But it wasn’t so simple. Erickson had left a suicide note in which he denied killing anyone. Investigators didn’t have anything on him, he wrote in the note. “None of my guns matched, no DNA of mine was found, and no one saw me leaving the funeral home.”
“Hmmmm,” Walter said. “It sounds less like the plea of an innocent man than a criminal defense argument. He’s unwittingly admitting guilt. It seems the supposed man of God lived a divided life between his professed image and his rather tawdry personal secrets. When events threatened to expose the charade, he refuses to take responsibility, killing to silence it, and when that doesn’t work, committing suicide.”
“Any thoughts on what we should do?” The police considered Erickson the prime suspect, but they were concerned about the ramifications of his suicide before he was charged, tried, or convicted. The department wanted to somehow resolve any questions and close the case. Walter had the novel idea of bringing the case to court posthumously.
“But first things first-good riddance to bad rubbish.”
The officer smirked. The Hudson police had never worked with anybody like Walter.
“By the way, Richard, we found a bunch of ripe bananas in the priest’s apartment. But we know he didn’t like bananas.”
Walter chuckled. The priest had read the newspaper, he said, and risen to the challenge.
“He used them as a timer, and as it happens I was right. He shouldn’t have bought any green bananas.”
CHAPTER 55. THE MIRACLE ON SOUTH STREET
Bender was walking along a remote lake on a sunny day. In woods along the shore he saw an old white Cadillac overgrown with vines, the trunk open. He went to investigate. The car had a vintage Jersey plate, the color of yellowing teeth, with the 1930s-style black block letters, GARDEN STATE. The license number swam away as he tried to read it. The trunk was empty, but he saw clearly the bloodstains on the carpeted face of the wheel well. He walked back to the lake and out onto a narrow wooden dock over the shallow blue-green water. Just under the surface a man was floating on his back, naked, his skin a rotted gourd, his black hair swirling in the current, the red dot of a bullet hole through his forehead. His eyes were wide open, bright blue. The lips were moving.
“Help me,” the lips cried. “Help me.”
Bender startled awake from the dream. An hour later, a New Jersey coroner called, a friend, looking for help in identifying a body. It was a new one.
“A wet one?”
“How’d you know?”
“I had a dream. A man in the water. I’ll let you know what I find out.” What I find out when I talk to him again.
Bender walked with the dead in his dreams. He felt comfortable with them, embraced, at home. They called to him, shielded him, welcomed him. But mostly they pleaded. It was a gift and he didn’t ask its source. He submitted to it without question. You had to do what you were made to do; this was why, in his youth, he was repulsed by art hanging on walls. He was the advocate of the dead, the voice for the voiceless who walked between worlds.
He told Walter about the man in the water. His partner scowled. “Frank, I’m not often intrigued by mob killings. I like challenges. Mob hits are all the same, all power, as nuanced as a tire iron to the head.” The dream of the man in the water stopped. But others came-the girl in the steamer trunk, the man hanging in the tree, the boy shot through the temple-crowding his nights and pushing into his days.
Now in his late sixties, Bender was increasingly sensitive to the shadowy realm of dreams. He felt like an instrument being finely tuned with age. Yet he was also more modest and wary of his gift. It spooked him sometimes that he just didn’t know how he knew things. Once, while sculpting a statue of a policeman standing heroically in a New Jersey park, a memorial to the courage of fallen officers, he had reluctantly included on the statue the badge number of the young officer he used as a model. “I warned him against it. It was a memorial statue, and it just felt like bad karma.” Shortly afterward, the young officer was killed.
Bender never used the word “psychic”; admit to that and he’d never work again. Cops and forensic intellectuals like Walter were the ultimate hypocrites: They mocked seers, except when they used them to spectacular result. Bender was more fully immersed in the world of the flesh than anyone he knew, but somehow it wasn’t his purpose.
That summer he found himself praying to God for the first time in his life. He had been given a single hard flame of purpose. Jan had been diagnosed with a fatal cancer, and Bender had abandoned all his other projects for the single task of keeping her alive.
The nonsmoker’s lung cancer had rapidly metastasized. Jan had left her job, and stopped chemotherapy after one session, saying it wasn’t worth the pain. Doctors at two city hospitals performed numerous tests and said she had weeks, perhaps months, to live. Bender held her through long sleepless nights of screaming pain; the morphine wasn’t helping. She was making plans to move into a hospice.
Bender’s partners were devastated for him and for Jan. Fleisher wept. All of them were feeling mortal. The Vidocq Society, now seventeen years old, was beginning to lose its old lions. Renowned pathologist Halbert E. Fillinger Jr., seventy-nine, said by many to embody the highest virtues of the Vidocq Society, died in June 2006 of complications from Parkinson’s disease. Fillinger, who worked as a pathologist for more than forty years, performed more than 50,000 autopsies, and helped solve hundreds of homicides, was nationally mourned in the forensics community. He was still working as the Montgomery County coroner the week before he died.
In May 2004, Detective Samuel Weinstein, the first officer on the scene at the Boy in the Box crime in 1957 and head of the Vidocq Society team still investigating the death, became the latest in a long blue line to follow the boy. Fleisher eulogized him as a “man among men,” a World War II combat Marine who served as a Philadelphia police detective for thirty-five years and voluntarily served with honor seven times with the Israel Defense Forces, including the tank division, making parachute jumps with the IDF while in his seventies. “Rest in peace, my friend,” Fleisher said. “You are in a far better place.”
Ressler, one of the FBI’s pioneers of modern criminal profiling, suffered from a rapidly advancing form of Parkinson’s disease. Walter was distraught. With Ressler in a wheelchair and unable to come to the phone, and his coauthor Keppel slowed by major heart surgery, his peers in the first generation of great American profilers were seriously ill or dying. “Who will I have to talk to?”
Fleisher had blacked out while at the wheel, with his wife and two daughters in the car, going sixty miles an hour on an expressway in upstate New York. He came to just in time, but was increasingly worried about his health and his weight. Walter lost days every winter to lung ailments.The training of Stoud took on a new imperative, as he felt his decades of heavy smoking closing in.
Walter was especially moved by Frank and Jan’s plight.
“Frank, I won’t pray for you,” he said, “because that’s not what I do. But I will bake some cookies and come down to Philadelphia and we will smoke and drink and enjoy life together. We will all have a marvelous time.”
That morning in July 2007, Bender returned to the only job he had allowed himself while supporting Jan through her battle with cancer. It was, ironically, a death mask, one of the crowning works of his career.
Bender had been commissioned by the Roman Catholic Church to sculpt the death mask for Saint John Nepomucene Neumann, the nineteenth-century Bishop of Philadelphia and the first American male saint. Neumann had died in 1860 and was buried in the basement of St. Peter’s Church at the corner of Fifth Street and Girard Avenue. The body was being fitted with new vestments, a new Episcopal ring, pectoral cross, and the new mask to mark the bicentennial of the Archdiocese of Philadelphia.