Arms crossed, Glitsky merely nodded. He didn't know what, if anything, was going on at Tim Markham's house. He did consider it entirely possible that the household had slept through Bracco's knocking and ringing. He'd seen families of murder victims, physically exhausted and emotionally depleted, sleep around the clock and then some.
Or they might have decided just not to answer the door to some unknown man at the crack of dawn.
But on another level, Glitsky was glad to see his inspector showing such initiative, even if it might turn out to have been misdirected. They'd know soon enough.
It was another clear, cold morning. They parked directly in front of the two-story mansion and walked to the front stoop, an expanse of flagstone broader and wider than Glitsky's living room. Bracco knocked, then pressed the bell, a booming three-tone gong easily audible outside the door. "I don't think they'd sleep through that, do you?"
Glitsky reached around, pressed the button again. And they waited. After one more try and another minute, Abe told Darrel to stay where he was and went to check around the house. The plantation shutters in the front windows were closed, but through the garage windows, he saw two cars parked where they should have been. Opening the gate through the fence to the backyard, he was struck by the silence, and walked more briskly to the window in the back door. A large dog, apparently asleep on the floor, was visible at the far end of a kind of mud room, and Glitsky knocked forcefully several times. The dog didn't move.
Jogging now, coming back around to the front of the house, he saw that a woman had joined Bracco on the front porch. He checked his watch and saw that it was just eight o'clock. Slowing down now, walking back up to the stoop, he had his badge out and introduced himself. She was Anita Tong. As he'd guessed, the maid, arriving at work for the day.
"Were you expecting Mrs. Markham to be home this morning?"
Ms. Tong nodded. "Mr. Markham just died yesterday. Where would she go?"
"I don't know," Glitsky said. "I was asking you."
There was no answer.
"Do you have a house key? May I see it, please?"
Nervous now, nodding, she was biting her lower lip. She rummaged in her purse, extracted a set of keys, and dropped them onto the flagstone. "I'm sorry," she said, picking them up. "Here. This one."
Glitsky turned to his inspector. "Darrel, I want you to stay here. Ms. Tong, you should wait right here, too, with Inspector Bracco. Do you understand? Don't go inside."
Glitsky then opened the door and found himself in a large, bright, circular foyer. A spacious room opened off to his left and he walked a couple of steps into it and looked around. All seemed in order. Across the foyer, a dining room complete with formal table and chandelier was also as it should be, as was the breakfast nook beyond that.
Silence, though. Everywhere dead silence.
He went back through the dining room to the kitchen and hadn't gone a step into it when he saw the woman's body lying on its side, a gun on the floor by her head. Crossing to her in several long strides, he avoided the pool of drying blood and knelt by her for a second. He saw the source of the blood, a hole in the scalp low and behind the right ear. Although there was no doubt, he touched the cold skin of her neck, then pulled out his gun and started to check the rest of the house. Two minutes later, he walked to a wall phone upstairs in the master bedroom and punched in the number he knew best.
The crime scene investigation team had already been working the house for an hour and now its sergeant, Jack Langtry, was walking across the front lawn to where Glitsky stood with a small knot of medical examiner's people and police. The sun was out, but it hadn't warmed appreciably. Everyone standing around had their hands in their pockets.
Langtry hailed originally from Australia and was normally a hearty, rugby-type guy in his late thirties. Today his face looked somehow crooked and blotchy and he seemed to lurch from side to side as he walked, almost as if he were drunk. Glitsky separated himself from the general and subdued mass and met him in the middle of the lawn.
Langtry let out some air and squeezed at his temples with one hand. He kicked at the ground, raised his eyes, looked out at the horizon. "You know one of the things I loved most about this country when I first came here? No restrictions on who can own guns. But I think I'm getting to the point where I'm changing my mind. You put guns in a house with distraught people…I've just seen this too bloody often. Stupid sods."
Glitsky thought he understood what Langtry was implying, but this wasn't a time for guessing. He wanted to be clear on the crime scene investigation unit's position. "What do you think happened in there, Jack?"
Langtry scratched under the collar of his shirt, looked again at the bright blue sky. When his eyes got back to Glitsky, he was back in professional mode. "It was Markham's gun. We found the registration in the same drawer where he probably kept it, in his office off the kitchen. It was right by her hand."
"All right. It was his gun in her hand. What's that mean?"
"By itself, I don't know for sure. The lab might tell us something we don't know."
"Other than what?"
"Other than what it seems like."
Glitsky took a beat. "We playing twenty questions here, Jack, or what?"
"You were asking them, Abe. You want to know what I think, we can go straight to there. She did them all, then killed herself."
"Carla?"
"Was that her name?"
"Yeah. She killed her kids, too?"
Langtry seemed to get a little defensive. "You telling me you've never seen it?"
"I've seen it a lot, Jack. Maybe just not like this."
"Not like what?"
But Glitsky discovered he couldn't quite put his finger on what nagged at him about this theory. "I don't know, Jack. Maybe I'm whistling through my hat. Faro come up with anything?" Faro was Lennard Faro, the crime scene lab technician.
Langtry nodded. "He's still in there. You can talk to him. You wanted my take, it's probably what it looks like. Unless you know something I don't."
It was a question, and Glitsky shook his head. "Just why? Why the whole family?"
But this wasn't a hard one for Langtry. "Her husband died yesterday, right? That's what I heard."
"Yeah. Hit and run."
"And maybe they were having problems before that?"
"I don't know. Did you hear that someplace?"
"No. But it's the profile. You know as well as me."
"Maybe not," Glitsky replied, though he thought he did. "Tell me."
Langtry squinted into the sky again, organizing his thoughts. "The world's too horrible to live in. There's too much pain and it all means nothing anyway. So she's sparing them from that. Doing them a favor, maybe."
Glitsky knew that this was the standard reading. In his career, he'd seen distraught women kill their families before. He'd read or heard about several others. It was always difficult to imagine or accept. But in his experience, those events-terrible though they had been-had a different quality to them, a more immediate and somehow more painful impetus than the simple death of the husband.
He remembered-years ago now-a family of five who'd escaped from Vietnam. The oldest boy, a young teenager, had died on the boat coming over, and then a few months after they'd arrived, they were packed into a one-bedroom place and one of the Chinatown gangs broke in, took some stuff, and then-possibly angry that the family didn't have more stuff to steal-shot the husband dead. The next day, the mother had suffocated the two young kids, then cut her own wrists.