I had checked into the hotel (which I’ll call the Seaview, once again because that wasn’t its name) in the middle of the afternoon. Now, with nothing to engage me until dinner, I determined to look more closely at the hotel’s exterior, fixing its design and orientation more firmly in my mind.
At the desk I collected a front door “key”—a swipe card—from Hannah, and left the hotel by the front entrance. Outside, I crossed the steeply sloping road’s canyon-like cutting to the high-walled far side, where because there was no pavement I was obliged to huddle close to the old stone wall in order to avoid descending cars. And from that somewhat dubious vantage point I scanned the wedge-shaped bulk of the Seaview.
Apart from the canopied entrance, the windows of Mrs. Anderson’s office and those of the top floor, which were little more than a row of fanlights—and with one other exception, but an important one—the Seaview’s anterior aspect was more or less a blank wall and scarcely interesting, causing me to wonder why I had found the place so attractive in the first place. In just a little while I would discover the answer to that question.
I have mentioned the hotel’s wedge shape:
The thick, unadorned end of this wedge was at the Seaview’s higher elevation; while the narrow, lower end sported and supported, at a height of some nine feet over the pavement, a lone, canopied balcony: in fact my balcony, that of room number seven. And it was because the balcony was set at a skewed angle on the “pointed” or thin end of the building that it was able to offer sidelong views of both the seafront and the hillside…not to mention that other, higher, rather more dilapidated or deserted hotel that loomed up there, set well back from the road in rank and neglected gardens.
Standing in the road’s cutting under the massive, backward-leaning retaining wall that was literally securing the hillside, I wasn’t actually able to see that place on high; yet somehow I was aware of it, had been aware of it ever since gazing upon it from my room’s balcony. Indeed I could sense it—could almost feel it—frowning coldly down on the Seaview. Even in the glow of a late summer afternoon I could feel this oppressive weight; or perhaps it was only the fearful tonnage of the hillside that I felt, held back by the great wall…
There in the shade of that wall, just for a moment I felt a chill; or more properly I felt slightly uneasy. But then, as my gaze once more swept the Seaview end to end—and passed beyond the hotel, down the road to the seafront—all such weird imaginings were put aside when I was suddenly reminded what it was that had inspired me to turn off the main road into the hotel’s carpark in the first place. Quite simply, it was the view below and beyond the hoteclass="underline" that of the promenade and inviting golden sands, and the glittering blue waters reaching right across the bay to the horizon. These were the things which had coloured my first impression of the hotel, not the building itself but that marvellous view which it commanded.
As for the intimidating chill I had felt: well, I had been standing in the shade of the great retaining wall, after all…
Back over the road, I walked along the pavement in front of the Seaview down to the building’s “sharp” end under the balcony of room number seven, then turned right to descend the steep drive to the gardens, the pool and parking lot.
By this time the shadows were falling slantingly toward the sea as inland the sun prepared to set behind higher ground. The back of the Seaview, with its double row of canopied balconies, now stood in its own shadow, and looking up at it I finally recognized the extent of my error in perspective. For the front of the hotel, with its more or less blank stone wall, was the actual rear of the place, while this ocean-facing, far more ornate elevation with its truly wonderful view of the bay was the real front.
The beach was beginning to clear; tourists and other holidaymakers strolled the esplanade where sunlight yet struck home; with two hours yet to dinner, I spent a few minutes watching a lone swimmer performing his expert crawl, to and fro, the full length of the pool, before going in through the Seaview’s rear entrance and up to my room…
As if to counter the unseasonal chill which I had felt earlier, the room was very warm. This was, however, in no way unnatural; despite that the hotel’s central heating had been shut down for the summer, number seven’s floor-to-ceiling sliding glass doors had trapped much of the day’s sunlight, and I could still feel its warmth radiating from the walls and floor.
Showering, drying off, and changing for the evening from my rough driving clothes into summer casuals—slacks and a light shirt—I went out onto the balcony. Along with a small table, there was a deckchair which I unfolded and set to a comfortable angle, so that I could sit facing that portion of the bay which my rather awkward sidelong view afforded me.
In a little while, however, becoming aware of the strain on my neck—and sensing once again that indefinable heaviness of atmosphere: an “unparalleled, extraordinary nonesuch sensation” perhaps? Or more properly the feeling that someone’s unfriendly eyes were fixed upon me—I repositioned the deckchair to face the road and settled back with my eyes closed, gradually easing the cramps in my neck and shoulder. More comfortable in that position I began to nod off…only to start awake again as the notion that I was under observation returned in such force that I could no longer ignore it!
Not that there was any way some unknown other could have me under observation…nor any reason he would want to, for that matter! But still I snatched open my eyes, as if to catch someone at it.
Across the road, the retaining wall rose in its own shadow; above it, the steep weed- and ivy-festooned hillside climbed up and back through neglected, overgrown terraces to that frowning scarecrow of a place, the deserted hotel up there. Standing now in early evening shade—with its empty, higher windows behind their balconies staring lifelessly out; also its lower windows, like a row of bleary eyes, gazing over the parapet of a balustraded patio—the place looked more gaunt than ever, and even ghostly.
But that was all. No one was spying on me—except perhaps that forsaken hotel itself, if that were at all possible. Which it wasn’t…
…But in any case I narrowed my eyes and studied the place more closely. Not that there was much to study, for the hotel’s front was more properly a facade: an Andalusian mask—plaster as opposed to plastic surgery—applied over bricks and mortar presumably in order to enhance the looks of the place, in which task it had failed utterly.
Craning my neck, I stared at the place top to bottom and in that order. Three storeys high, with its close to gothic aspect it reminded me of a desanctified church. Above the flat roof’s parapet wall, the hollow, sharply-pointed triangles of ornamental gables were pierced through by shallowly slanting beams of sunlight. Then there was that frowning facade, and finally the patio behind its balustrade wall.
As to the latter:
Because of the steep angle I couldn’t see the patio in its entirety, but even so there was something up there that I found just a little odd. While it was obvious that the place had been stripped to the bone and no longer functioned as a hotel, still it appeared that certain of its former embellishments had been left behind.