Helena thinks it over, and thinks well of it. Mr. Crisparkle doing so, she would do so; but she does originally, out of her own mind, think well of it, as a healthy project, denoting a sincere endeavour and an active attempt at self-correction. She is inclined to pity him, poor fellow, for going away solitary on the great Christmas festival; but she feels it much more to the purpose to encourage him. And she does encourage him.
He will write to her?
He will write to her every alternate day, and tell her all his adventures.
Does he send clothes on in advance of him?
'My dear Helena, no. Travel like a pilgrim, with wallet and staff. My wallet — or my knapsack — is packed, and ready for strapping on; and here is my staff!'
He hands it to her; she makes the same remark as Mr. Crisparkle, that it is very heavy; and gives it back to him, asking what wood it is? Iron-wood.
Up to this point he has been extremely cheerful. Perhaps, the having to carry his case with her, and therefore to present it in its brightest aspect, has roused his spirits. Perhaps, the having done so with success, is followed by a revulsion. As the day closes in, and the city-lights begin to spring up before them, he grows depressed.
'I wish I were not going to this dinner, Helena.'
'Dear Neville, is it worth while to care much about it? Think how soon it will be over.'
'How soon it will be over!' he repeats gloomily. 'Yes. But I don't like it.'
There may be a moment's awkwardness, she cheeringly represents to him, but it can only last a moment. He is quite sure of himself.
'I wish I felt as sure of everything else, as I feel of myself,' he answers her.
'How strangely you speak, dear! What do you mean?'
'Helena, I don't know. I only know that I don't like it. What a strange dead weight there is in the air!'
She calls his attention to those copperous clouds beyond the river, and says that the wind is rising. He scarcely speaks again, until he takes leave of her, at the gate of the Nuns' House. She does not immediately enter, when they have parted, but remains looking after him along the street. Twice he passes the gatehouse, reluctant to enter. At length, the Cathedral clock chiming one quarter, with a rapid turn he hurries in.
And so he goes up the postern stair.
Edwin Drood passes a solitary day. Something of deeper moment than he had thought, has gone out of his life; and in the silence of his own chamber he wept for it last night. Though the image of Miss Landless still hovers in the background of his mind, the pretty little affectionate creature, so much firmer and wiser than he had supposed, occupies its stronghold. It is with some misgiving of his own unworthiness that he thinks of her, and of what they might have been to one another, if he had been more in earnest some time ago; if he had set a higher value on her; if, instead of accepting his lot in life as an inheritance of course, he had studied the right way to its appreciation and enhancement. And still, for all this, and though there is a sharp heartache in all this, the vanity and caprice of youth sustain that handsome figure of Miss Landless in the background of his mind.
That was a curious look of Rosa's when they parted at the gate. Did it mean that she saw below the surface of his thoughts, and down into their twilight depths? Scarcely that, for it was a look of astonished and keen inquiry. He decides that he cannot understand it, though it was remarkably expressive.
As he only waits for Mr. Grewgious now, and will depart immediately after having seen him, he takes a sauntering leave of the ancient city and its neighbourhood. He recalls the time when Rosa and he walked here or there, mere children, full of the dignity of being engaged. Poor children! he thinks, with a pitying sadness.
Finding that his watch has stopped, he turns into the jeweller's shop, to have it wound and set. The jeweller is knowing on the subject of a bracelet, which he begs leave to submit, in a general and quite aimless way. It would suit (he considers) a young bride, to perfection; especially if of a rather diminutive style of beauty. Finding the bracelet but coldly looked at, the jeweller invites attention to a tray of rings for gentlemen; here is a style of ring, now, he remarks — a very chaste signet — which gentlemen are much given to purchasing, when changing their condition. A ring of a very responsible appearance. With the date of their wedding-day engraved inside, several gentlemen have preferred it to any other kind of memento.
The rings are as coldly viewed as the bracelet. Edwin tells the tempter that he wears no jewellery but his watch and chain, which were his father's; and his shirt-pin.
'That I was aware of,' is the jeweller's reply, 'for Mr. Jasper dropped in for a watch-glass the other day, and, in fact, I showed these articles to him, remarking that if he should wish to make a present to a gentleman relative, on any particular occasion — But he said with a smile that he had an inventory in his mind of all the jewellery his gentleman relative ever wore; namely, his watch and chain, and his shirt-pin.' Still (the jeweller considers) that might not apply to all times, though applying to the present time. 'Twenty minutes past two, Mr. Drood, I set your watch at. Let me recommend you not to let it run down, sir.'
Edwin takes his watch, puts it on, and goes out, thinking: 'Dear old Jack! If I were to make an extra crease in my neckcloth, he would think it worth noticing!'
He strolls about and about, to pass the time until the dinner-hour. It somehow happens that Cloisterham seems reproachful to him to- day; has fault to find with him, as if he had not used it well; but is far more pensive with him than angry. His wonted carelessness is replaced by a wistful looking at, and dwelling upon, all the old landmarks. He will soon be far away, and may never see them again, he thinks. Poor youth! Poor youth!
As dusk draws on, he paces the Monks' Vineyard. He has walked to and fro, full half an hour by the Cathedral chimes, and it has closed in dark, before he becomes quite aware of a woman crouching on the ground near a wicket gate in a corner. The gate commands a cross bye-path, little used in the gloaming; and the figure must have been there all the time, though he has but gradually and lately made it out.
He strikes into that path, and walks up to the wicket. By the light of a lamp near it, he sees that the woman is of a haggard appearance, and that her weazen chin is resting on her hands, and that her eyes are staring — with an unwinking, blind sort of steadfastness — before her.
Always kindly, but moved to be unusually kind this evening, and having bestowed kind words on most of the children and aged people he has met, he at once bends down, and speaks to this woman.
'Are you ill?'
'No, deary,' she answers, without looking at him, and with no departure from her strange blind stare.
'Are you blind?'
'No, deary.'
'Are you lost, homeless, faint? What is the matter, that you stay here in the cold so long, without moving?'