“One here,” she says, “and the other here.”
Later, when the two of them are alone, and after he has thought on it a little while, the priest tells the hunters’ story to Sumner. He watches his reactions.
“As I understand it, the place they found the bodies is not so very far from where you were found yourself,” he says. “So I’m guessing you will know the men who died; I’m guessing that they were your own shipmates.”
Sumner, who is seated by the stove whittling at a piece of driftwood, scratches his nose and nods once in agreement.
“Were they dead when you left them?” the priest asks him.
“Only the Yaks.”
“And you didn’t think to go back there?”
“I knew that blizzard would have killed them.”
“It didn’t kill you.”
“I’d say it tried its damnedest.”
“Who murdered the Esquimaux?”
“A man named Henry Drax, a harpooner.”
“Why would he do such a thing?”
“Because he wanted their sledge. He wanted to use it to escape.”
Frowning and shaking his head at this extraordinary intelligence, the priest picks up his pipe and fills it with tobacco. His hand is trembling as he does so. Sumner watches him. Charcoal ticks and crackles in the stove beside them.
“He must have traveled north,” the priest says after a pause. “The northern tribes of Baffin Land are a law unto themselves. If he fell amongst them there is no way of us ever finding out where he is or what has become of him. He may be dead, but more likely he has traded the sledge for shelter and is waiting for the spring.”
Sumner nods. He watches the candle’s shimmering ghost hovering in the darkened windowpane. Beyond it, he sees the pale template of the igloo, and, beyond that, the high hard blackness of the mountains. He thinks of Henry Drax still alive somewhere and shudders.
The priest stands up. He takes a bottle of brandy from the cabinet near the door and pours them both a glass.
“And what is your name?”
Sumner looks up at him sharply, then turns back to the driftwood and continues whittling.
“Not Henry Drax,” he says.
“Then what?”
“Sumner. Patrick Sumner from Castlebar.”
“A Mayo man,” the priest says lightly.
“Aye,” he says. “Once upon a time.”
“And what is your history, Patrick?”
“I have none to speak of.”
“Come,” he says, “every man has his history surely.”
Sumner shakes his head.
“Not me,” he says.
* * *
On Sundays, the priest holds Communion in the main room of the cabin. He pushes the table to one end of the room, clears off the books and papers, and puts a linen tablecloth, a crucifix, and two candles in brass candlesticks down in their place. There is a pewter jug and chalice for the wine, and a chipped china plate for the wafers. Anna and her brother attend always and sometimes four or five others come down from the camp nearby. Sumner acts as altar boy. He lights the candles, then blows them out again. He dabs the lip of the chalice with a rag to keep it clean. When required, he even reads the lesson. The whole thing is nonsense, he believes, a crude human circus with the priest as ringmaster and lion tamer combined, but it is easier to go along with it once a week, he thinks, than argue the toss on each separate occasion. What the Esquimaux make of it all, though, he can’t imagine. They stand and kneel as required, even sing the hymns as best they can. He suspects they find it secretly amusing, that it serves them as a form of exotic entertainment in the otherwise dull expanses of winter. When they get back to their igloo, he imagines them laughing at the priest’s solemnity and gaily mimicking his pointless, ponderous gestures.
One Sunday, after the service has concluded and the tiny congregation is standing smoking pipes or sipping mugs of sugared tea, Anna tells the priest that one of the Esquimaux women from the camp has a sickening infant and is asking her for medicine. The priest listens, nods, then goes to the storeroom and selects a bottle of calomel pills from the medicine chest. He gives the woman two of the white pills and tells her to divide them in half and to give the child one-half each morning and keep it tightly swaddled in the meantime. Sumner, who is sitting by the stove in his usual place, watches on but doesn’t speak. When the priest has moved away he stands up and walks over to the Esquimaux woman. He gestures to look at her child. The woman says something to Anna and then, after Anna replies, removes the child from the hood of her anorak and hands it to Sumner. The child’s eyes are dark and sunken, and its hands and feet are cold. When Sumner pinches its cheek, it doesn’t cry or complain. He gives the child back to his mother, then reaches behind the stove and takes a small piece of charcoal from the galvanized bucket. He twists it beneath his boot heel, then licks his index finger and dabs it down into the black powder. He opens up the infant’s mouth and smears the charcoal powder on its tongue, then gets a teaspoon of water and washes it down. The infant turns red, coughs, then swallows. Sumner takes a larger piece of charcoal from the bucket and hands it to Anna.
“Tell her to do what I just did,” he says. “She should do it four times each day, and she should feed the baby as much water as she can in between.”
“And the white pills too?” she says.
Sumner shakes his head.
“Tell her to throw away the pills,” he says. “The pills will make it worse.”
Anna frowns and then looks down at her feet.
“Tell the woman I am an Angakoq,” Sumner says. “Tell her I know a lot more than the priest ever will.”
Anna’s eyes widen. She shakes her head.
“I cannot tell her that,” she says.
“Then tell her she must choose for herself. The pills or the charcoal. It is up to her.”
He turns away, unfolds his pocketknife, and starts up again with the whittling. When Anna tries to speak to him again, he waves her away.
* * *
The two Esquimaux hunters who rescued Sumner return to the mission a week later. Their names are Urgang and Merok. They are ragged, cheerful men both, lank-haired and boyish. Their ancient anoraks are torn and shabby, and their bulbous bearskin trews are darkened in patches by seal grease and baccy juice. On arrival, after tethering the dogs and doing the decencies with Anna and her brother, they draw the priest aside and explain that they want Sumner to come with them on their next hunting trip.
“They don’t need you to hunt,” the priest tells Sumner shortly afterwards. “They just want you to be there. They suspect you have magical powers, and they think the animals will be drawn to you.”
“How long would I be gone?”
The priest goes outside to check.
“They say a week,” he says. “They’re offering you a new set of furs to wear and a fair portion of the catch.”
“Tell them yes,” Sumner says.
The priest nods.
“They’re good-hearted fellows, but crude and backwards, and they speak not a word of English,” he says. “You’ll be able to act as a good example of the civilized virtues while you’re in amongst them.”
Sumner looks at him and laughs.