At that end of Minor Canon Corner the shadow is profound in the existing state of the light: at that end, too, there is a piece of old dwarf wall, breast high, the only remaining boundary of what was once a garden, but is now the thoroughfare. Jasper and Durdles would have turned this wall in another instant; but, stopping so short, stand behind it.
'Those two are only sauntering,' Jasper whispers; 'they will go out into the moonlight soon. Let us keep quiet here, or they will detain us, or want to join us, or what not.'
Durdles nods assent, and falls to munching some fragments from his bundle. Jasper folds his arms upon the top of the wall, and, with his chin resting on them, watches. He takes no note whatever of the Minor Canon, but watches Neville, as though his eye were at the trigger of a loaded rifle, and he had covered him, and were going to fire. A sense of destructive power is so expressed in his face, that even Durdles pauses in his munching, and looks at him, with an unmunched something in his cheek.
Meanwhile Mr. Crisparkle and Neville walk to and fro, quietly talking together. What they say, cannot be heard consecutively; but Mr. Jasper has already distinguished his own name more than once.
'This is the first day of the week,' Mr. Crisparkle can be distinctly heard to observe, as they turn back; 'and the last day of the week is Christmas Eve.'
'You may be certain of me, sir.'
The echoes were favourable at those points, but as the two approach, the sound of their talking becomes confused again. The word 'confidence,' shattered by the echoes, but still capable of being pieced together, is uttered by Mr. Crisparkle. As they draw still nearer, this fragment of a reply is heard: 'Not deserved yet, but shall be, sir.' As they turn away again, Jasper again hears his own name, in connection with the words from Mr. Crisparkle: 'Remember that I said I answered for you confidently.' Then the sound of their talk becomes confused again; they halting for a little while, and some earnest action on the part of Neville succeeding. When they move once more, Mr. Crisparkle is seen to look up at the sky, and to point before him. They then slowly disappear; passing out into the moonlight at the opposite end of the Corner.
It is not until they are gone, that Mr. Jasper moves. But then he turns to Durdles, and bursts into a fit of laughter. Durdles, who still has that suspended something in his cheek, and who sees nothing to laugh at, stares at him until Mr. Jasper lays his face down on his arms to have his laugh out. Then Durdles bolts the something, as if desperately resigning himself to indigestion.
Among those secluded nooks there is very little stir or movement after dark. There is little enough in the high tide of the day, but there is next to none at night. Besides that the cheerfully frequented High Street lies nearly parallel to the spot (the old Cathedral rising between the two), and is the natural channel in which the Cloisterham traffic flows, a certain awful hush pervades the ancient pile, the cloisters, and the churchyard, after dark, which not many people care to encounter. Ask the first hundred citizens of Cloisterham, met at random in the streets at noon, if they believed in Ghosts, they would tell you no; but put them to choose at night between these eerie Precincts and the thoroughfare of shops, and you would find that ninety-nine declared for the longer round and the more frequented way. The cause of this is not to be found in any local superstition that attaches to the Precincts — albeit a mysterious lady, with a child in her arms and a rope dangling from her neck, has been seen flitting about there by sundry witnesses as intangible as herself — but it is to be sought in the innate shrinking of dust with the breath of life in it from dust out of which the breath of life has passed; also, in the widely diffused, and almost as widely unacknowledged, reflection: 'If the dead do, under any circumstances, become visible to the living, these are such likely surroundings for the purpose that I, the living, will get out of them as soon as I can.' Hence, when Mr. Jasper and Durdles pause to glance around them, before descending into the crypt by a small side door, of which the latter has a key, the whole expanse of moonlight in their view is utterly deserted. One might fancy that the tide of life was stemmed by Mr. Jasper's own gatehouse. The murmur of the tide is heard beyond; but no wave passes the archway, over which his lamp burns red behind his curtain, as if the building were a Lighthouse.
They enter, locking themselves in, descend the rugged steps, and are down in the Crypt. The lantern is not wanted, for the moonlight strikes in at the groined windows, bare of glass, the broken frames for which cast patterns on the ground. The heavy pillars which support the roof engender masses of black shade, but between them there are lanes of light. Up and down these lanes they walk, Durdles discoursing of the 'old uns' he yet counts on disinterring, and slapping a wall, in which he considers 'a whole family on 'em' to be stoned and earthed up, just as if he were a familiar friend of the family. The taciturnity of Durdles is for the time overcome by Mr. Jasper's wicker bottle, which circulates freely; — in the sense, that is to say, that its contents enter freely into Mr. Durdles's circulation, while Mr. Jasper only rinses his mouth once, and casts forth the rinsing.
They are to ascend the great Tower. On the steps by which they rise to the Cathedral, Durdles pauses for new store of breath. The steps are very dark, but out of the darkness they can see the lanes of light they have traversed. Durdles seats himself upon a step. Mr. Jasper seats himself upon another. The odour from the wicker bottle (which has somehow passed into Durdles's keeping) soon intimates that the cork has been taken out; but this is not ascertainable through the sense of sight, since neither can descry the other. And yet, in talking, they turn to one another, as though their faces could commune together.
'This is good stuff, Mister Jarsper!'
'It is very good stuff, I hope. — I bought it on purpose.'
'They don't show, you see, the old uns don't, Mister Jarsper!'
'It would be a more confused world than it is, if they could.'
'Well, it would lead towards a mixing of things,' Durdles acquiesces: pausing on the remark, as if the idea of ghosts had not previously presented itself to him in a merely inconvenient light, domestically or chronologically. 'But do you think there may be Ghosts of other things, though not of men and women?'
'What things? Flower-beds and watering-pots? horses and harness?'
'No. Sounds.'
'What sounds?'
'Cries.'
'What cries do you mean? Chairs to mend?'
'No. I mean screeches. Now I'll tell you, Mr. Jarsper. Wait a bit till I put the bottle right.' Here the cork is evidently taken out again, and replaced again. 'There! Now it's right! This time last year, only a few days later, I happened to have been doing what was correct by the season, in the way of giving it the welcome it had a right to expect, when them town-boys set on me at their worst. At length I gave 'em the slip, and turned in here. And here I fell asleep. And what woke me? The ghost of a cry. The ghost of one terrific shriek, which shriek was followed by the ghost of the howl of a dog: a long, dismal, woeful howl, such as a dog gives when a person's dead. That was my last Christmas Eve.'
'What do you mean?' is the very abrupt, and, one might say, fierce retort.
'I mean that I made inquiries everywhere about, and, that no living ears but mine heard either that cry or that howl. So I say they was both ghosts; though why they came to me, I've never made out.'
'I thought you were another kind of man,' says Jasper, scornfully.
'So I thought myself,' answers Durdles with his usual composure; 'and yet I was picked out for it.'
Jasper had risen suddenly, when he asked him what he meant, and he now says, 'Come; we shall freeze here; lead the way.'