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When the door had closed and Mr. Gryce found himself for the first time alone with Mrs. Taylor, he drew up a chair to her side and remarked in his old benevolent way:

"I feel guilty of cruelty, madam, in repeating a question you have already answered. But the conditions are such that I must, and do it now. When this young lady fell so unexpectedly at your feet, was your first look at her or at the opposite gallery?"

For an instant her eyes held his—something which did not often happen to him.

"At her," she vehemently declared. "I never thought of looking anywhere else. I saw her at my feet, and fell on my knees at her side. Who wouldn't have done so! Who would have seen anything but that arrow—that arrow! Oh, it was terrible! Do not make me recall it. I have sorrows enough–"

"Mrs. Taylor, you have my utmost sympathy. But you must realize how important it is for me to make sure that you saw nothing in the place from which that arrow was sent which would help us to locate the author of this accident. The flitting of an escaping figure up or down the opposite gallery, even a stir in the great tapestry confronting you from that far-away wall, might give us a clue."

"I saw nothing," she replied coldly but with extreme firmness, "nothing but that lifeless child and the picture of desolation which rose in my own mind. Do not, I pray, make me speak again of that. It would sound like delirium, and it is my wish to impress you with my sanity, so that you will allow me to go home."

"You shall go, after the Coroner has had an opportunity to see you. We expect him any moment. Meanwhile, you will facilitate your release and greatly help us in what we have to do, if you will carry your fortitude to the point of showing me in your own person just where you were standing when this young girl dashed by you to her death."

"Do you mean for me to go back to that—that–"

"Yes, Mrs. Taylor. Surely you can do so if you will. When you have time to think, you will be as anxious as ourselves to know through whose carelessness (to call it nothing worse) this child came to her death. Though it may prove to be quite immaterial whether you stood in one place or another at that fatal moment, it is a question which will be sure to come up at the inquest. That you may be able to answer correctly I urge you to return with me to the exact spot, before your recollection of the same has had time to fade. After that we will go below and I will see that you are taken to some quiet place where you can remain undisturbed till the Coroner comes."

Had she been a weak woman she would have succumbed again at this. But she was a strong one, and after the first moment of recoil she rose tremulously to her feet and signified her willingness to follow him to the scene of death.

"Is—is she there alone?" was her sole question as they crossed the corridor separating the room they had been in from the galleries.

"No—you will find an officer there. We could not leave the place quite unguarded."

If she shuddered he did not observe it. Having summoned up all her forces to meet this ordeal, she followed him without further word, and re-entering the spot she had so lately left in great agony of mind, stopped for one look and for one look only at the sweet face of the dead girl smiling up at her from the cold floor, then she showed Mr. Gryce as nearly as she could just where she had paused in shock and horror when the poor child smitten by the fatal arrow fell back almost into her arms.

The detective, with a glance at the opposite gallery, turned and spoke to the officer who had stepped aside into the neighboring section.

"Take the place just occupied by this lady," he said, "and hold it till you hear from me again." Then offering his arm to Mrs. Taylor, he led her out.

"I see that you were approaching the railing overlooking the court when you were stopped in this fearful manner," he remarked when well down the gallery toward its lower exit. "What did you have in mind? A nearer glimpse of the tapestry over there and the two great vases?"

"No, no." She was wrought up by now to a tension almost unendurable. "It was the court—what I might see in the court. Oh!" she impulsively cried: "the child! the child! that innocent, beautiful child!" And breaking away from his arm, she threw herself against the wall in a burst of uncontrollable weeping.

He allowed her a moment of unrestrained grief, then he took her on his arm again and led her down into the court where he gave her into the charge of Correy. He had gone as far as he dared in her present hysterical condition. Besides, he could no longer defer the great experiment by means of which he hoped to reach the heart of this mystery.

Taking the slip of paper handed him by Sweetwater, he crossed the court to where the various visitors, detained, some against their will and some quite in accordance with it, stood about in groups or sat side by side on the long benches placed along the front for their comfort. As he confronted them, his face beamed with that benevolent smile which had done so much for him in days gone by. Raising his hand he called attention to himself; then, when he was quite sure of being heard by them all, he addressed them with a quiet emphasis which could not fail to gain and hold their attention:

"I am Detective Gryce, sent here from Police Headquarters to look into this very serious matter. Till the Coroner arrives, I am in authority here, and being so, will have to ask your indulgence for any discomfort you may experience in helping me with my investigation. A young girl, full of life an hour ago, lies dead in the gallery above. We do not know her name; we do not know who killed her. But there is some one here who does. The man or woman who, wittingly or unwittingly, launched that fatal shaft, is present with us in this building. This person has not spoken. If he will do so now, he will save us and himself, too, no end of trouble. Let him speak, then. I will give him five minutes in which to make this acknowledgment. Five minutes! If that man is wise—or can it be a woman?—he will not keep us waiting."

Silence. Heads moving, eyes peering, excitement visible in every face, but not a word from anybody. Mr. Gryce turned and pointed up at the clock. All looked—but still no word from man or woman.

One minute gone!

Two minutes!

Three!

The silence had become portentous. The movement, involuntary and simultaneous, which had run through the crowd at first had stopped. They were waiting—each and all—waiting with eyes on the minute-hand creeping forward over the dial toward which the detective's glance was still turned.

The fourth minute passed—then the fifth—and no one had spoken.

With a sigh Mr. Gryce wheeled himself back and faced the crowd again.

"You see," he quietly announced, "the case is serious. Twenty-two of you, and not one to speak the half-dozen words which would release the rest from their present embarrassing position! What remains for us to do under circumstances like these? My experience suggests but one course: to narrow down this inquiry to those—you will not find them many—who from their nearness to the place of tragedy or from some other cause equally pertinent may be looked upon as possible witnesses for the Coroner's jury. That this may be done speedily and surely, I am going to ask you, every one of you, to retake the exact place in the building which you were occupying when you heard the first alarm. I will begin with the Curator himself. Mr. Jewett, will you be so good as to return to the room, and if possible to the precise spot, you were occupying when you first learned what had occurred here?"

The Curator, who stood at his elbow, made a quick bow and turned in the direction of the marble steps, which he hastily remounted. A murmur from the crowd followed this action and continued till he disappeared in the recesses of the right-hand gallery. Then, at a gesture from Mr. Gryce, it suddenly ceased, and with a breathless interest easy to comprehend, they one and all waited for his next word. It was a simple one.