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We wander along the dark paths of the campus and stop off at my weedy stoop behind the laboratory. I sit on the concrete step and think of nothing. Kate presses her bleeding thumb to her mouth. “What is this place?” she asks. A lamp above the path makes a golden sphere among the tree-high shrubs.

“I spent every afternoon for four years in one of those laboratories up there.”

“Is this part of the repetition?”

“No.”

“Part of the search?”

I do not answer. She can only believe I am serious in her own fashion of being serious: as an antic sort of seriousness, which is not seriousness at all but despair masquerading as seriousness. I would as soon not speak to her of such things, since she is bound to understand it as a cultivated eccentricity, like the eccentricity of the roommate she used to talk about: “A curious girl, BoBo. Do you know what she liked to do? Collect iron deer. She located every iron deer in Westchester County and once a month she’d religiously make her rounds and pay them a visit — just park and look at them. She had names for each one: Tertullian, Archibald MacLeish, Alf Landon — she was quite serious about it.” I have no use at all for girls like BoBo nor for such antic doings as collecting iron deer in Westchester County.

“Why don’t you sit down?” I ask her irritably.

“Now the vertical search is when—”

(Am I irritable because, now that she mentions it, I do for a fact sound like BoBo and her goddamn iron deer?)

“If you walk in the front door of the laboratory, you undertake the vertical search. You have a specimen, a cubic centimeter of water or a frog or a pinch of salt or a star.”

“One learns general things?”

“And there is excitement to the search.”

“Why?” she asks.

“Because as you get deeper into the search, you unify. You understand more and more specimens by fewer and fewer formulae. There is the excitement. Of course you are always after the big one, the new key, the secret leverage point, and that is the best of it.”

“And it doesn’t matter where you are or who you are.”

“No.”

“And the danger is of becoming no one nowhere.”

“Never mind.”

Kate parses it out with the keen male bent of her mind and yet with her woman’s despair. Therefore I take care to be no more serious than she.

“On the other hand, if you sit back here and take a little carcass out of the garbage can, a specimen which has been used and discarded, there remains something left over, a clue?”

“Yes, but let’s go.”

“You’re a cold one, dear.”

“As cold as you?”

“Colder. Cold as the grave.” She walks about tearing shreds of flesh from her thumb. I say nothing. It would take very little to set her off on an attack on me, one of her “frank” appraisals. “It is possible, you know, that you are overlooking something, the most obvious thing of all. And you would not know it if you fell over it.”

“What?”

She will not tell me. Instead, in the streetcar, she becomes gay and affectionate toward me. She locks her arms around my waist and gives me a kiss on the mouth and watches me with brown eyes gone to discs.

4

IT IS TWO O’CLOCK before I get back to Gentilly. Yet sometime before dawn I awake with a violent start and for the rest of the night lie dozing yet wakeful and watchful. I have not slept soundly for many years. Not since the war when I was knocked out for two days have I really lost consciousness as a child loses consciousness in sleep and wakes to a new world not even remembering when he went to bed. I always know where I am and what time it is. Whenever I feel myself sinking toward a deep sleep, something always recalls me: “Not so fast now. Suppose you should go to sleep and it should happen. What then?” What is this that is going to happen? Clearly nothing. Yet there I lie, wakeful and watchful as a sentry, ears tuned to the slightest noise. I can even hear old Rosebud turning round and round in the azalea bushes before settling down.

At dawn I dress and slip out so quietly that the dogs do not stir. I walk toward the lake. It is almost a summer night. Heavy warm air has pushed up from the Gulf, but the earth has memories of winter and lies cold and sopping wet from dew.

It is good to walk in the suburbs at this hour. No one ever uses the sidewalks anyhow and now there are not even children on tricycles and miniature tractors. The concrete is virginal, as grainy as the day it was poured; weeds sprout in the cracks.

The closer you get to the lake, the more expensive the houses are. Already the bungalows and duplexes and tiny ranch houses are behind me. Here are the fifty and sixty thousand dollar homes, fairly big moderns with dagger plants and Australian pines planted in brick boxes, and reproductions of French provincial and Louisiana colonials. The swimming pools steam like sleeping geysers. These houses look handsome in the sunlight; they please me with their pretty colors, their perfect lawns and their clean airy garages. But I have noticed that at this hour of dawn they are forlorn. A sadness settles over them like a fog from the lake.

My father used to suffer from insomnia. One of my few recollections of him is his nighttime prowling. In those days it was thought that sleeping porches were healthful, so my father stuck one onto the house, a screen box with canvas blinds that pulled up from below. Here Scott and I slept on even the coldest nights. My father had trouble sleeping and moved out with us. He tossed like a wounded animal, or slept fitfully, his breath whistling musically through the stiff hairs of his nose — and went back inside before morning, leaving his bed tortured and sour, a smell which I believed to be caused by a nasal ailment known then as “catarrh.” The porch did not work for him and he bought a Saskatchewan sleeping bag from Abercrombie and Fitch and moved out into the rose garden. Just at this hour of dawn I would be awakened by a terrible sound: my father crashing through the screen door, sleeping bag under his arm, his eyes crisscrossed by fatigue and by the sadness of these glimmering dawns. My mother, without meaning to, put a quietus on his hopes of sleep even more effectively than this forlorn hour. She had a way of summing up his doings in a phrase that took the heart out of him. He dreamed, I know, of a place of quiet breathing and a deep sleep under the stars and next to the sweet earth. She agreed. “Honey, I’m all for it. I think we all ought to get back to nature and I’d be right with you, Honey, if it wasn’t for the chiggers. I’m chigger bait.” She made him out to be another Edgar Kennedy (who was making shorts then) thrashing around in the bushes with his newfangled camping equipment. To her it was better to make a joke of it than be defeated by these chilly dawns. But after that nothing more was said about getting back to nature.

He made a mistake. He was trying to sleep. He thought he had to sleep a certain number of hours every night, breathe fresh air, eat a certain number of calories, evacuate his bowels regularly and have a stimulating hobby (it was the nineteen thirties and everybody believed in science and talked about “ductless glands”). I do not try to sleep. And I could not tell you the last time my bowels moved; sometimes they do not move for a week but I have no interest in such matters. As for hobbies, people with stimulating hobbies suffer from the most noxious of despairs since they are tranquillized in their despair. I muse along as quietly as a ghost. Instead of trying to sleep I try to fathom the mystery of this suburb at dawn. Why do these splendid houses look so defeated at this hour of the day? Other houses, say a ’dobe house in New Mexico or an old frame house in Feliciana, look much the same day or night. But these new houses look haunted. Even the churches out here look haunted. What spirit takes possession of them? My poor father. I can see him, blundering through the patio furniture, the Junior Jets and the Lone Ranger pup tents, dragging his Saskatchewan sleeping bag like the corpse of his dead hope.