Ballard put the question aside and started going through the contents of the box, checking them off against the list from the murder book and studying each piece of clothing and every item gathered from the Corolla. She had seen something in the crime scene photos that she wanted to find: a small notebook that was in the console between the front seats of the car. An entry on the property list said simply notebook, with no description of its contents or any detail about why Hilton kept a notebook by his side in his car.
She found it in a brown paper bag with other items from the console. These included a lighter, a drug pipe, spare change amounting to eighty-seven cents, a pen, and a parking ticket issued six weeks before Hilton’s death. The parking ticket had been explored by the original investigators and there was a report in the murder book on their efforts. The ticket appeared to be a dead end. It had been issued on a street in Los Feliz where a friend of Hilton’s lived. The friend recalled that Hilton had visited to sell the friend a clock radio he said his stepfather had given him. But he ended up staying at the apartment for several hours when the friend shared a hit of heroin with him. While Hilton was nodding off in his friend’s apartment, his car was being ticketed. Hunter and Talis deemed the ticket irrelevant to the investigation and Ballard saw nothing that made her think otherwise.
Now she opened the notebook and found Hilton’s name and a number she assumed was his prisoner number at Corcoran written on the inside flap. The pages of the notebook were largely filled with pencil studies and full sketches of hard-looking men, many with tattoos on their faces and necks. Other prisoners, Ballard surmised. The finished drawings were quite good and Ballard thought Hilton had some artistic talent. Knowing that he had this other dimension beyond drug addict and petty thief humanized him to her. Nobody deserved to be shot to death in a car, no matter what they were doing, but it was helpful to get a human connection. It added fuel to the fire that the detective needed to somehow keep burning. She wondered if Hunter or Talis or Thompson had made a connection to Hilton through this notebook. She doubted it. If they had, it would have been kept in the murder book so that the detective could see it and open it when he needed to stoke the fire.
Ballard finished flipping through the pages. One sketch caught her eye and she held on it. It was of a black man with a shaved head. He was turned away from the artist and on his neck was a six-pointed star with the number 60 in its center. Ballard knew that all Crips gangs or sets shared the symbol of the six-pointed star, its points symbolizing the early altruistic goals of the gang: love, life, loyalty, understanding, knowledge, and wisdom. The 60 in the middle of the star was what caught Ballard’s eye. It meant that the subject of the sketch was a Rolling 60s Crip, a member of the same set of the notoriously violent gang that controlled drug sales in the alley where Hilton was murdered. Was that a coincidence? It appeared that Hilton had sketched this man while in prison; less than two years after his release, he was killed on Rolling 60s turf.
None of this had been in any reports in the murder book that Ballard had read. She made a mental note to check again. It might be a significant clue or it might be purely coincidental.
She flipped farther into the notebook and saw another drawing, which she thought might be the same man with the Rolling 60s tattoo. But his face was turned away and shadowed. She couldn’t be sure. Then she found what she believed was a self-portrait. It looked like the face of the man she had seen in the crime scene photos. In the drawing, the man had haunted eyes with deep circles beneath them. He looked scared, and something about the drawing punched Ballard in the chest.
Ballard decided to add the notebook to the items she checked out of Property. The drawings reminded her of a case that was cracked by the cold case unit a few years earlier, when Ballard had been assigned to the Robbery-Homicide Division. Detective Mitzi Roberts had connected three murders of prostitutes to a drifter named Sam Little. Little was caught and convicted, then from prison started confessing to dozens of murders committed over four decades and all over the country. They were all “throwaway” victims — drug addicts and prostitutes — whom society, and police departments, had marginalized and given little notice to. Little was an artist and he sketched pictures of his victims to help visiting investigators identify the women and the cases. He held their images in his head, but not so often their names. He was given a full set of artist supplies and his drawings were in color and very realistic, eventually matching up to victims in multiple states and helping to clear cases. But they didn’t serve to humanize Sam Little, only his victims. Little was seen as a psychopath who showed no mercy to his victims and deserved no mercy in return.
Ballard signed out the bullet evidence and the notebook and left the Property Division. She called Bosch when she got outside.
“What’s up?”
“I just came out of Property. I pulled the bullet and casing. Tomorrow is Walk-In Wednesday at ballistics. I’ll go right after my shift.”
“Sounds good. Anything else in the box?”
“Hilton was a sketch artist. He had a notebook in his car that had drawings from prison. I checked it out.”
“How come?”
“Because I thought he was good at it. There are a few other things from my review that I want to go over. You want to meet?”
“I’m sort of in the middle of something today but I could meet for a few minutes. I’m close by.”
“Really? Where?”
“The Nickel Diner, you know it?”
“Of course. I’ll be there in ten.”
9
Ballard found Bosch in the back with his laptop open and several documents spread on a four-top table. It was apparently late enough in the day for the management to allow him to monopolize the spot. A plate with half a chocolate-frosted donut was on the table, assuring Ballard that Bosch was a paying customer rather than a freeloader who bought nothing but coffee and monopolized a table for hours.
She noticed the cane hooked over one of the empty chairs as she sat down. Assessing the documents that Bosch had started stacking when he noticed her approach, Ballard raised her hands palms up in a What gives? gesture.
“You’re the busiest retired guy I think I’ve ever seen.”
“Not really. I just said I’d take a quick look at this and then that would be it.”
Putting her backpack on the empty chair to her right, she caught a glimpse of the letterhead on one of the documents Bosch was clearing. It said “Michael Haller, Attorney-At-Law.”
“Oh, shit, you’re working for that guy?”
“What guy?”
“Haller. You work for him, you work for the devil.”
“Really? Why do you say that?”
“He’s a defense attorney. Not only that, but a good one. He gets people off that shouldn’t get off. Undoes what we do. How do you even know him?”
“Last thirty years, I’ve spent a lot of time in courthouses. So has he.”
“Is that the Judge Montgomery case?”
“How do you know about that?”
“Who doesn’t? Judge murdered in front of the courthouse — that’ll get some attention. Besides, I liked Judge Montgomery. When he was on a criminal bench I hit him up for warrants every now and then. He was a real stickler for the law. I remember this one time, the clerk let me go back to chambers to get a warrant signed and I go in there and look around and there’s no judge. Then I hear him say, ‘Out here.’ He had opened his window and climbed out onto the ledge to smoke a cigarette. Fourteen floors up. He said he didn’t want to break the rule about smoking in the building.”