But I was sure she had something to say to me, so I lingered under the tree till the crowd had all dispersed and Colonel Schuyler, drawn away by her father, had left us for a moment face to face. Then I saw I was right.
"Philo," she murmured, and oh, how her face changed! "you are my friend, I know you are my friend, because you alone out of them all have never given me sharp words; will you, will you do something for me which will make me less miserable, something which may prevent wrong and trouble, and keep Orrin—"
Orrin? did she call him Orrin?
"Oh," she cried, "you have no sympathy. You—"
"Hush!" I entreated. "You have not treated me well, but I am always your friend. What do you want me to do?"
She trembled, glanced around her in the pleasant sunshine, and then up into my face.
"I want you," she murmured, "to keep Orrin and Colonel Schuyler apart. You are Orrin's friend; stay with him, keep by him, do not let him run alone upon his enemy, for—for there is danger in their meeting—and—and—"
She could not say more, for just then her father and the Colonel came back, and she had barely time to call up her dimples and toss her head in merry banter before they were at her side.
As for myself, I stood dazed and confused, feeling that my six feet made me too conspicuous, and longing in a vague and futile way to let her know without words that I would do what she asked.
And I think I did accomplish it, though I said nothing to her and but little to her companions. For when we parted I took the street which leads directly to Orrin's house; and when Colonel Schuyler queried in his soft and gentlemanlike way why I left them so soon, I managed to reply:
"My road lies here"; and so left them.
I have not told Orrin what she said, but I am rarely away from his vicinity now, during those hours when he is free to come and go about the village. I think he wonders at my persistent friendship, sometimes, but he says nothing, and is not even disagreeable to—me. So I share his pleasures, if they are pleasures, expecting every day to see him run across the Colonel in the tavern or on the green; but he never does, perhaps because the Colonel is always with her now, and we are not nor are ever likely to be again.
Do I understand her, or do I understand Orrin, or do I even understand myself? No, but I understand my duty, and that is enough, though it is sometimes hard to do it, and I would rather be where I could forget, instead of being where I am forced continually to remember.
Am I always with Orrin when he is not at work or asleep? I begin to doubt it. There are times when there is such a change in him that I feel sure he has been near her, or at least seen her, but where or how, I do not know and cannot even suspect. He never speaks of her, not now, but he watches the house slowly rising in the forest, as if he would lay a spell upon it. Not that he visits it by daylight, or mingles with the men who are busy laying stone upon stone; no, no, he goes to it at night, goes when the moon and stars alone shed light upon its growing proportions; and standing before it, seems to count each stone which has been added through the day, as if he were reckoning up the months yet remaining to him of life and happiness.
I never speak to him during these expeditions. I go with him because he does not forbid me to do so, but we never exchange a word till we have left the forest behind us and stand again within the village streets. If I did speak I might learn something of what is going on in his bitter and burning heart, but I never have the courage to do so, perhaps because I had rather not know what he plans or purposes.
She is not as daintily rounded as she was once. Her cheek is thinner, and there is a tremulous move to her lip I never saw in it in the old coquettish days. Is she not happy in her betrothal, or are her fears of Orrin greater than her confidence in me? It must be the latter, for Colonel Schuyler is a lover in a thousand, and scarcely a day passes without some new evidence of his passionate devotion. She ought to be happy, if she is not, and I am sure there is not another woman in town but would feel herself the most favored of her sex if she had the half of Juliet's prospects before her. But Juliet was ever wayward; and simply because she ought to increase in beauty and joy, she pales and pines and gets delicate, and makes the hearts of her lovers grow mad with fear and longing.
Where have I been? What have I seen, and what do the events of this night portend? As Orrin and myself were returning from our usual visit to the house in the woods—it is well up now, and its huge empty square looms weirdly enough in the moonlighted forest,—we came out upon the churchyard in front of the meeting-house, and Orrin said:
"You may come with me or not, I do not care; but I am going in amongst these graves. I feel like holding companionship with dead people to-night."
"Then so do I," said I, for I was not deceived by his words. It was not to hold companionship with the dead, but with the living, that he chose to linger there. The churchyard is in a direct line with her house, and, sitting on the meeting-house steps one can get a very good view of the windows of her room.
"Very well," he sighed, and disdained to say more.
As for myself, I felt too keenly the weirdness of the whole situation to do more than lean my back against a tree and wait till his fancy wearied of the moonlight and silence. The stones about us, glooming darkly through the night, were not the most cheerful of companions, and when you add to this the soughing of the willows and the flickering shadows which rose and fell over the face of the meeting-house as the branches moved in the wind, you can understand why I rather regretted the hitherto gloomy enough hour we were accustomed to spend in the forest.
But Orrin seemed to regret nothing. He had seated himself where I knew he would, on the steps of the meeting-house, and was gazing, with chin sunk in his two hands, down the street where Juliet dwelt. I do not think he expected anything to happen; I think he was only reckless and sick with a longing he had not the power to repress, and I watched him as long as I could for my own inner sickness and longing, and when I could watch no longer I turned to the gnomish gravestones that were no more motionless or silent than he.
Suddenly I felt myself shiver and start, and, turning, beheld him standing erect, a black shadow against the moonlighted wall behind him. He was still gazing down the street but no longer in apathetic despair, but with quivering emotion visible in every line of his trembling form. Reaching his side, I looked where he looked, and saw Juliet—it must have been Juliet to arouse him so,—standing with some companion at the gate in the wall that opens upon the street. The next moment she and the person with her stepped into the street, and, almost before we realized it, they began to move towards us, as if drawn by some power in Orrin or myself, straight, straight to this abode of death and cold moonbeams.
It was not late, but the streets were otherwise deserted, and we four seemed to be alone in the whole world. Breathing with Orrin and almost clasping his hand in my oneness with him, I watched and watched the gliding approach of the two lovers, and knew not whether to be startled or satisfied when I saw them cross to the churchyard and enter where we had entered ourselves so short a time before. For us all to meet, and meet here, seemed suddenly strangely natural, and I hardly knew what Orrin meant when he grasped me forcibly by the arm and drew me aside into the darkest of the dark shadows which lay in the churchyard's farthest corner.
Not till I perceived Juliet and the Colonel halt in the moonlight did I realize that we were nothing to them, and that it was not our influence but some purpose or passion of their own which had led them to this gruesome spot.
The place where they had chosen to pause was at the grave of old Patience Goodyear, and from the corner where we stood we could see their faces plainly as they turned and looked at each other with the moonbeams pouring over them. Was it fancy that made her look like a wraith, and he like some handsome demon given to haunting churchyards? Or was it only the sternness of his air, and the shrinking timidity of hers, which made him look so dark and she so pallid.