"What is that?" he asked, pointing to the fragments that had just missed the ash heap.
"It contained oblivion," was the answer given him in steady tones. "Do you wonder that I sought it? Nothing can save me. I have two minutes before me. I would dedicate them to her."
His head fell forward on his hands. The clock on the mantel struck. Could it be that when the second hand had circled its small disc twice—
This was the thought of the District Attorney, but not of the Chief Inspector. He had advanced to the desk where Mr. Roberts was still sitting, and remarked with a gravity exceeding any he had hitherto shown:
"Mr. Roberts, I have a great disappointment for you. This little vial of yours which held poison yesterday contained nothing but a few drops of harmless liquid to-day. The change was made in the night, by one suspicious of your intention. You will have to face the full consequences of your crime."
Carleton Roberts' arms collapsed and his face fell forward upon them, and they heard a groan. Then in the short silence which followed, another and a very different sound broke upon their ears. Seven clear calls from the cuckoo-clock rang out from the room beyond, followed by a woman's smothered cry.
It was the one ironic touch the situation had lacked. It pierced the heart of Carleton Roberts and started him in anguish to his feet.
"O God!" he cried, "that I should have let that thing of evil shriek out the wicked hours from day to day, only to torment her now with old remembrances! Why did I not crush it to atoms long ago? Why did I leave it hanging on my wall–"
With a dash he was in the hall. In another instant he was at the door of his bedroom, followed by the two officials crowding closely up behind him.
Would they find her there? Yes; where else should she be, she whom this call from the past might almost draw from the grave! She was there, but not in the spot where they had expected to see her, nor in that state of collapse of which her former weakness had given promise. Apart from Mr. Gryce, with her form drawn up to its full height she stood, with her finger pointing not at the cuckoo-clock as would seem most natural, but at a small newspaper print of the dead girl's face pinned up on another wall.
"Why is that here?" she cried in a passionate inquiry which ignored every other presence than that of him who must heed and answer her. "Carleton, Carleton, why have you pinned that young girl's face up opposite your bed where you can see it on waking, where it can look at you and you at it—Or–" here checked by a sudden thought she broke off, and her tone changed to one of doubt, "perhaps you did not put it there yourself? Perhaps its presence on your wall is a trick of the police to startle you into betrayal. Was it? Was it?"
"No, Ermentrude." The words came slowly but firmly. "I put it there myself. I thought it would haunt me less than if left to my imagination."
Then in a low tone which perhaps reached no other ears than hers:
"I do not know what it does to me; or what I see in it. Something besides youth and beauty. Something–"
"Hush!" She had him by the arm. "Forget it; these men are listening–"
But with a convulsive movement, he broke from her hold, and in so doing his eyes fell on a mirror confronting him from the opposite side of the room. Two faces were visible in it, his own and that of his young victim pictured in the print hanging on the wall behind him. They seemed alive. Both of them seemed alive, and as he saw them thus in conjunction, the sweet, pure countenance of the child he had instinctively mourned, peering at him over his guilty shoulder—the sweat started on his forehead and he uttered a great cry. Then he stood still, swaying from side to side, the eyes starting from his head in a horror transcending all that had gone before.
"Take him away!" she cried. "Out of the room! Let him remain anywhere but here. I pray you; I entreat."
But he was not to be moved.
"Ermentrude," he whispered; "they say her name was Duclos. She gave her name as Willetts. What was her name? You know the truth and can tell me."
XXXIII
AGAIN THE CUCKOO-CLOCK
Then to the wonder and admiration of all, this extraordinary woman showed her full strength and the inexhaustible power she possessed over her own emotions. With a smile piteous in its triumph over a suffering the depths of which they were just beginning to sound, she held his gaze in hers and quietly said:
"You have driven me to the wall, Carleton. If I answer, nothing remains to us of hope or honor; nothing upon which to stay our souls but a consciousness of truth. Shall we let all go and meet our fate as people should who stand on a desolate shore and see the whole world roll away from before them?"
"What was her name?"
At his look, at this repetition of his question, she straightened up, and addressed herself to Mr. Gryce.
"You were astonished and regarded me curiously when at the sound of that foolish little clock I entered this room. That little clock means everything to me, gentlemen." Here she surveyed them one after the other with her proud and candid eye. "It is the one witness I have—is it not, Carleton?" she asked, turning quickly upon him. "You have not failed me in this?"
He shook his head.
"A witness to what I am still ready to ignore, if such is your will, Carleton."
Terror! terror far beyond anything they had seen in him yet, paled his cheek and made his face almost unrecognizable; but he could still speak, and in the murmur he let fall she heard no word of protest.
"May I ask one of you to take down that clock?"
In a few minutes it lay on the table to which she had pointed. Mr. Gryce who had at that moment in his pocket a copy of the inscription pasted on its back, expected her to turn it over and show them the token of Mr. Roberts' and her united initials.
But it was not this she had in mind. Though she took up the clock, she did not turn it round, only looked at it steadily, her trembling lips and a tear—the first they had seen—testifying to the rush of old memories which this simple little object brought back to her long suffering heart. Then she laid it down again and seemed to hesitate.
"I want to get at the works inside," she appealed to them with a helpless accent. "Can you tear off the back? That would be the quickest way. But no, I know a quicker," and lifting the clock again she turned it upside down and shook it.
They heard—what did they hear? No one could say, but when she again reversed it, there fell out upon the table and rolled to the floor a small gold circlet. Lifting it, Mr. Gryce held it out to her. Taking it, she carried it over to the District Attorney and placed it in his hand.
"Read the inscription inside."
He did so, and looking quickly up, said:
"This is a wedding ring! Yours! You believe yourself to have been married to him."
"I was married to him in Switzerland. The marriage was legal; he knows it, he acknowledges it, or why should he keep this ring. I have endured seeing him put another woman in my place. I have kept silence for years; but when he asks the right name of the child shot down in the museum, and asks it in a way which compels answer, then I must make known my rightful claims. For that child was not only mine, but his; born after he left me, and reared without his knowledge, first in this country and then in France."
And breaking down now utterly, she fell on her knees sobbing out her soul at the feet of him from whose honor she had torn the last poor, pitiful shred.
As for him, he said nothing; even his lips refused the smallest cry. Only his hand which had hung at his side went to his heart; and thus he stood swaying—swaying, till he finally fell forward into the arms she suddenly threw out to receive him.
"Carleton! Carleton!" she wailed, searching for consciousness in his fast glazing eye. "It was to show you your child that I made the appointment at the museum. Not for myself. Oh, not for myself, but for your sake, that you might have–"