These hastened to do so, but, alas, they were too late to catch Vandeleur, Moran, and Nemo. These had recovered and fled, leaving Sir Hector behind. As the Eridaneans entered the front door, the trio went over the back wall of the garden.
Osbaldistone was carried out as if he were drunk and driven off in a cab. What happened to him thereafter, no one knows.
As everybody does know, Phileas appeared three seconds before his time was up. He collected twenty thousand pounds, though he had spent nineteen thousand during the journey, his last expenditure being a hundred pounds to the cabman who drove to the Reform. The remaining thousand pounds, he split between Fix and Passepartout. Within two days, Fogg and Aouda were married, and Verne ends his narrative on a happy note.
But what of the story behind Verne’s? The other log of Fogg ends on the day he took Aouda as his bride. No other literature on this subject has ever been turned up, so we must reconstruct the postlude. Fortunately, we have common sense and some narratives of a few other authors about some of the people Fogg met to help us build a reasonable sequel.
The Eridaneans and Capelleans, with Nemo out of the way, and through Fix’s offices, must have made a truce or perhaps even an alliance. Many on both sides felt, as Fix did, that there was no sense in continuing this secret and gory war which could end only in extermination for one side and near-extermination for the other. Besides, life as a mere Earthling was hard enough without adding to it the perils of Capelleanism and Eridaneanism.
Moran, we know from the writings of a certain Dr. John Watson, went back to India and stayed there for years. After retiring as a colonel, he rejoined his chief in London.
The chief, whom Watson called Professor James Moriarty, seems to have abstained from a criminal career for some years. Probably, the shock of being outwitted by Fogg and of losing the chieftainship of the Capelleans accelerated his illness. Nemo became a teacher for a while, but, after recovering much of his health, went back into business. He formed a vast criminal ring, though he succeeded in keeping his part in it unknown for a long time. Eventually, he experienced a bad fall-and falls-near the little Swiss village of Meiringen. It was symbolically and esthetically appropriate that a man who started his career in the water should end there.
Nemo’s brother, the colonel, had been so injured by the frenzied horse that he retired from the army. However, he did go back to his evil ways when older, though not as his brother’s partner. He appears briefly in a semifictional book by Robert Louis Stevenson, The New Arabian Nights.
Vandeleur plays a more important role in the same book.
Fogg retired to Fogg Shaw in rural Derbyshire, where he tinkered around in his laboratory and raised a number of children, all as handsome as he or as beautiful as their mother.
Fix continued to be a detective, though he now served only one master, or mistress in this case, Her Majesty.
Passepartout settled down as manager of Fogg’s estate and married a local girl.
And what of the Grand Plan?
From the situation of the world today, we may assume that it was abandoned.
What about the distorters?
Did the Eridaneans and Capelleans decide to throw the few remaining devices, along with the schematics, into the ocean? Or did some greedy person steal them? That we hear no more of the nine great clangings means nothing. It may be that someone, perhaps Fogg, invented a means for suppressing or canceling these noises. In which case, some of the many mysterious and seemingly impossible disappearances of things and people in this world may be explained.
Whatever happened to the distorters, the important thing is that Fogg and Aouda and Passepartout and Fix lived happily for many years. They may still be living for all anybody knows.
Fogg may even have thought that, after a hundred years, the public could be informed of the true story.
That Phileas Fogg’s initials and your editor’s are the same is, I assure you, only a coincidence.
ADDENDUM
The following article appeared in Leaves from The Copper Beeches, published for The Sons of the Copper Beeches Scion Society of the Baker Street Irregulars by the Livingston Publishing Co., Narberth, Pa., 1959.
A SUBMERSIBLE SUBTERFUGE OR PROOF IMPOSITIVE
BY H. W. STARR
A familiar literary phenomenon is the novel which is actually autobiography, biography, or factual narration disguised as fiction. We see it in the work of Thomas Wolfe, Dickens, Watson, and a score of other writers; and perhaps we may find it also in two novels that we have all read as children: Jules Verne’s Twenty Thousand Leagues under the Sea and The Mysterious Island. The popular impression of the most interesting character of this saga, an individual using the alias Captain Nemo, is that of an Indian prince, a disillusioned and embittered idealist, sickened by civilization, who gathered a little band of kindred spirits, devoted to him and tenderly cared for by him, and vanished forever into the depths of the sea in a marvellous submarine which he had secretly assembled. Yet if we examine these tales we find certain inexplicable and absolutely irreconcilable inconsistencies appearing in them-for example the dates. According to Twenty Thousand Leagues, the Nautilus is recorded as first being observed by seafarers in 1866 and vanishing in the Maelstrom in 1868, at which time Professor Aronnax and his companions escaped from the vessel. Yet we are surprised at the beginning of The Mysterious Island, when Captain Nemo is a silvery-haired old ruin, the last survivor of a company of at least twenty-four sailors and two officers, living in solitude on Lincoln Island, that the date is given as 1865!
