'Take the next turning,' Bronson said, pointing.
The driver glanced back at him. 'That's not the way to the airport,' he said, his English good but heavily accented.
'I've changed my mind.'
The driver swung the wheel. The side-street was mercifully almost empty of other traffic, and as the taxi sped down it, Bronson saw his pursuers stop at the end of the road to stare at the retreating vehicle.
Ten minutes later, the taxi pulled to a halt in a street close to his hotel, and Bronson paid the fare, adding a generous tip.
About ninety minutes later, in the security of his room in another Rabat hotel – he'd decided to move just in case his pursuers had followed him from his original lodging – he picked up his mobile and rang Maidstone police station.
'What have you found, Chris?' Byrd asked, once Bronson was connected.
'I've just been chased through the streets of Rabat by a gang of thugs who definitely didn't just want my autograph.'
'What? Why?'
'I didn't stop to ask. But I don't believe that the O'Connors' accident was quite as accidental as we thought it was.'
'Oh, shit,' Byrd said. 'That's all we need.'
Quickly, Bronson outlined his concerns about the accident and the damage to the Renault Mégane, and then explained Margaret O'Connor's habit of snapping anything that moved.
'Kirsty Philips gave me copies of all the photographs her mother took here, and I spent an hour or so going through them. What really bothers me is that one of the men she photographed in the souk turned up as the only eyewitness to the accident on the road outside Rabat, and according to Kirsty another man in the same picture was found dead just outside the medina with a stab-wound in his chest. I think she photographed an argument in the souk that led to murder, which means the killer was almost certainly one of the people in the pictures she took.
'And that,' Bronson finished, 'is a pretty good motive for knocking off the two eyewitnesses and stealing the camera.'
14
MYSTERY OF THE MISSING TABLET was the title of the short article on page thirteen of the Daily Mail. Bronson was able to read it thanks to Dickie Byrd and one of the fax machines at the Maidstone police station. Below the headline, the reporter asked the question: 'Were British pensioners killed to recover priceless object?'
The story was pretty much a straight rehash of what had appeared in the Canterbury evening paper, with a single addition Bronson was sure had been carefully incorporated in the text to give it an importance it didn't deserve. Towards the end of the article, when the reporter was discussing the value of the clay tablet, he stated that a 'British Museum expert' had been unavailable for comment, but managed to imply this was slightly sinister, as if the 'expert' knew exactly what the tablet was, but had for some reason refused to divulge the information.
Well, that was something Bronson could check straight away, and it gave him a perfect excuse to talk to Angela. He pulled out his mobile and dialled her direct-line number at the British Museum, where she worked as a ceramics conservator. Angela answered almost immediately.
'It's me,' Bronson said. 'Look, I'm really sorry about the other night – I didn't want to come tramping all the way out here to Morocco, but I had no choice.'
'I know, Chris, but it's not a problem. You told me what happened.'
'Well, I'm still sorry about it. Now, are you busy?'
Angela laughed shortly. 'I'm always busy; you know that. It's eleven thirty in the morning. I've been at work for nearly three and a half hours and I've just had another three boxes of potsherds dumped on my desk. I haven't even had time to grab a cup of coffee this morning, so if you're calling just to pass the time of day, forget it. Or did you actually want something?'
'Just the answer to a question, really. There's an article on page thirteen of the Mail today about a clay tablet. Have you seen it?'
'Oddly enough, I have, yes. I read it on the way in to work this morning. It made me laugh because I was the socalled expert the reporter couldn't contact. He rang the museum yesterday afternoon, and the call was diverted to my office. Clay tablets aren't really my field, but I suppose the switchboard operator thought "ceramics" was close enough. Anyway, I'd just slipped out for a cup of tea and by the time I got back, the Mail reporter had hung up. So it's quite true that I was "unavailable" for comment, but only for something like three minutes. Typical of the bloody press.'
'I thought it would be something like that,' Bronson said. 'But could the report be correct? Could that clay tablet be really valuable?'
'Highly unlikely. Clay tablets are ten a penny – well, not literally, but you know what I mean. They're found all over the place, sometimes as fragments, but complete ones turn up very frequently. There are estimated to be about half a million locked in museum storerooms around the world that haven't yet been studied or deciphered, or even really looked at. They really are that abundant. They were used by most of the ancient races as short-term records, and they listed everything from property ownership details and accounts to recipes, and almost any other information you can think of in between. They've been found with inscriptions in Latin, Greek, Coptic, Hebrew and Aramaic, but the majority are cuneiform.'
'Which is what, exactly?'
'It's an ancient written language. Cuneiform letters are wedge-shaped, and that kind of script is particularly easy to impress onto wet clay using a stylus. Clay tablets are just curiosities, really, that help us better appreciate daily life in whatever period they were made. They do have some value, obviously, but the only people who are usually interested in them are academics and museum staff.'
'OK,' Bronson said. 'But two people have been killed out here in Morocco and the clay tablet we know the woman picked up in the souk is missing, along with her camera. And yesterday I was chased through the streets of Rabat by a gang of men who—' 'What? You mean some local thugs?'
'I've no idea,' Bronson admitted. 'I didn't hang around to ask what they wanted. But if the tablet really is worthless, maybe the important thing is what's written on it. Is that possible?'
Angela was silent for a few moments. 'Just about, I suppose, but it's extremely unlikely, simply because of the age of the object – most of them are between two and five thousand years old. But what happened to you is a worry, Chris. If you're right and the inscription on the tablet is significant, then anyone who's seen it might be in danger.'
'I've got half a dozen pictures of it, but I haven't the slightest idea what the inscription means. I don't even know what language it's written in.'
'Well, we can do something about that. Email a few of the photographs to me here at the museum and I'll get one of our ancient-language specialists to take a look at them. That way, at least we'll know what's on the tablet, and then you can see if you're right about the inscription.'
'Good idea.' That was exactly what Bronson had been hoping she'd suggest. 'I'll do it right now. Look in your inbox in about five minutes.'
15
A quarter of an hour later, Angela checked her messages and immediately spotted the one sent by her ex-husband. She glanced at the four pictures of the clay tablet on the screen of her desktop computer and printed a monochrome copy of each of them, because the definition would be slightly better in black and white than in colour. Then she leant back in her leather swivel chair and studied the images.
Angela had occupied the same office ever since she'd first arrived at the museum. It was small, square and organized, dominated by a large L-shaped desk, on the short arm of which stood her computer and a colour laser printer. In the centre of the larger section of the desk was a collection of potsherds – part of her current workload – and several files and notebooks. In one corner of the office was the wooden bench where she carried out the mechanical aspects of her conservation duties, working with a collection of precision stainless-steel tools, cleaning fluids, various types of adhesive and other chemicals. Beside that was a row of filing cabinets and above them a couple of shelves lined with reference books.