"Maybe she came back. Obviously she did."
"Good point."
"Shot him, then went to her car and got the gasoline, which tends to be obvious if it's sitting out in the foyer."
But Glitsky was shaking his head. "No. That's if she killed herself, which I think we agree she couldn't have."
Strout chewed on that for a moment. "So somebody who looks like her?"
"Maybe." He came forward in the folding chair. As usual, Glitsky was in full uniform, and leaning over, held his hat in his hands between his legs. "How certain was Yamashiru?"
"That it was D'Amiens? A hundred percent. We went over everything for almost an hour. Anyway, he was certain enough-and so am I-that I'm putting her name to the autopsy."
Glitsky had known Strout for thirty years, and knew that this was a point of professional pride and honor. Strout didn't call it as a matter of law unless he was completely convinced. He knew he might have to testify under oath on the witness stand, and so far as anyone in the city knew, he had never made a mistake on an autopsy-either an identification or a cause of death. He would not hesitate to decline to state when he wasn't sure. But he'd never been flat wrong. And Glitsky didn't think he was now.
Which meant that, with a slight detour, he was back where he'd been before he'd talked to Marcel Lanier this morning, or even when he'd had his discussion with the mayor yesterday afternoon. Somebody had shot Hanover and D'Amiens and then set their bodies on fire.
This, then, was a straightforward murder investigation. Cuneo was the inspecting officer, and-orders from the mayor or not-Glitsky would defer to him as long as it was practicable. Hardy's advice echoed-this might be a good opportunity to mend fences with the man, get to some kind of mutual understanding, perhaps the beginnings of respect.
Finally making it nearly to his own office, Glitsky stood frowning at the door, which sported a cutout of this morning's Chronicle photo. It shouldn't have amazed him, though it always did, how the news agencies-print, audio or film-all so consistently managed to convey misleading information, even in a picture. Of course, he'd seen the stupid picture first thing in the morning. It was impossible to miss. He found it odd that he had no memory of the actual moment at all, even though he appeared to be standing at formal attention and the salute was so crisp he might have been posing.
Aware that someone had come into the conference room that separated the reception area and his office, he turned around. Melissa wasn't really his private secretary-technically she was merely the gatekeeper for him and the other deputy chief within the suite, Jake Longoria-but as the highest ranking of the six clerks in the reception bay, she took a proprietary, even maternal, interest in the men whose access she protected. Now she was smiling broadly at him, clearly pleased with the reflected glory that the picture brought to her, as well as with Glitsky's obvious and growing prominence among the city's leaders. (It wouldn't be unknown for a deputy chief to take his gatekeeper with him should the promotion to chief ever come along, either.)
"You like it? That's a great picture, isn't it?"
Behind her, Glitsky saw a couple of the other clerks in the doorway, wanting to share in what would be his no-doubt positive reaction. Feeling that it would be churlish at best and negative for staff morale to follow his impulse and rip the offending thing down, he arranged his face into a bland expression and nodded. "It's nice," he said. Feeling a little more might be called for, he offered a small, stiff bow from the waist. "My thanks to you all."
Inside the blessed sanctity of his office, a low-level rage humming in his ears, he hung his hat on the rack by the door, then went to his desk and pushed the constantly blinking button that indicated he had messages in his voice mail. Thirteen of them.
Amidst the usual bureaucratic white noise, no fewer than six of the calls concerned the picture. Jeff Elliot wanted to know about the story he'd clearly missed while they'd been talking yesterday, and could they do an interview sometime soon, maybe today, for a "CityTalk" column. His friend and mentor Frank Batiste left a message tinged with the faint but unmistakable reek of jealousy. Batiste did not say it overtly, but unstated was that if there was going to be a picture typifying the mutual cooperation between the mayor's office and the PD, maybe the chief ought to have been the one on the front page, saluting. Treya, who'd slept in later than Glitsky's own six forty-five departure and saw the photo after he'd already left for work, agreed with Melissa that it was flattering and kind of cool. Dismas Hardy, on the other hand, congratulating him with heavy sarcasm on the photo op, wondered ifhe'd noticed that the name badge on his shirt had a typo that read "Gliktsy." (Looking down immediately, cricking his neck in the process, he checked-it didn't.) And, oh yeah, Hardy added, if Glitsky needed a campaign manager for whatever office he was running for, and though somewhat upset that his best friend hadn't included him in his original plans, Hardy was his man.
Still no callback from Cuneo, he noticed. Glitsky resolved to call him at home, wake him up if need be, after he'd gone through his voice mail. The last message, though, much to his surprise, was from Catherine Hanover, who had seen the picture and recognized his name from their conversation yesterday. Having thought about it most of the morning, she finally had worked up the nerve to call and wondered if he might get back to her. Sooner rather than later. She'd had a visit last night from Inspector Cuneo and had something a little delicate, as she put it, that she wanted to discuss.
He looked at his watch. She had placed the call less than fifteen minutes ago. He started punching numbers. "Mrs. Hanover? This is Deputy Chief Glitsky."
An audible sigh, then a rush. "Thank you for calling back so soon. I didn't know if I could just leave a message for you personally, but I…" She ran out of breath and, after a slight hesitation, started again in a lower key. "I didn't know who else to talk to."
"Didn't you say you'd spoken to Inspector Cuneo last night?"
"Yes." Another pause. "I just wondered," she said, "if I could arrange to talk to you, maybe, instead of Inspector Cuneo. I mean, if you need… if the police need to talk to me anymore about Paul or the fire or anything."
"You don't want to talk to Inspector Cuneo?"
"I think I'd prefer not."
This was tricky indeed. Especially in light of Glitsky's new information that the homicide detail-i.e., Cuneo- was in fact investigating not a murder/suicide, but a double homicide. This made Catherine Hanover not just a witness, but among the universe of possible suspects to the murders. She might not think of herself in those terms. But Glitsky had already been forced to consider them because of what she'd told him yesterday-her powerful financial incentive to see Missy D'Amiens out of Paul Hanover's will or, failing that, his life. Many people had been killed for far less money.
And now Mrs. Hanover didn't want to talk to the investigating officer. On the face of it, Glitsky couldn't even begin, and wasn't remotely inclined, to consider her request. If Cuneo's questions had rattled or upset her, or made her uncomfortable in any one of a number of ways, all the better-maybe he'd come upon something relevant to the murders she was trying to hide. She was not going to be able to avoid Cuneo. It was out of the question and he told her as much. "I'm sorry," he said in conclusion, "but witnesses don't get to choose who interrogates them."
"All right," she said, her voice thick with regret. "I tried." Then, almost as an afterthought, added, "I might have known that you'd stick together."
"That who would stick together?"
"You. The police."
"Well, in this case, yes we do. It's a general rule, for obvious reasons, that suspects are rarely anxious to talk to inspecting officers."
He heard an intake of breath. She whispered, "Suspects? Did you say suspects?"