There are other inconsistencies. According to the The Mysterious Island, Nemo is an Indian Prince Dakkar, and presumably at least some of such a man’s followers would be Indians. This could hardly have escaped the observation of Professor Aronnax, who for months watched them fishing and working about the Nautilus. Yet never does it seem to occur to him that any are Orientals. Instead, he says that all are Europeans. No matter how dubious in the eyes of modern science identification of nationality from appearance may be, it is unlikely that a veteran biologist would mistake, after close and repeated observations, some two dozen Hindus for Europeans-especially Irishmen! Furthermore, in The Mysterious Island (p. 460) Captain Nemo defends the sinking of the hostile warship witnessed by Professor Aronnax on the grounds that he “was in a narrow and shallow bay-the frigate barred my way.” Yet the Professor’s account (Twenty Thousand, pp. 473-82) unquestionably proves that for over twenty-four hours Captain Nemo deliberately lured the frigate to follow him until it suited his whim to turn and sink her.
Many more such instances may be piled up, but I think the conclusion is too obvious for us to cite them. The Mysterious Island is a work of fiction turned out by a professional novelist who, after some editing of the manuscript of Professor Aronnax to ensure its popular sale, decided to capitalize on its success by writing an entirely imaginary sequel and, in doing so, to rehabilitate a rather brutal man by painting him as a Byronic hero with a heart of gold-a procedure thoroughly compatible with the literary fashion of the day. We must dismiss it, and with this dismissal must also vanish any and all reliance upon this later volume’s account of Captain Nemo’s character, moral values, and life as “Prince Dakkar.”
Having disposed of The Mysterious Island as a source of information, let us now turn our attention to Twenty Thousand Leagues. Since this volume appears to be a novelist’s rewriting or editing of Professor Aronnax’s memoirs, we may put some faith in matters of fact observed by the professor. However, we should be more cautious in acceptance of matters of interpretation, for here the romantic Byronic aura which Aronnax and Verne saw surrounding the captain may mislead us. Consider the concept of Captain Nemo as the half-noble, half-ruthless, golden-hearted, disillusioned idealist, who loves the oppressed in general, his crew in particular, and who has provided an “Ark of Refuge” for a selected few to whom he is bound by ties of mutual devotion. Just how does the man Nemo really treat this crew of his? First of all, we should estimate how many men are on the Nautilus. From various bits of information it is clear that he cannot have had fewer than twenty-four crewmen in the original group and he may have had thirty or more. The living quarters provided for these men are very interesting. The description of the berth-room in which they seem to have spent practically all of their existence when not engaged in their duties indicates that the room could not have measured more than 22 feet by 16 feet. If we line this room with tripledecker berths, we can just fit twenty-four men (the smallest possible number) into these quarters, generously leaving clear in the center a floor space of 10 feet by 16 feet, in which they may dress, store their clothes, eat, lounge, and otherwise amuse themselves. These are slum conditions of the foulest sort. But perhaps Captain Nemo, whose bedroom is described as “severe almost… monkish,” lived under equally Spartan conditions? Well, his private suite, into which the crew never intruded, consisted of the following apartments in addition to his fifteen foot bedroom; a dining room (15 feet long) equipped, among other articles, with “exquisite paintings” and with oak and ebony sideboards bearing “china, porcelain, and crystal glass of inestimable value” (p. 81); a library (also 15 feet in length and running like the former room, the width of the ship) containing overstuffed divans upholstered in brown Morocco, movable desks, a huge table for periodicals, cigars, a bronze brazier for a cigar lighter, and a private collection of 12,000 books (pp. 85-87); a magnificent museum-drawing room (30 feet by 18 feet) provided with an arabesques ceiling, pictures “of great value” by Raphael, Leonardo, Titian, Rubens, etc. (“the greater part of which” Professor Aronnax “had admired in the galleries of Europe”), statues of bronze and marble, a large piano-organ, an invaluable collection of marine life in “splendid glass cases,” and pearls some of which were “larger than a pigeon’s egg” and which surpassed the most valuable pearl hitherto known. With this at his disposal, I think that one can see how Captain Nemo managed to survive the hardships of that severe, almost monkish bedroom.