‘We’re fine,’ Hunter said, taking in all his movements.
Lange poured himself a large glass of Cognac and quickly took a mouthful. That seemed to bring some of the color back to his face.
‘I was told by Mrs. Mitchell that you were probably Laura’s closest friend outside the family,’ Hunter said.
‘Maybe . . .’ Lange shook his head as if disoriented. ‘I’m not sure. Laura was a very private person, but we got on well. She was . . . fantastic: funny, talented, intelligent, beautiful . . .’
‘She exhibited in this gallery not so long ago, is that right?’ Garcia asked.
Lange told them that Laura’s exhibition had run from the 1st to the 28th February and it’d been a tremendous success – very well attended, and all of the twenty-three pieces she’d exhibited had been sold. Laura had only been present for about two hours on the opening and closing nights, and Lange said she hadn’t seemed at all upset, worried or anxious at either of them.
‘Was that the last time you saw her?’ Hunter asked.
‘Yes.’
‘And did you use to keep in contact regularly? Phone calls, texts, that sort of thing?’
Lange moved his head from side to side. ‘Not that regularly. We usually chatted on the phone two maybe three times a month. It really depended on how busy we both were. Sometimes we did lunch, dinner or drinks together, but again, nothing regular.’
‘Mrs. Mitchell also told me that her ex-fiancé was here on her closing night,’ Hunter said.
Lange’s eyes shot in Hunter’s direction.
‘Do you remember seeing him talking to Laura at all?’
Lange took another sip of his Cognac and Hunter noticed his hands had started shaking again.
‘Yes, I’d forgotten all about that. He’d had a little too much to drink. He really upset her that night,’ Lange recalled. ‘They were by the staircase at the back of the gallery, away from the main floor and the crowd. I was looking for her because I wanted to introduce her to an important buyer from Switzerland. When I finally found her, I went over and that’s when I noticed she looked unhappy. As I joined them, he walked away angrily.’
‘Did she tell you what happened?’
‘No, she didn’t want to talk about it. She went straight into the ladies’ room and came out again about ten minutes later, but before doing so, she asked me to get him out of here, before he made a scene with the guests.’
‘A scene?’ Hunter questioned. ‘Did she tell you why?’
Lange shook his head. ‘But I sensed it was because he was jealous.’
Garcia craned his neck. ‘Jealous of whom? Did Laura have a date with her that night?’
‘No, but I saw her talking to someone earlier that night. And I know they swapped phone numbers because she told me.’
‘Could you describe him?’ Garcia asked.
Lange bit his lower lip and looked at a distant nothing as if considering something. ‘I can do better than that. I think I might have a picture of him.’
Twenty-Eight
Calvin Lange lifted his right index finger at both detectives, asking them for a minute, and reached for the phone on his desk.
‘Nat, we still have the photos from Laura Mitchell’s exhibition, right? . . . Great, can you bring your laptop into my office, please . . . Yeah, now is good.’ Lange put the phone down and explained that they always photographed and sometimes videoed their exhibitions, especially the artists’ nights. The photos were used for brochures, advertisement campaigns and their own website.
‘How about your CCTV footage?’ Hunter asked. He’d noticed six cameras in total on their way up to Lange’s office.
Lange gave him an embarrassed headshake. ‘We recycle hard drive space every two weeks.’
There was a soft knock on the door and the same assistant who had guided Hunter and Garcia into Lange’s office earlier stepped into the room carrying a white laptop.
‘You’ve met Nat,’ Lange said, motioning her to his desk.
‘Not properly,’ she replied with the same smile she’d given them earlier. Her eyes stayed on Hunter.
‘Natalie Foster is my assistant,’ Lange explained, ‘but she’s a great photographer and very good with computers. She’s also our webmaster.’
Natalie shook both detectives’ hands. ‘Please, call me Nat.’
‘These are detectives from the Homicide Division,’ Lange told her.
Natalie’s smile quickly slipped from her face. ‘Homicide?’
Hunter explained the reason for their visit and Natalie’s entire body tensed. Her eyes searched for Lange’s and Hunter could tell her mind had flooded with questions.
‘We need to take a look at the photographs from Laura’s exhibition, Nat,’ Lange said.
It took a few seconds for his words to register. ‘Umm . . . yes, of course.’ She placed the laptop on Lange’s desk and fired it up. As the computer booted, an anxious silence hovered over the room. Natalie typed in a password and scrolled a trembling finger across the laptop’s mouse pad as she searched for the pictures directory.
Hunter grabbed a small bottle of water from the drinks cabinet. ‘Here, have some of this, it’ll help.’ He poured some into a glass with ice and brought it over to her.
‘Thank you.’ She forced a smile before taking two large sips and returning her attention to the computer.
A few more mouse clicks later and Natalie set the picture display to full screen.
‘OK, here they are.’
The first picture was a wide shot of the main gallery floor on the opening night of Laura Mitchell’s exhibition. It looked full to capacity.
‘How many people were here that night?’ Hunter asked.
‘About a hundred and fifty.’ Lange looked at Natalie for confirmation. She nodded. ‘And there were a few more outside waiting to get in.’
‘Entry wasn’t by invitation only?’ Garcia asked.
‘Not always, it depends on the artist,’ Lange replied. ‘Most, especially the more famous and egocentric ones, like to make their launch nights invitation- and RSVP-only.’
‘But not Laura.’
‘Not Laura,’ Lange confirmed. ‘She wasn’t like most artists who think they’re God’s gift. She insisted her exhibitions were open to everyone and anyone. Even on artists’ nights.’
Most of the photographs were of Laura smiling and chatting to people. She was usually surrounded by a group of four or five. A few of the photographs showed her posing in front of a canvas or with a fan. She certainly was a very attractive woman. Hunter could hardly make the connection with the crime-scene photos he’d seen.
‘Wait,’ Lange said, stepping closer. His eyes squinted as he studied the photograph that had just appeared on the screen. ‘I think that’s him – the guy who swapped numbers with Laura.’ He pointed to someone standing at the back of the frame. He was tall with short dark hair and was dressed in a dark suit, but his face was partially obscured by a waiter carrying a tray of drinks. Natalie used the zoom feature at the bottom of the screen to enlarge it, but it didn’t make the man’s face any clearer. He looked to be around the same age as Laura Mitchell.
‘Have any of you seen him before?’ Hunter asked.
Lange shook his head, but Natalie looked uncertain. ‘I think I have, at one of our previous exhibitions.’