The sons of Mars, on the contrary, were devoted entirely to the service of the fair sex. Many of the officers’ wives accompanied the regiment, and these helped to make up the quadrille, the mazurka, the redowa,—at that time the latest dance,—and every day saw a merry gathering of revelers.
One day there would be a series of entertaining games; another day there would be a play on a hastily improvised stage, in which the baroness herself would take a part, and win well-deserved applause by her graceful and artistic acting.
There were several skilled amateur jugglers among the merry company, who would give performances à la Bosko and Philadelphia; and others would delight the audience with the wonderful scenes of a magic lantern.
Once the baroness arranged a chase, and herself joined in the hunt after the pheasants and deer on her estate, proving herself a skilled Amazon in the saddle and in the management of her rifle. Then, the officers improvised a horse-race; and once they even got up a circus, in which all look part.
Count Vavel, in his tower, was an interested spectator of many of these amusements. There had been a time when he, too, had taken part in and enjoyed just such sports. He was a lover of the chase and of horse-racing. No one knew better than he the keen delights of a clean vault over ditches and hedges. If only he might join the merry company down yonder, he could show them some riding!
And as for hunting? He could spend whole days on the mountains, clambering after the fleet-footed chamois, following the larger game through morass and forest. He had grown up amid exhilarating sports such as these.
And the dance-music! How alluring were the strains! and how often through the day he found himself humming the melodies which had floated to him from the open windows of the manor! Once he, too, had taken pleasure in jesting with fair women until their white shoulders would shake with merry laughter. And all this he must look upon and hear at a distance, since he had made himself his own jailer!
During these weeks Marie was very restless. The sound of the trumpets startled her; the unusual noises terrified her. She whose nightly slumbers had been guarded from the barking of dogs and the crowing of fowls now was obliged to listen half the night to clarionet, horn, and piccolo, and to wonder what these people could be doing that they kept their music going until such late hours.
One circumstance, however, reconciled Marie to the excitement of these days: Ludwig spent more time with her; and though his face was as stern as ever, she could not detect in it the melancholy which cannot be concealed from the eyes of the woman who can look into the depths, of the soul.
CHAPTER II
At last, one day late in the autumn, Count Vavel received from his correspondent, Herr Mercatoris, the information that the dragoon regiment was going to change its quarters, and that the departure from Fertöszeg would be celebrated by various amusements, among them a regatta with colored lanterns on the lake and magnificent fireworks on the shore.
“We shall manage somehow to live through it,” was the count’s mental comment on the news. He knew Marie’s horror of fire—how she suffered with terror when she saw a conflagration, no matter how distant. She was even afraid of the rockets and paper dragons which were used at the celebration at the conclusion of the grape harvest every year. On the evening of the merrymaking Marie was afraid to go to bed. She begged Ludwig to close the blinds and to read to her in a loud voice, so that she might not see the light of the fireworks or hear the tumult on the lake shore. That which amused the revellers at the manor was a terror for this timid child.
And that they were amusing themselves over at the manor was beyond a doubt. The program for the evening’s entertainment was a varied one. Colonel Barthelmy was in the gayest of humors. The surprise of the evening was to conclude the entertainment, and was called on the program “The Militiaman.” Every one in the audience expected that Colonel Barthelmy, who had arranged this part of the entertainment, would produce something extremely amusing. The reality surpassed all expectations.
The figure conducted on to the stage by the colonel was no other than the little water-monster, Baroness Katharina’s protégé. He was clad in the uniform of a soldier, with a wooden sword and gun, a hat decorated with crane-feathers, a canteen at his side, and a knapsack on his back. An enormous false mustache extended from ear to ear, and a short-stemmed pipe was thrust between his lips.
“This, gentlemen and ladies, is a militiaman.” The colonel was interrupted by a burst of merriment from his audience. Even the baroness laughed immoderately, but suppressed it hastily when she remembered the telescope on the tower of the Nameless Castle.
“Poor little fellow!” she murmured, with difficulty keeping her face straight.
“Attention!” called the colonel, snapping the whip he held in his hand. “What does the militiaman do when he is in a good humor?”
A bagpipe behind the curtain now began to play a familiar air, whereupon the little monster first touched his finger to his hat, then slapped his thighs with both hands, and lifted first one foot, then the other.
The baroness hid with her fan that side of her face which was toward the neighboring castle, and joined in the uproarious laughter.
“You see, gracious baroness,” continued the colonel, “that I have accomplished what I determined I would do—made quite a man of the little fellow.”
He snapped his whip again, and called sharply:
“Now let the militiaman show us what he does when he is in an ill humor.”
The bagpipe struck up a different air. The dwarf muttered something unintelligible into his mustache, and grimaced hideously. Then he took from his tobacco-pouch flint, tinder, and steel, and struck fire in the proper manner; he thrust the burning tinder into his pipe, and pressed it down with his finger.
Tremendous applause rewarded this exhibition.
“Do you see, gracious baroness, what a complete man he is become? He can even strike fire and light a pipe!”
By this time the gnome began to understand that his antics amused the audience, and he, too, enjoyed them. For the first time an emotion was expressed on his stolid countenance; but it was not an agreeable transformation. The corners of his mouth widened until they reached his ears, which stood still farther out from his head; he closed one eye, and opened the other to its farthest extent; and pressing the stem of his pipe more firmly between his teeth, he blew the smoke and fire from the bowl like a miniature volcano. The thicker the smoke and sparks came from the pipe, the more furious became the strange creature’s glee, while the entire company shouted and clasped their hands. Even the colonel himself was amazed at the performance of his dull pupil.
“Why have we not a Hogarth among us to perpetuate this caricature?” he exclaimed delightedly.
“Horrible! I cannot bear to look at him,” said the baroness, holding her fan in front of her face. “Pray take him away, Herr Colonel—take him away.”
“Presently. Ho, there, my little man! What does the militiaman do when he sees the enemy?”
The whip snapped, and the bagpipe set up a discordant shriek, upon which the actor sprang with one bound from the stage, and vanished behind the curtain, wooden sword and gun clattering after him, while the audience showered applause on the successful instructor.
“Herr Colonel,” observed the baroness, when quiet had been restored, “I am very much afraid that your instructions will cause me some trouble in the future.”