She could have done the sensible, indeed the healthy thing, by drying herself and slipping out of the furs into a warm blanket. Indeed, Sturm's promise that he would look the other way gave her pause for a moment, until she looked closely into his eyes and decided she didn't believe him. Instead, dripping and trembling, Mara lifted her flute and began to play. It was a pensive little folk melody Sturm recognized as Que-Shu Plainsman in origin. It haunted him, casting his memories back to his growing years beside the Crystalmir Lake, far to the south in Abanasinia.
Now, beside his other miseries, the music was making him homesick.
"I've had enough of piping for this season," Sturm protested gruffly, stretching his hands toward the warmth of the fire. Between wet fur and wet horse and the smoke from an ill-made fire, the smell in the cave was getting to be unbearable, and all things, weather and company and situation alike, seemed to conspire against him.
"Enough of piping?" Mara asked with a wretched little smile as she lowered the flute. "Afraid I'll turn you into another spider?"
"Turn if you will," Sturm offered glumly. "Cyren over there seems happy in his webbing. Or if you must pipe, pipe in the mode of Chislev so that somewhere in the midst of us there is harmony at least."
"So you know a little of the bardic modes," Mara observed. She wasn't especially impressed.
"No more than a standard Solamnic schooling," Sturm replied. "Seven modes, established in the Age of Dreams. One for each of the neutral gods. Philosophers claim that music and the spirits of man are interwoven as subtly as… Cyren's web over there. Dangerous stuff, though. The red gods are tricky servitors."
"No more than standard Solamnic schooling indeed," chided Mara, and Sturm frowned. "The red modes are no more treacherous than penny whistle tunes. They lift your spirits because you're taught to be happy when you hear a lilting piece in a major key, and thoughtful and a little melancholy when the song is slow and minor. Now, the white modes are another matter…"
She lifted the flute to her lips.
"The white modes?" Sturm asked, and again Mara began to play the little Plainsman tune, her fingers blurring this time as they raced along the flute. Though the melody was the same and the elf maiden played it as quietly and as slowly as she had before, there was something different in the feel of the music, as though somehow it had been filled with a sudden depth and direction. Cyren's web shivered and hummed in response, and the rain shrank from the mouth of the cave, forming a small rainbow on the damp ground as it receded.
"Did you do that?" Sturm asked skeptically, then gasped as he looked at the elf. For her robes were thoroughly dry, and her hair as well, as though the music were a hot, dry wind that had passed over and through her, until now, comfortable, even toasty, Mara lay back, nodding toward sleep.
She looked at Sturm with heavy-lidded eyes. For a moment, she didn't speak, and the filaments of the spider's web hummed on, echoing the vanished music, repeating the melody once more before they, too, stilled and were silent.
"What do you think?" she asked, her voice remote and echoing as though she spoke to Sturm from somewhere deep in the recesses of the cave. "It was the white mode you heard, the martial Kiri-Jolith combined with a Que-Shu rain hymn to drive back the waters from our threshold."
"But I heard nothing-I mean, nothing really different than when you played before."
"How sad for you," Mara said, holding the flute up to the firelight, examining it idly. "How sad… and how odd."
"Odd?" Sturm asked. "Why odd? It was the same melody, was it not?"
"One was" Mara agreed. "But the other, the white mode, took its place in the absences of the red, in the space between the notes of the Plainsman song. You didn't hear it because you weren't expecting to hear it. Some people can't hear it even when they're listening for it. They seem to be born not to hear it. Perhaps you are one of those."
"What do you mean by that?" Sturm asked testily. He fancied himself a good deal better than tone-deaf. Yet on this rainy afternoon, one tune had seemed identical to the other, and yet the second one had all the magic.
"What do you mean?" he repeated, but suddenly the girl was standing, alert as a wild animal when something foreign and dangerous crosses into its territory.
"Shhh!" she breathed. "Did you hear it?"
"Hear what?" Sturm asked angrily. Time and again, it seemed, his senses were called into question. Mara motioned him to be silent, then crept to the mouth of the cave, dagger in hand. Behind them, Luin stirred uneasily, and Cyren clicked and whistled somewhere back in the darkness.
"Something is out there," Mara whispered. "Something besides the wind and the rain is moving through the high grass over on the other side of that rise."
They looked at one another uncertainly.
"Stand back, Lady Mara," Sturm ordered, his confidence none too strong. "I expect that tending to something besides wind and rain is more my kind of duty than yours."
Drawing his sword, he stepped out into the rain, impressed by his own bravado. Mara looked at him skeptically, but he barely noticed. It was only after he was halfway to the rise in question that he realized he had left behind helmet, breastplate, and shield.
"So much for dash and daring," he sputtered as the rain ran in rivulets down his forehead. "There's no going back now."
Low to the ground, he skirted the rise to the south. For a moment, he passed beneath a lone blue aeterna tree, and all about him was dry and fragrant and loud with the spattering rain in the branches. Then quickly out of the shadows he burst, his sword at the ready and a fierce, boar-hunting cry on his lips.
Not twenty yards away, something dark crossed from tree to tree and scurried behind a large, moss-covered boulder. Sturm didn't break stride. Sensing that he had the advantage of surprise, he loped across the clearing and scaled the boulder with a single, athletic bound, hurtling down upon the caped figure below him before whoever it was had a chance to raise weapon, dodge, or even move.
A tangle of limbs and robes and water, the two tumbled and slid down the hillside, churning the sopping ground as they fell and wrestled. Somewhere amid a wrenching somersault, Sturm dropped his sword. He opened his mouth to cry out, his face plowed into the mud, and he came up stunned and sputtering.
Almost at once the caped man threw Sturm back against the boulder and staggered to his feet. Groping almost blindly in the mud for his sword, for a rock or a sizable limb, Sturm came up with nothing but a handful of grass and gravel and roots, which he hurled at his adversary with a shout.
The caped man dodged gracefully-a dancer's move, or an acrobat's-and Sturm's humble missile sailed by harmlessly. Staggering from the force of his throw and slipping on the slick, rain-soaked hillside, Sturm managed to right himself and, for the first time, get a good look at his adversary.
Dripping with mud and soil, his cloak interwoven with grass and dried vines, the man looked like an effigy fashioned of forests and night. Slowly, indignantly, he brushed his cloak, and the soil and greenery tumbled from his arms and shoulders.
Sturm gasped, his eyes flickering over boulder and bush, over sloping ground in a desperate search for the sword. Off to his left, in the midst of crushed high grass, he caught a faint glimmer of metal.
The man was silent, his face muffled by hood and rain, but his movements were unsettlingly familiar. Sturm, however, had no time for guesswork. Slipping in the mud, bracing himself once more against the boulder, he lunged up the hill, reaching the sword just before the caped man closed with him. A gloved hand grasped his wrist in a fierce and powerful grip, and Sturm went flying again into the side of the boulder, his vision flashing white as the air rushed from him.