John Connolly
The Museum of Literary Souls
CHAPTER
ONE
Let us begin with this: to those looking at his life from without, it would have seemed that Mr. Berger led a dull existence. In fact, Mr. Berger himself might well have concurred with this view.
He worked for the housing department of a minor English council, with the job title of closed accounts registrar. His task from year to year entailed compiling a list of those who had either relinquished or abandoned the housing provided for them by the council, and in doing so had left their accounts in arrears. Whether a week’s rent was owed, or a month’s, or even a year’s (for evictions were a difficult business and had a habit of dragging on until relations between council and tenant came to resemble those between a besieging army and a walled city), Mr. Berger would record the sum in question in a massive leather-bound ledger known as the Closed Accounts Register. At year’s end he would then be required to balance the rents received against the rents that should have been received. If he had performed his job correctly, the difference between the two sums would be the total amount contained in the register.
Even Mr. Berger found his job tedious to explain. Rare was it for a cab driver, or a fellow passenger on a train or bus, to engage in a discussion of Mr. Berger’s livelihood for longer than it took for him to describe it. Mr. Berger didn’t mind. He had no illusions about himself or his work. He got on perfectly well with his colleagues and was happy to join them for a pint of ale — but no more than that — at the end of the week. He contributed to retirement gifts and wedding presents and funeral wreaths. At one time it had seemed that he himself might become the cause of one such collection, for he entered into a state of cautious flirtation with a young woman in accounts. His advances appeared to be reciprocated, and the couple performed a mutual circling for the space of a year until someone less inhibited than Mr. Berger entered the fray, and the young woman, presumably weary of waiting for Mr. Berger to breach some perceived exclusion zone around her person, went off with his rival instead. It says much about Mr. Berger that he contributed to their wedding collection without a hint of bitterness.
His position as registrar paid neither badly nor particularly well but enough to keep him clothed and fed, and maintain a roof above his head. Most of the remainder went on books. Mr. Berger led a life of the imagination, fed by stories. His flat was lined with shelves, and those shelves were filled with the books that he loved. There was no particular order to them. Oh, he kept the works of individual authors together, but he did not alphabetize, and neither did he congregate books by subject. He knew where to lay a hand on any title at any time, and that was enough. Order was for dull minds, and Mr. Berger was far less dull than he appeared. (To those who are themselves unhappy, the contentment of others can sometimes be mistaken for tedium.) Mr. Berger might sometimes have been a little lonely, but he was never bored and never unhappy, and he counted his days by the books that he read.
I suppose that, in telling this tale, I have made Mr. Berger sound old. He was not. He was thirty-five and, although in no danger of being mistaken for a matinée idol, was not unattractive. Yet perhaps there was in his interiority something that rendered him if not sexless, then somewhat oblivious to the reality of relations with the opposite sex, an impression strengthened by the collective memory of what had occurred — or not occurred — with the girl from accounts. So it was that Mr. Berger found himself consigned to the dusty ranks of the council’s spinsters and bachelors, to the army of the closeted, the odd, and the sad, although he was none of these things. Well, perhaps just a little of the latter: although he never spoke of it, or even fully admitted it to himself, he regretted his failure to express properly his affection for the girl in accounts and had quietly resigned himself to the possibility that a life shared with another might not be in his stars. Slowly he was becoming a kind of fixed object, and the books he read came to reflect his view of himself. He was not a great lover and neither was he a tragic hero. Instead he resembled those narrators in fiction who observe the lives of others, existing as dowels upon which plots hang like coats until the time comes for the true actors of the book to assume them. Great and voracious reader that he was, Mr. Berger failed to realize that the life he was observing was his own.
In the autumn of 1968, on Mr. Berger’s thirty-sixth birthday, the council announced that it was moving offices. Its various departments had until then been scattered like outposts throughout the city, but it now made more sense to gather them all into one purpose-built environment and sell the outlying buildings. Mr. Berger was saddened by this development. The housing department occupied a set of ramshackle offices in a redbrick edifice that had once been a private school, and there was a pleasing oddness to the manner in which it had been imperfectly adapted to its current role. The council’s new headquarters, meanwhile, was a brutalist block designed by one of those acolytes of Le Corbusier whose vision consisted solely of purging the individual and eccentric and replacing it with a uniformity of steel, glass, and reinforced concrete. It squatted on the site of what had once been the city’s glorious Victorian railway station, itself now replaced by a squat bunker. In time, Mr. Berger knew, the rest of the city’s jewels would also be turned to dust, and the ugliness of the built environment would poison the population, for how could it be otherwise?
Mr. Berger was informed that, under the new regimen, there would be no more need for a Closed Accounts Register, and he would be transferred to other duties. A new, more efficient system was to be put in place, although, as with so many other such initiatives, it would later be revealed that it was less efficient and more costly than the original. This news coincided with the death of Mr. Berger’s elderly mother, his last surviving close relative, and the discovery of a small but significant bequest to her son: her house, some shares, and a sum of money that was not quite a fortune but would, if invested carefully, enable Mr. Berger to live in a degree of restrained comfort for the rest of his life. He had always had a hankering to write, and he now had the perfect opportunity to test his literary mettle.
So it was that Mr. Berger at last had a collection taken up in his name, and a small crowd gathered to bid him farewell and good luck, and he was forgotten almost as soon as he was gone.
CHAPTER
TWO
Mr. Berger’s mother had spent her declining years in a cottage on the outskirts of the small town of Glossom. It was one of those passingly pretty English settlements best suited to those whose time on this earth was drawing slowly to a close and who wanted to spend it in surroundings that were unlikely to unduly excite them and thereby hasten the end. Its community was predominantly High Anglican, with a corresponding focus on parish-centered activities: rarely an evening went by without the church hall being occupied by amateur dramatists, or local historians, or quietly concerned Fabians.
It seemed, though, that Mr. Berger’s mother had rather kept herself to herself, and few eyebrows were raised in Glossom when her son chose to do the same. He spent his days outlining his proposed work of fiction, a novel of frustrated love and muted social commentary set among the woolen mills of Lancashire in the nineteenth century. It was, Mr. Berger quickly realized, the kind of book of which the Fabians might have approved, which put something of a dampener on his progress. He dallied with some short stories instead, and when they proved similarly unrewarding he fell back on poetry, the last resort of the literary scoundrel. Finally, if only to keep his hand in, he began writing letters to the newspapers on matters of national and international concern. One, on the subject of badgers, was printed in the Telegraph, but it was heavily cut for publication, and Mr. Berger felt that it made him sound somewhat obsessive about badgers, when nothing could be further from the truth.