almost fell in before he realized that his path had terminated. He crawled gingerly forward and looked over the edge. The mouth of the passage debouched high up on a wall of the place; below him the wall was cut back so that there was not even a vertical surface for the eye to follow. Far below him, the wall curved back and met its mate of the opposite side—not decently, in a horizontal plane, but at an acute angle.
There were other openings scattered around the walls, openings as unserviceable to human beings as the one in which he crouched. "The High Ones," he whispered to himself. All his cockiness was gone out of him. He retraced his steps through the fine dust and reached the almost friendly familiarity of the Hall of the Gate.
On his second try he attempted only those passages and compartments which seemed obviously adapted to men. He had already decided what such parts of the palace must be—servants' quarters, or, more probably, slaves' quarters. He regained his courage by sticking to such areas. Though deserted completely, by contrast with the rest of the great structure a room or a passage which seemed to have been built for men was friendly and cheerful. The sourceless ever-present illuminations and the unbroken silence still bothered him, but not to the degree to which he had been upset by the gargantuan and mysteriously convoluted chambers of the "High Ones."
He had almost despaired of finding his way out of the palace and was thinking of retracing his steps when the corridor he was following turned and he found himself in bright sunlight.
He was standing at the top of a broad steep ramp which spread fanlike down to the base of the building. Ahead of him and below him, distant at least five hundred yards, the pavement of the ramp met the green of sod and bush and tree. It was the same placid, lush and familiar scene he had looked out over when he breakfasted with Diktor—a few hours ago and ten years in the future.
He stood quietly for a short time, drinking in the sunshine, soaking up the heart-lifting beauty of the warm, spring day. "This is going to be all right," he exulted. "It's a grand place."
He moved slowly down the ramp, his eyes searching for human beings. He was halfway down when he saw a small figure emerge from the trees into a clearing near the foot of the ramp. He called out to it in joyous excitement. The child—it was a child he saw—looked up, stared at him for a moment, then fled back into the shelter of the trees.
"Impetuous, Robert—that's what you are," he chided himself. "Don't scare ‘em. Take it easy." But he was not made downhearted by the incident. Where there were children there would be parents, society, opportunities for a bright, young fellow who took a broad view of things. He moved on down at a leisurely pace.
A man showed up at the point where the child had disappeared. Wilson stood still. The man looked him over and advanced hesitantly a step or two. "Come here!" Wilson invited in a friendly voice. "I won't hurt you."
The man could hardly have understood his words, but he advanced slowly. At the edge of the pavement he stopped, eyed it and would not proceed farther.
Something about the behavior pattern clicked in Wilson's brain, fitted in with what he had seen in the palace and with the little that Diktor had told him. "Unless," he told himself, "the time I spent in ‘Anthropology I' was totally wasted, this palace is tabu, the ramp I'm standing on is tabu, and, by contagion, I'm tabu. Play your cards, son, play your cards!"
He advanced to the edge of the pavement, being careful not to step off it. The man dropped to his knees and cupped his hands in front of him, head bowed. Without hesitation Wilson touched him on the forehead. The man got back to his feet, his face radiant.
"This isn't even sporting," Wilson said. "I ought to shoot him on the rise.
His Man Friday cocked his head, looked puzzled and answered in a deep, melodious voice. The words were liquid and strange and sounded like a phrase from a song. "You ought to commercialize that voice," Wilson said admiringly. "Some stars get by on less. However—Get along now, and fetch something to eat. Food." He pointed to his mouth.
The man looked hesitant, spoke again. Bob Wilson reached into his pocket and took out the stolen notebook. He looked up eat, then looked up food. It was the same word. "Blellan," he said carefully.
"Blellaaaan?"
"Blellaaaaaaaan," agreed Wilson. "You'll have to excuse my accent. Hurry up." He tried to find hurry in the vocabulary, but it was not there. Either the language did not contain the idea or Diktor had not thought it worthwhile to record it. But we'll soon fix that, Wilson thought—if there isn't such a word, I'll give ‘em one.
The man departed.
Wilson sat himself down Turk-fashion and passed the time by studying the notebook. The speed of his rise in these parts, he decided, was limited only by the time it took him to get into full communication. But he had only time enough to look up a few common substantives when his first acquaintance returned, in company.
The procession was headed by an extremely elderly man, white-haired but beardless. All of the men were beardless. He walked under a canopy carried by four male striplings. Only he of all the crowd wore enough clothes to get by anywhere but on a beach. He was looking uncomfortable in a sort of toga effect which appeared to have started life as a Roman-striped awning. That he was the head man was evident.
Wilson hurriedly looked up the word for chief.
The word for chief was Diktor.
It should not have surprised him, but it did. It was, of course, a logical probability that the word Diktor was a title rather than a proper name. It simply had not occurred to him.
Diktor—the Diktor—had added a note under the word. "One of the few words," Wilson read, "which shows some probability of having been derived from the dead languages. This word, a few dozen others and the grammatical structure of the language itself, appear to be the only link between the language of the ‘Forsaken Ones' and the English language." The chief stopped in front of Wilson, just short of the pavement.
"Okay, Diktor," Wilson ordered, "kneel down. You're not exempt." He pointed to the ground. The chief knelt down. Wilson touched his forehead.
The food that had been fetched along was plentiful and very palatable. Wilson ate slowly and with dignity, keeping in mind the importance of face. While he ate he was serenaded by the entire assemblage. The singing was excellent he was bound to admit. Their ideas of harmony he found a little strange and the performance, as a whole, seemed primitive, but their voices were all clear and mellow and they sang as if they enjoyed it.
The concert gave Wilson an idea. After he had satisfied his hunger he made the chief understand, with the aid of the indispensable little notebook, that he and his flock were to wait where they were. He then returned to the Hall of the Gate and brought back from there the phonograph and a dozen assorted records. He treated them to a recorded concert of "modern" music.
The reaction exceeded his hopes. "Begin the Beguine" caused tears to stream down the face of the old chief. The first movement of Tschaikowsky's "Concerto Number One in B Flat Minor" practically stampeded them. They jerked. They held their heads and moaned. They shouted their applause. Wilson refrained from giving them the second movement, tapered them off instead with the compelling monotony of the "Bolero."