Suddenly Soames was lucid: “Are you secretly ready to get out of this place?”
“I can feel the whole experience withering around me.”
“Perfect! You understand me perfectly. Do you remember the dead skins of the Pulitzer Prize winner? Right. His books — dead skins! How could he say that? Do you think he was being stupidly provocative or simply imitating a colossal human anus?”
“He treated me okay, Tiberius. But I wasn’t chasing his girlfriend around the living room.”
“Oh, my friends and foes! That night! Later! You have no idea how violently I masturbated!”
Let that be the last word of any description of the conversations among our Department members.
But no, I couldn’t let it. A few minutes later I trailed Clara Frenow into the hallway and called her name as she struggled with her office door.
“I’m surprised I even feel irritated with you,” I told her.
She looked surprised herself, then unsurprised, then incapable of surprise. “You want to come in?” she said.
It was visible and plain, the oppressiveness stealing back over her life. And all she had was her blue beret. She looked prehistoric. I could see her in the rags of animals, lifting up a small harpoon against the storm.
“Nah,” I said, “forget it, no.”
Tiberius hadn’t had his last word, either. He turned up beside me now and put both hands on my arm: “Michael, we must get out of this flatness. The flatness and the regimented plant life. The vastly regimented plant life. Nothing matters but that we get out of here.”
He walked away toward the hallway’s end. He hadn’t even glanced at Clara. In the stairwell he became a swaying silhouette and disappeared six inches at a time, descending.
“Clara, I thought we had an understanding.” But I might as well have been saying, I understood we had a thought.
“Well, I don’t know about that.”
“Then I guess we didn’t. It’s probably silly of me to be talking about it. Anyway — come on. What happened?”
“The position’s gone tenure track. It was kind of sudden, Mike.”
We both knew I’d done nothing to build a case for getting tenure.
“We assumed it was coming, but it came without warning,” she explained. “The fact is Marty blessed us suddenly with the tenured slot when Tiberius got all that publicity. Look, we’ve got to move Tiberius over to a tenure track. In fact we’d better give him tenure right away or we’re going to lose him.”
“If you haven’t already.”
“He’s not as around-the-bend as he acts. He’s just lighting a fire under us. And having fun at it, too, I might add.”
Marty Peele was the Dean of Liberal Arts (and the man at whose house Tiberius had been so pleased to meet Kelly Stein). The History Department was barely on Marty’s radar, but apparently he’d been galvanized by a series of interviews Tiberius had done with somebody on PBS. Soames had been brilliant. That which excellent teaching couldn’t do for him, the impression that he’d become famous had managed to do. And good for him.
“Good for him. And, really: good for the Department. And good for the whole institution. It just comes kind of abruptly — as you say.”
“I would have shuffled you over to Tibby’s position for a year, but the truth is, we had to restructure the budget, too. In effect his line isn’t there, not for a year or two anyway.”
“You mean it isn’t there at all?”
“Well, it’s sort of there. There just isn’t much money for it.” Tiberius had probably gotten a whopping raise, in other words.
“I could maybe do with that. Just for the one year.”
“Well, of course, Mike. If you want the position — uh.” She finished off by saying, nearly wailing, “Oh, Mike!”
“Oh, Clara!” It was impossible. I’d been wrong to ask. “All right. I feel like a fool. I know you’ve done whatever you could. I’m out of line. I owe you thanks, and that’s all.”
“You’ve been wonderful here,” she said.
“It’s been good for me.” I was sincere in saying it.
I took the stairs to the parking-lot entrance. When I reached the street I didn’t know whether to go right or left. Soon I’d have to start acting like a person who cared about what happened to him.
Not a lot happened. The following day I carried a cardboard box to the office and emptied my desk into it. Over the next two weeks I brought several such boxes into the house I rented. Slowly I packed, as yet without a destination. I watched the weather turn.
Just before the end of the academic year I took a trip to upstate New York to attend the Conference on Emerging Democracies. I flew by jet to New York City, and from there I rode a train. I had no preparations to make, no real role to play at the Conference, a gathering sponsored by the Giddings Policy Studies Foundation and an annual tradition since the days when “democracy” had meant “socialism,” a roundup of intellectuals currently undertaking a project of cool-headed, not to say bald-faced, retrenchment. I spent a very long three-day weekend among a lot of people who, I was sort of glad to see, had no intention of abandoning their earliest and most hopeful assumptions. Sixteen weeks before, the Berlin Wall had come down. Nobody mentioned this. The term “Marxist” flew all around the place, but none of the speakers ever referred to The Left or The Revolution or The People. On panels, behind podiums — so tiny in nearly empty auditoriums — they displayed the vivid, liberated staunchness of spinsters in old novels. What they’d mistaken for a political philosophy had always amounted, they were seeing now, to an aesthetic, and the divorce it was undergoing from its previous claim to relevance could only serve to purify it. They were no-nonsense about being all nonsense. This didn’t preclude a certain shift in personal style. The men no longer smoked pipes of tobacco, and the women no longer drank sherry or wore bright lipstick inexpertly applied. I don’t know why I went. I think I wanted something to happen to me there but nothing did.
Except that I spent a couple of days in the city and was struck as always with how dirty and beautiful New York is. The gray light is a song. And the grafitti alongside the Amtrak: The rails head north out of Penn Station under the streets, almost as through a tunnel, alongside the passing logos of gangs and solitary hit-artists who use the patches of sunshine that fall into the brief spaces between overpasses, their fat names ballooning into the foreground of their strange works, switched on and off in alternating zones of light and dark. They make the letters of our own alphabet look like foreign ideograms, ignorant, rudely dismissive, also happy: magical bursting stars, spirals, lightning. And I realized that what I first require of a work of art is that its agenda — is that the word I want? — not include me. I don’t want its aims put in doubt by an attempt to appeal to me, by any awareness of me at all.
What brought Flower Cannon to mind right then I don’t know, but I have to say the passing parade put my recent experiences with her into a kind of persective. The experiences were mostly about seeing her, laying eyes on her — not about hearing her words, certainly not about touching her. And now I think this narrative might cohere, if I ask you to fix it with this vision: luminous images, summoned and dismissed in a flowing vagueness. The difference being that I didn’t take Flower for a message, but a ghost, the ghost of my daughter — yes, and for a while she came and went in the flow of events like my Elsie in the silent cataract of memory.