“Vovchyk,” she pleads. [The interviewer is now consciously playing the part, sensing she’s being adored.] “What did I say? Stop the camera right now! You monkeys, what are you thinking? I’ll cut it anyway—the last thing we need is to air a pronouncement like that, I’d never live it down, they’ll say Goshchynska takes kickbacks for her interviews!”
[Men’s voices rise from behind the frame in a low mutter:]
“Yeah, especially from politicians!”
“Hey, she’ll take her men where she can get them!”
“Ha-ha-ha!”
[And that’s when the camera stops rolling—at last.]
You’re a doll, Daryna Goshchynska, a stupid painted doll, she tells herself, having found much to detest, if not altogether abhor, about her bubbly on-screen persona, having pressed the stop button on the control panel and lowered her head onto her arms in the darkness. You’re a good-looking woman to be sure; people look at you and think, she’s got it. Blowing sunshine all over and up whose ass? You want a medal or something? What the fuck? You forty-year-old bird, compulsive valedictorian, peddler of eye candy and book smarts, you doll, you stupid, stupid doll.
Vlada, Vladusya, so small and so indomitable, as if held up by an iron rod—once I caught her working in her studio, her hair tied back with a bandana, in threadbare overalls crusty with paint and chalk, and felt stunned: where was my grand dame, the star of fashionable salons and glamorous receptions? She looked like a teen at a construction site, the flunky sent down the scaffolding to fetch buckets of drywall mud; the studio stank ferociously of varnish (I was instantly lightheaded); Vlada was even paler than usual—her lips bluish-lilac as if with cold, and she gulped milk straight from the torn corner of the carton that stood open on a table, breathing and snorting like a sweaty peasant; her brow and nose were speckled with gold dust—and it was a strange realization that this backstage, dirty, and calloused proletarian existence was her real life.
Later, after she was gone, and the stirred-up viper’s nest of the Kyiv bohemia couldn’t get enough of the event (not without the schadenfreude at the comforting prospect of things returning to their natural order in which all Ukrainian artists, without exception, are starving and unknown), it became intolerably painful to accept that realization about Vlada’s life, especially after the cost of her lavish funeral became the subject of greedy, whispered calculations—“a fortune for the coffin alone!” (The first time I heard this, I wholeheartedly wished, on a swell of pure molten hatred, that the appraiser get one of those coffins for his own use, and wished I could take my imagined curse back when I remembered that the moron had thyroid cancer, and that Vlada herself had bought him some rare drugs from Switzerland, out of her own pocket, of course, because he had no money, and she’d always paid for everything out of her own pocket, the invincible iron girl, except, as it turns out, not invincible, and not made of iron at all.)
Where did she get it—this unwomanlike certainty of hers, the rock-solid confidence in her chosen path? I, who was conditioned to hone in, like a radar, on applause, who withered like a flower in stale water without a regular dose of male admiration (what an idiot!), in the course of our friendship gradually learned to take a mental tally of my actions—for her, first and foremost, and tried my hardest to earn her praise, made only more reliable by the fact that, unlike the approval of men, it had nothing to do with the length of my legs or the size of my rack—to the point where the smallest vexations sent me scrambling for the phone, to cry on Vlada’s firm shoulder, and she never once told me to get lost and get a life, as I, undoubtedly, deserved. She seemed so unflappable and solid: her career grew like a cottonwood sap—up, up; her boyfriend shot straight from the launchpad of his shadowy business (I still don’t really know what it was that he did exactly, but the money must have come from the kind of sources our nouveau riche prefer not to advertise and only mention in passing, as a joke) into elected office, and just kept going, and Vlada said he was almost done with the mind-blowing mansion he’d been building for the three of them somewhere in Roslavychi, the exurb dubbed “a slice of Switzerland,” among pristine meadows and ponds; her Katrusya went to the British Council School, with the children of foreign diplomats, to the tune of ten thousand bucks in tuition per year (Vlada paid). Her life was wonderful and would only keep getting better—and this also gave me security, a firm foundation for the confidence I needed so much, as if Vlada’s success promised, by some primitive, inaccessible logic of association, that everything would be similarly wonderful in my life as well, if not today, then tomorrow for sure. What else feeds female friendship if not this associative twinship, this reciprocal mirroring and intertwining, and don’t friendships die precisely and only when they run out of such associations?
That’s why, when a month or so after our interview she complained to me of not being able to sleep—and she so rarely complained about anything, and always only in the past tense, after whatever difficulty had vexed her had been overcome, the barrier cleared, and the effort involved reduced to a source of comforting insight for a friend in need, as in “I know exactly what you’re dealing with, I’ve gone through the same thing, but see, I made it, and so will you”—I simply missed the alarm, failed to receive the signal, or, more precisely, ignored it like background noise: such signals, apparently, are only recognized by cretins like myself in deep hindsight, after the funeral, when all the heaving and sighing and shaking of heads adds up to a critical mass and reveals that such signals fell around the deceased in her last weeks like hail. How could we all have missed them, under what collective curse?
“Would you believe it, I can’t sleep,” she’d said on the phone, as if extending an invitation to marvel together at this unusual phenomenon, but at two in the morning the tireless gurgle of her voice bore into my ear like a subcutaneous irritation because I had to get up at six for a live session and was close to falling over as I moved around my apartment, bumping into furniture, half-aware of packing my bag, with the phone against my ear that seemed to be slowly mashed into a bloody mess as she dripped, “I have this idiotic fear, like, if I fall asleep, I will die….”
“Vlada, you’re simply overworked,” I said, for the sixth time in the last hour, “nothing comes without a price; you’ve had a hard year, leave it all and go on vacation somewhere far away”—thinking that the newly elected representative also needed some resting, since apparently he had no way of helping a woman fall asleep and was turning into one of his brethren who get from stress to stress by drinking their way through a sea of alcohol, only to be diagnosed with erectile dysfunction by age forty—and Vlada was still babbling, unflinchingly, that yes, I had a point, and they were already planning a trip to Dubai, or Abu Dhabi, one is cheaper and the other more accommodating, and which one she’d recommend in case I decided to get away, finally, too, until I had to plead for mercy and howled, “Vlada Matusevych, would you please shut up and let me get away for the four hours I still have?!”
She laughed—a short, erratic flute scale, strangely melodic but suddenly awkward, as if she just then realized that she’d been keeping me up, and unsettling, too, because I also felt awkward for having flaunted my sleepiness to a friend suffering from insomnia—and it felt like I’d left her to fend for herself at night in an unfamiliar place. The laugh stuck in my ear like water, except that it did not, like water, seep warmly into the pillow as I slept through the short hours, and I woke still hearing its silvery echo, which, should I have had the wits to stop and listen to carefully, would have spelled out another warning signal—a sign that my outburst, which had slipped out of my grip like an ax falling from tired arms, had cut an invisible cable from the great edifice that is life, and it shuddered in response. In Vlada’s tinny laugh, high like a taut string’s ear-splitting response to an errant touch, razor on glass—that’s the dissonance that the four hours I still had must have sent into the widening, humming circles of infrasound vibrations that were already swirling around Vlada, because the truth was that at that point, I had many more hours left than she had; hers were countable, hers were slipping away, hers were almost drained to the bottom, but neither of us could have known it then.