‘So do you want me to bring the others down?’
‘Others?’ Angela went white. ‘There are others?’
Bronson smiled at her. It felt great to be working together again. ‘I’ve no idea. There are a few more cardboard boxes up in the attic. I’ll go up and have another look, if you like.’
Bronson returned about fifteen minutes later carrying another dusty box.
‘No other jugs, I’m afraid,’ he announced, ‘but I did find some bits of a broken pot.’
He placed the box on the table, opened it and pulled out a number of shards of reddish pottery which he spread out in front of Angela.
She dragged her attention away from the olpe with apparent difficulty and glanced at the fragments.
‘Now those probably are first century,’ she said, ‘and most likely Middle Eastern in origin.’
She picked up a couple of the pieces and fitted them together in her hands. They matched exactly.
‘It looks like these might all be part of the same vessel,’ Bronson suggested.
Angela nodded and picked up a fragment that looked as if it had formed the neck of the broken vessel. In it was a small hole, and in a band around it was a dark brown deposit. Angela picked at this with her thumbnail thoughtfully, then picked up another couple of the broken shards, piecing them together in her hands to reform the neck of the vessel.
She pressed the pieces together firmly. A few slivers were still missing but she’d found enough of the neck of the ancient pottery jar to see that the hole on one side of it was exactly matched by a second hole opposite. That, and the band of darker material, told her all she needed to know.
‘There’s a hole driven through both sides of the neck where it’s narrowest,’ she said, ‘and this darker material seems to be some kind of sealing putty or resin. According to Richard Mayhew, who seems to have taken quite a keen interest in the Wendell-Carfax history, the vessel Bartholomew found was secured with a pin driven through the neck, a pin that went right through the wooden stopper, and the outside was then sealed with some sort of putty. And this,’ she finished, ‘could well be the remains of that first-century pot.’ She paused. ‘There was nothing else up there, was there?’
‘Just the usual sort of rubbish that seems to migrate to any attic. Look, I’ll need to stay awake tonight, so I should get my head down this afternoon. The first bedroom on the left at the top of the stairs still has a bed and mattress in it. Can you come up and wake me about half an hour before you all leave?’
Angela looked troubled. Although she’d eagerly embraced the idea of Bronson staying at the property overnight when he’d first suggested it, now that the evening was approaching she was feeling markedly less certain that it was really such a good idea.
‘Are you sure you want to do this, Chris? I mean, suppose there are half a dozen intruders, all armed?’
‘Then I’ll lock myself in the loo and dial triple nine on my mobile,’ Bronson said. ‘But most burglars operate alone, and they almost never carry weapons, because the penalties for being caught with a knife or a gun are so severe.’ He put his hands on Angela’s shoulders and kissed the tip of her nose. ‘If I think I’m in danger, I promise I’ll put on that suit of armour that’s standing in the hall.’
17
6 p.m. Angela and her museum colleagues had left, and Carfax Hall was completely silent.
Chris Bronson walked through to the kitchen and clicked the switch on the electric kettle. Coffee, he knew, would help him keep alert. He’d have no trouble staying awake until well after midnight — he’d always been a late bird — but staving off boredom and sleep in the early hours of the morning would be more difficult.
He’d establish a routine, and prepare the house for his coming vigil. At night, sound travels further and more clearly than during the day because of the absence of other noises to interfere, so there were things he needed to do. The first was to go round the entire house and open every door to allow him to enter any room as silently as possible — a creaking hinge would be an obvious giveaway.
He started on the ground floor, checking that both the front and back doors of the house were securely locked. Then he walked through each room in turn and opened all the internal doors wide. Some he had to prop open because they were fitted with self-closing hinges, but there were plenty of boxes he could use.
He walked up the wide staircase and repeated the process on the first floor, and then on the attic floor above that. Back on the ground floor, he checked that the cellar doors were also open. There were two doors, one leading to a wine cellar that appeared to have been emptied of its contents, and the other to a general-purpose cellar full of various sorts of household junk, and which also housed a large and clearly elderly central-heating boiler.
Finally, because he hadn’t got a torch, he switched on the hall, staircase and main upper corridor lights so he’d be able to move around without walking into doors or tripping over things. Those lights would be enough to let him see where he was going, but hopefully wouldn’t raise the suspicions of anyone who’d tried to force the rear windows.
That done, he walked back into the kitchen, made a mug of coffee and sat in the armchair in a corner of the room. He’d found a handful of paperback novels in the library, hidden away amongst the collection of weighty and dull-looking leather-bound tomes. He picked a thriller and started to read.
He’d barely got beyond the first page when he felt his mobile start to vibrate in his pocket.
‘I’m in my room at the pub,’ Angela announced. ‘Are you OK?’
‘Of course I am. Don’t worry about me.’
‘I do — that’s the trouble,’ Angela said with a sigh, and Bronson couldn’t help but feel a little bit pleased. ‘We agreed you’ll call every hour, on the hour. If I’ve not heard from you by five past each hour, I’ll call you. And if I can’t get through to you by ten past, I’ll be calling the cavalry, so make sure you answer — OK?’
Bronson glanced at his watch. ‘Agreed. It’s six fifty now, so let’s consider the seven o’clock call made. I’ll talk to you at eight.’
‘Take care, Chris.’ There was a brief, rather strained pause, and Angela rang off.
Bronson drained the rest of his coffee and stood up. It was time to check the house. He wandered through all the downstairs rooms, his feet making almost no sound on the mainly stone floors, and looked out of the windows. Then he climbed the stairs and did the same thing on the first floor, looking inside each bedroom and making sure that the various paintings and pieces of furniture were still there. Apart from a few rabbits hopping around in the long grass at the back of the house, the estate seemed to be deserted. Bronson hoped it would stay that way.
His evening soon settled into a routine. At quarter past and quarter to the hour, he walked all the way through the house, checking every room, which took him about ten minutes. And on the hour, he rang Angela’s mobile.
At ten he called Angela, made another cup of coffee, drank it, and then began his usual patrol. He saw nothing until he looked out of one of the windows in the bedroom at the end of the house, a window that offered a good view of the woodland that ran alongside the estate’s fence.
Then, in the soft darkness that surrounded the house, a sudden movement caught his eye.
Jonathan Carfax stopped just inside the tree-line at the edge of the wood, panting slightly from his exertions. He’d had to bring a long ladder — it needed to be able to reach the first floor of the house — and it was a lot heavier than he’d expected. In fact, he would have to make two journeys — once he’d carried the ladder to the house he would have to go back for his bag of tools and a couple of other bags to hold his booty.
He rested the ladder against a tree, well out of sight of the house, then moved forward a few feet. There were no cars parked in front of the property, which presumably meant that the British Museum people had all gone for the day. Then he looked more closely at the house itself, and spotted a dim glow in both the upstairs and downstairs windows. Somebody had obviously left a light — maybe two or three lights — switched on.