The Mystery of Edwin Drood

'I told you, you rare charmer, you sweet witch, that you must stay and hear me, or do more harm than can ever be undone. You asked me what harm. Stay, and I will tell you. Go, and I will do it!'

Again Rosa quails before his threatening face, though innocent of its meaning, and she remains. Her panting breathing comes and goes as if it would choke her; but with a repressive hand upon her bosom, she remains.

'I have made my confession that my love is mad. It is so mad, that had the ties between me and my dear lost boy been one silken thread less strong, I might have swept even him from your side, when you favoured him.'

A film come over the eyes she raises for an instant, as though he had turned her faint.

'Even him,' he repeats. 'Yes, even him! Rosa, you see me and you hear me. Judge for yourself whether any other admirer shall love you and live, whose life is in my hand.'

'What do you mean, sir?'

'I mean to show you how mad my love is. It was hawked through the late inquiries by Mr. Crisparkle, that young Landless had confessed to him that he was a rival of my lost boy. That is an inexpiable offence in my eyes. The same Mr. Crisparkle knows under my hand that I have devoted myself to the murderer's discovery and destruction, be he whom he might, and that I determined to discuss the mystery with no one until I should hold the clue in which to entangle the murderer as in a net. I have since worked patiently to wind and wind it round him; and it is slowly winding as I speak.'

'Your belief, if you believe in the criminality of Mr. Landless, is not Mr. Crisparkle's belief, and he is a good man,' Rosa retorts.

'My belief is my own; and I reserve it, worshipped of my soul! Circumstances may accumulate so strongly even against an innocent man, that directed, sharpened, and pointed, they may slay him. One wanting link discovered by perseverance against a guilty man, proves his guilt, however slight its evidence before, and he dies. Young Landless stands in deadly peril either way.'

'If you really suppose,' Rosa pleads with him, turning paler, 'that I favour Mr. Landless, or that Mr. Landless has ever in any way addressed himself to me, you are wrong.'

He puts that from him with a slighting action of his hand and a curled lip.

'I was going to show you how madly I love you. More madly now than ever, for I am willing to renounce the second object that has arisen in my life to divide it with you; and henceforth to have no object in existence but you only. Miss Landless has become your bosom friend. You care for her peace of mind?'

'I love her dearly.'

'You care for her good name?'

'I have said, sir, I love her dearly.'

'I am unconsciously,' he observes with a smile, as he folds his hands upon the sun-dial and leans his chin upon them, so that his talk would seem from the windows (faces occasionally come and go there) to be of the airiest and playfullest — 'I am unconsciously giving offence by questioning again. I will simply make statements, therefore, and not put questions. You do care for your bosom friend's good name, and you do care for her peace of mind. Then remove the shadow of the gallows from her, dear one!'

'You dare propose to me to —'

'Darling, I dare propose to you. Stop there. If it be bad to idolise you, I am the worst of men; if it be good, I am the best. My love for you is above all other love, and my truth to you is above all other truth. Let me have hope and favour, and I am a forsworn man for your sake.'

Rosa puts her hands to her temples, and, pushing back her hair, looks wildly and abhorrently at him, as though she were trying to piece together what it is his deep purpose to present to her only in fragments.

'Reckon up nothing at this moment, angel, but the sacrifices that I lay at those dear feet, which I could fall down among the vilest ashes and kiss, and put upon my head as a poor savage might. There is my fidelity to my dear boy after death. Tread upon it!'

With an action of his hands, as though he cast down something precious.

'There is the inexpiable offence against my adoration of you. Spurn it!'

With a similar action.

'There are my labours in the cause of a just vengeance for six toiling months. Crush them!'

With another repetition of the action.

'There is my past and my present wasted life. There is the desolation of my heart and my soul. There is my peace; there is my despair. Stamp them into the dust; so that you take me, were it even mortally hating me!'

The frightful vehemence of the man, now reaching its full height, so additionally terrifies her as to break the spell that has held her to the spot. She swiftly moves towards the porch; but in an instant he is at her side, and speaking in her ear.

'Rosa, I am self-repressed again. I am walking calmly beside you to the house. I shall wait for some encouragement and hope. I shall not strike too soon. Give me a sign that you attend to me.'

She slightly and constrainedly moves her hand.

'Not a word of this to any one, or it will bring down the blow, as certainly as night follows day. Another sign that you attend to me.'

She moves her hand once more.

'I love you, love you, love you! If you were to cast me off now — but you will not — you would never be rid of me. No one should come between us. I would pursue you to the death.'

The handmaid coming out to open the gate for him, he quietly pulls off his hat as a parting salute, and goes away with no greater show of agitation than is visible in the effigy of Mr. Sapsea's father opposite. Rosa faints in going up-stairs, and is carefully carried to her room and laid down on her bed. A thunderstorm is coming on, the maids say, and the hot and stifling air has overset the pretty dear: no wonder; they have felt their own knees all of a tremble all day long.

Chapter 20 A Flight

Rosa no sooner came to herself than the whole of the late interview was before her. It even seemed as if it had pursued her into her insensibility, and she had not had a moment's unconsciousness of it. What to do, she was at a frightened loss to know: the only one clear thought in her mind was, that she must fly from this terrible man.

But where could she take refuge, and how could she go? She had never breathed her dread of him to any one but Helena. If she went to Helena, and told her what had passed, that very act might bring down the irreparable mischief that he threatened he had the power, and that she knew he had the will, to do. The more fearful he appeared to her excited memory and imagination, the more alarming her responsibility appeared; seeing that a slight mistake on her part, either in action or delay, might let his malevolence loose on Helena's brother.

Rosa's mind throughout the last six months had been stormily confused. A half-formed, wholly unexpressed suspicion tossed in it, now heaving itself up, and now sinking into the deep; now gaining palpability, and now losing it. Jasper's self-absorption in his nephew when he was alive, and his unceasing pursuit of the inquiry how he came by his death, if he were dead, were themes so rife in the place, that no one appeared able to suspect the possibility of foul play at his hands. She had asked herself the question, 'Am I so wicked in my thoughts as to conceive a wickedness that others cannot imagine?' Then she had considered, Did the suspicion come of her previous recoiling from him before the fact? And if so, was not that a proof of its baselessness? Then she had reflected, 'What motive could he have, according to my accusation?' She was ashamed to answer in her mind, 'The motive of gaining me!' And covered her face, as if the lightest shadow of the idea of founding murder on such an idle vanity were a crime almost as great.

She ran over in her mind again, all that he had said by the sun- dial in the garden. He had persisted in treating the disappearance as murder, consistently with his whole public course since the finding of the watch and shirt-pin. If he were afraid of the crime being traced out, would he not rather encourage the idea of a voluntary disappearance? He had even declared that if the ties between him and his nephew had been less strong, he might have swept 'even him' away from her side. Was that like his having really done so? He had spoken of laying his six months' labours in the cause of a just vengeance at her feet. Would he have done that, with that violence of passion, if they were a pretence? Would he have ranged them with his desolate heart and soul, his wasted life, his peace and his despair? The very first sacrifice that he represented himself as making for her, was his fidelity to his dear boy after death. Surely these facts were strong against a fancy that scarcely dared to hint itself. And yet he was so terrible a man! In short, the poor girl (for what could she know of the criminal intellect, which its own professed students perpetually misread, because they persist in trying to reconcile it with the average intellect of average men, instead of identifying it as a horrible wonder apart) could get by no road to any other conclusion than that he was a terrible man, and must be fled from.